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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
After Work
Non classifié
519
Piano & claviers
Piano, Voix
1 091
Piano seul
328
Orgue
40
Piano Facile
36
Piano, Voix et Guitare
27
Instruments en Do
16
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
8
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accompagnement Piano
3
Orgue, Trompette (duo)
1
Clavecin
1
Clavier
1
+ 10 instrumentations
Retracter
Guitares
Guitare
69
Guitare notes et tablatures
25
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
4
2 Guitares (duo)
2
Piano, Guitare (duo)
2
Dulcimer
2
Guitare, Orchestre
1
Mandoline
1
2 Dulcimers (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
160
Chorale 3 parties
32
Chorale SSAA
15
Chorale TTBB
14
Chorale 2 parties
9
Voix Soprano, Piano
9
Chorale Unison
6
Chorale SSATTB
3
Voix Soprano
3
Chorale SSAATTBB
2
Voix seule
2
Soli, choeur mixte et accompagnement
2
Voix duo
2
Voix haute
2
Voix Alto, Piano
2
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale
1
Voix basse, Piano
1
Voix duo, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton
1
Voix Tenor
1
Chorale SSATB
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Flûte traversière et Piano
56
Clarinette et Piano
43
Saxophone Alto et Piano
42
Quatuor de Saxophones: 4 saxophones
42
Quatuor de Clarinettes: 4 clarinettes
32
Saxophone Soprano et Piano
28
Hautbois, Piano (duo)
27
2 Saxophones (duo)
25
Flûte traversière
21
2 Flûtes traversières (duo)
18
2 Clarinettes (duo)
17
Clarinette
17
3 Saxophones (trio)
16
Flûte, Hautbois, Clarinette, Basson
16
Quintette de Saxophone: 5 saxophones
15
Saxophone Tenor et Piano
13
Quatuor de Flûtes : 4 flûtes
13
2 Flûte à bec (duo)
12
Saxophone Baryton, Piano
12
Cor anglais, Piano
9
Clarinette Basse, Piano
9
3 Clarinettes (trio)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Clarinette (duo)
7
Clarinette, Basson (duo)
7
Ensemble de Flûtes
6
Ensemble de Clarinettes
6
Flûte et Guitare
6
Saxophone, Clarinette (duo)
5
Quatuor de Flûtes à bec
5
Clarinette, Guitare (duo)
5
Saxophone Alto
5
Quintette de Flûte : 5 flûtes
5
Saxophone Tenor
4
Clarinette, Violon (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Hautbois, Basson (duo)
4
Saxophone (partie séparée)
4
Hautbois (partie séparée)
3
Clarinette (partie séparée)
3
Flûte à Bec
3
2 Hautbois (duo)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Trompette (duo)
3
Ensemble de saxophones
3
Clarinette et Alto
2
Ensemble De Flûte à bec
2
Flûte, Violon
2
Cor anglais, Guitare (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
5 Flûtes à bec
2
Clarinette Basse
1
Flûte irlandaise
1
Flute, alto, violoncelle et guitare
1
Piccolo, Piano
1
Ensemble de Hautbois
1
Flûte, Alto (duo)
1
Cornemuse
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano
1
Flute (partie séparée)
1
Saxophone et Guitare
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte traversière, Basse continue
1
Flûte à bec Tenor
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette (duo)
1
2 Saxophones, Piano
1
+ 70 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Trombone et Piano
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Cor et Piano
23
Trompette
17
Trompette, Piano
15
Euphonium, Piano (duo)
15
Tuba et Piano
14
Ensemble de Trombones
14
Quatuor de cuivres: 4 trombones
11
Cor anglais, Piano
9
Trompette, Trombone (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de Cuivres
5
Trombone
5
Trompette (partie séparée)
5
Ensemble de Trompettes
5
Cor (partie séparée)
4
2 Trombones (duo)
4
Trompette, Saxophone (duo)
4
Trombone (partie séparée)
4
3 Trombones (trio)
4
2 Trompettes (duo)
3
Cor
3
Ensemble de Cors
3
4 Tubas
3
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Tuba (partie séparée)
2
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Euphoniums
1
3 Trompettes (trio)
1
Trombone basse et Piano
1
Cor, Violoncelle (duo)
1
Tuba
1
3 Tubas (trio)
1
3 Cors (trio)
1
Tuba et Orgue
1
Trio de Cuivres
1
Euphonium
1
Trombone basse
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Violon et Piano
67
Violoncelle, Piano
46
Violon
36
Alto, Piano
36
Violoncelle
24
Harpe
19
Violon, Violoncelle (duo)
17
2 Violons (duo)
11
2 Violoncelles (duo)
10
Violon, Alto (duo)
9
Alto seul
8
2 Altos (duo)
8
Contrebasse, Piano (duo)
7
Violon (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
4 Violoncelles
3
Alto (partie séparée)
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
3
Alto, Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
3
Contrebasse (partie séparée)
3
Trio à cordes: 3 altos
3
Contre Basse
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
2
Harpe, Voix
1
Violoncelle, Orchestre
1
4 Contrebasses
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Clarinette, Piano (trio)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
382
Orchestre
93
Orchestre à Cordes
59
Orchestre de chambre
29
Ensemble de cuivres
27
Ensemble Jazz
11
Ensemble de Percussions
5
Marimba
3
Cloches
3
Orchestre, Violon
3
Percussion (partie séparée)
2
Batterie
1
Piano et Orchestre
1
Vibraphone
1
Jazz combo
1
+ 10 instrumentations
Retracter
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
VIOLONCELLE
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
After Work
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Partitions à imprimer
7 partitions trouvées
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1
Canon Brindis (Mozart: "O du eselhafter Peierl")
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
FACILE
#
Classique
#
Wolfgang Amadeus Mozart
#
Josef STASTNY
#
Canon Brindis
#
Josef STASTNY
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 2 - SKU: A0.743421 Composed by Wolfgang Amadeus Mozart. Arranged by Josef STASTNY. Classical,Holiday,Weddin...
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Brass Ensemble Horn,Trombone,Trumpet - Level 2 - SKU: A0.743421 Composed by Wolfgang Amadeus Mozart. Arranged by Josef STASTNY. Classical,Holiday,Wedding. Score and parts. 7 pages. Josef STASTNY #3500889. Published by Josef STASTNY (A0.743421). The work was written sometime between 1785 and 1787. On 2 September 1788, Mozart entered it into his personal catalog of works as part of a set of ten canons. Although some of the canons in the set of ten have serious (that is, religious) lyrics, was meant for fun, a gesture of mocking, scatological humor directed at a friend of Mozart's, the baritone Johann Nepomuk Peyerl (1761–1800). (Wikipedia)This canon could be used like effective and impressive opening of the concert.Substitute parts: 3 Eb, 4 Bb Other Josef´s arrangements:https://www.sheetmusicplus.com/publishers/josef-stastny-sheet-music/3006800?ac=1Personal webside: www.stastnyjosef.cz
$6.99
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon in Echo a 12
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzona in Echo Ch.
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Hallelujah Chorus
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
DÉBUTANT
#
Classical
#
Jhonatan Lucio Viana
#
Hallelujah Chorus
#
JLVPartitura
#
SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 1 - SKU: A0.1452669 By Classical. By George Frideric Handel. Arranged by Jhonatan Lucio Viana. Baroque,Chris...
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Brass Quartet Horn,Trombone,Trumpet - Level 1 - SKU: A0.1452669 By Classical. By George Frideric Handel. Arranged by Jhonatan Lucio Viana. Baroque,Christmas,Classical,Easter,Sacred. 19 pages. JLVPartitura #1031959. Published by JLVPartitura (A0.1452669). Hallelujah Chorus by Handel for Brass Quartet:This arrangement provides a captivating interpretation of Handel's famous Hallelujah Chorus.Key Features:- Melodies and harmonies that capture the essence of the work;- Suitable for Easy Begginer or Easy Intermediate levels;- Professionally arranged sheet music in PDF format;- Genre: Classical;I am pleased to offer this arrangement to enrich your musical journey. After purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$4.99
Hallelujah Chorus
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
DÉBUTANT
#
Classical
#
Jhonatan Lucio Viana
#
Hallelujah Chorus
#
JLVPartitura
#
SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 1 - SKU: A0.1452670 By Classical. By George Frideric Handel. Arranged by Jhonatan Lucio Viana. Baroque,Chris...
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Brass Quartet Horn,Trombone,Trumpet - Level 1 - SKU: A0.1452670 By Classical. By George Frideric Handel. Arranged by Jhonatan Lucio Viana. Baroque,Christmas,Classical,Easter,Sacred. 19 pages. JLVPartitura #1031960. Published by JLVPartitura (A0.1452670). Hallelujah Chorus by Handel for Brass Quartet + Chords:This arrangement provides a captivating interpretation of Handel's famous Hallelujah Chorus.Key Features:- Melodies and harmonies that capture the essence of the work;- Suitable for Easy Begginer or Easy Intermediate levels;- Professionally arranged sheet music in PDF format;- Genre: Classical;I am pleased to offer this arrangement to enrich your musical journey. After purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$4.99
Les Mousseliniers (arr. for Brass Quartet)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
AVANCÉ
#
Classique
#
Laurent de Rillé
#
Andrew Lamb
#
Les Mousseliniers
#
Andrew Lamb
#
SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 5 - SKU: A0.1307442 By Laurent de Rillé. By Laurent de Rillé. Arranged by Andrew Lamb. 19th Century,Ch...
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Brass Quartet Horn,Trombone,Trumpet - Level 5 - SKU: A0.1307442 By Laurent de Rillé. By Laurent de Rillé. Arranged by Andrew Lamb. 19th Century,Chamber. 34 pages. Andrew Lamb #896725. Published by Andrew Lamb (A0.1307442). Introducing this enchanting arrangement of Les Mousseliniers for Brass Quartet by the renowned composer Laurent de Rillé, arranged by yours truly, Andrew Lamb! 🎺🎼Instrumentation: 2 Bb Trumpets/Cornets French Horn Trombone (in Bass Clef) Extra Parts: Tenor Horn in Eb (as a substitute for French Horn) Baritone/Euphonium part in Treble Clef (as a substitute for Trombone) 🎵 Level of Difficulty: Advanced 🌟 Potential Uses: Perfect for concerts, recitals, and educational purposes, this arrangement breathes new life into a classic composition, making it an ideal choice for a variety of performance settings.About the Composer: François Anatole Laurent de Rillé (24 November 1828 – 26 August 1915) was a distinguished French composer, writer, and musical theorist. His contributions to the world of music extend beyond his compositions, as he played a pivotal role in the Orphéonist movement, alongside luminaries such as Hector Berlioz and Charles Gounod.🌿 The Orphéonist Movement: Laurent de Rillé's legacy is intricately tied to the Orphéonist movement, an initiative aimed at bringing the joys of music to the masses through male choir associations. The movement takes its name from the first of these associations, the Orphéon in Paris, named after the mythical Orpheus.📚 De Rillé's Contributions: Laurent de Rillé's influence extended far beyond his compositions. He authored numerous pieces for male choirs and arranged works by esteemed composers like Verdi, Donizetti, and Rossini. His writings on organizing choirs and training their members have been instrumental in the growth of male choir societies. 🎶🎼 Les Ruines de Gaza (The Destruction of Gaza) and Les Martyres aux Arènes (Martyrs of the Arena): Though many of de Rillé's compositions have faded into obscurity, his choral works, especially Les Ruines de Gaza and Les Martyres aux Arènes, remain timeless favorites among male choir societies, a testament to the enduring quality of his music.In this arrangement of Les Mousseliniers, you have the opportunity to breathe new life into de Rillé's musical genius. Whether you're planning a concert, recital, or an educational event, this arrangement will captivate and inspire your audience. 🌟Like and subscribe for more musical enchantment, and let the timeless melodies of Laurent de Rillé shine through your Brass Quartet's performance! 🎶ðŸ‘🎺.
$5.00
Holy, Holy, Holy (Brass Quartet)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Musique Sacrée
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John Dykes
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Wesley D
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Holy, Holy, Holy
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Asbury Publishing
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.764109 Composed by John Dykes. Arranged by Wesley D. Peters. Sacred. Score and parts. 13 pages....
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.764109 Composed by John Dykes. Arranged by Wesley D. Peters. Sacred. Score and parts. 13 pages. Asbury Publishing #5820543. Published by Asbury Publishing (A0.764109). This well-crafted arrangement for brass quartet is suitable for church or the concert hall. Stanzas 2 and 3 provide fresh harmonies after a straightforward statement of this sturdy tune. Works well as a call to worship, offertory, or postlude. The instrumentation is flexible enough to accommodate many different combinations.Purchase includes a score and the following parts:Part 1 - 1st Bb TrumpetPart 2 - 2nd Bb Trumpet (or French Horn)Part 3 - 1st Trombone (or French Horn)Part 4 - 2nd Trombone (or Baritone T.C.).
$12.99
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