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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Church Baroque
Sheetmusicplus
Non classifié
515
Piano & claviers
Piano seul
55
Orgue
53
Piano, Voix
24
Orgue, Trompette (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Accompagnement Piano
5
Clavecin
4
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
3
1 Piano, 4 mains
1
Piano Facile
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Fake Book
1
+ 8 instrumentations
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Guitares
Piano, Guitare (duo)
5
Guitare
4
Guitare notes et tablatures
2
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Voix
Chorale SATB
38
Chorale 3 parties
14
Chorale 2 parties
11
Voix duo, Piano
9
Voix seule
3
Chorale Unison
1
Voix Soprano, Piano
1
Voix haute
1
+ 3 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
50
Quatuor de Saxophones: 4 saxophones
38
Flûte traversière et Piano
34
Clarinette et Piano
29
Hautbois, Piano (duo)
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Flûte, Hautbois, Clarinette, Basson
27
Ensemble de saxophones
23
Saxophone Alto et Piano
21
Ensemble de Clarinettes
20
Quatuor de Clarinettes: 4 clarinettes
20
Saxophone Tenor et Piano
19
2 Saxophones (duo)
18
Saxophone Soprano et Piano
17
2 Flûtes traversières (duo)
16
3 Saxophones (trio)
16
Saxophone Baryton, Piano
15
Ensemble de Flûtes
14
Quintette de Flûte : 5 flûtes
13
Flûte, Clarinette (duo)
12
Cor anglais, Piano
10
Trio de Flûtes: 3 flûtes
9
Quatuor de Flûtes : 4 flûtes
8
Clarinette Basse, Piano
7
Flûte, Clarinette et Basson
6
2 Clarinettes (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte, Violoncelle
5
Quintette de Clarinettes: 5 clarinettes
5
3 Clarinettes (trio)
4
Clarinette
4
2 Hautbois (duo)
3
Flûte et Guitare
3
2 Flûte à bec (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Violon et Violoncelle
3
Clarinette, Harpe (duo)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon
3
Hautbois, Harpe
3
Flute, Cor (duo)
2
Flûte, Trombone (duo)
2
Clarinette, Violon (duo)
2
Clarinette, Basson (duo)
2
4 Hautbois
2
Flûte, Violoncelle, Piano (trio)
2
Flûte à bec Soprano
2
Hautbois, Violoncelle
2
Saxophone Alto
2
Flûte, Hautbois, Basson
2
Flûte, Hautbois (duo)
2
Flûte, Violoncelle, Guitare
2
Flûte, Saxophone (duo)
2
Quatuor de Flûtes à bec
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Alto (duo)
2
Flûte, Hautbois, Piano (trio)
2
Piccolo, Piano
2
2 Flûtes traversières, Piano
2
Hautbois, Flûte
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Trompette (duo)
1
Flûte à bec Alto
1
Flûte traversière
1
Flûte, Violon, Guitare
1
Flûte, Hautbois, Violon
1
Ensemble de Hautbois
1
Flûte, Basson et Piano
1
Clarinette, trompette et piano
1
Hautbois (partie séparée)
1
Flûte traversière, Orgue (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Violon, Piano
1
Flûte à Bec
1
Hautbois, Basson (duo)
1
Flûte, Alto et Piano
1
Flûte à bec Tenor
1
Flûte et Trio à cordes
1
+ 73 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
39
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Ensemble de Trompettes
34
Trombone et Piano
23
Ensemble de Trombones
18
Trompette, Piano
17
Trompette
15
Euphonium, Piano (duo)
15
Cor et Piano
13
Cor anglais, Piano
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de cuivres: 4 trompettes
7
Quatuor de cuivres: 4 trombones
7
Trompette, Trombone (duo)
5
Tuba et Piano
4
2 Trombones (duo)
4
2 Trompettes (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Cors (duo)
3
Ensemble de Cors
3
Quatuor de cuivres: 4 cors
3
3 Trompettes (trio)
2
Quatuor de Cuivres
2
4 Tubas
2
Trompette, Cor (duo)
2
2 Tubas (duo)
1
3 Trombones (trio)
1
Tuba et Orgue
1
Trombone
1
4 Euphoniums
1
Trombone, Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle et Piano
1
2 Euphoniums et 2 Tubas
1
3 Tubas (trio)
1
Trombone, Cor (duo)
1
3 Cors (trio)
1
Trompette, Trombone, Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 34 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violon, Violoncelle (duo)
36
Violoncelle, Piano
29
Trio à Cordes: violon, alto, violoncelle
29
Violon et Piano
27
Alto, Piano
26
Violon
20
Ensemble d'Altos
13
Ensemble de Violons
12
2 Violons (duo)
10
4 Violoncelles
8
Harpe
8
Quatuor à cordes: 4 violons
7
Trio à Cordes: 2 violons, violoncelle
6
Violon, Alto (duo)
6
Contrebasse, Piano (duo)
5
Trio à Cordes: 3 violoncelles
4
2 Altos (duo)
4
2 Violoncelles (duo)
4
Trio à cordes: 3 violins
4
Violoncelle
3
Harpe, Violon (duo)
3
Harpe, Flûte (duo)
3
Quatuor à cordes : 4 altos
3
2 Harpes (duo)
2
Violon, Orgue
2
Trio à cordes: 3 altos
2
Violoncelle , Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violons, Piano
1
Alto seul
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle, Orgue
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
49
Orchestre à Cordes
19
Orchestre de chambre
17
Orchestre d'harmonie
8
Cloches
8
Orchestre
5
Xylophone, Piano
2
Ensemble de Percussions
1
+ 3 instrumentations
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Instruments
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FLUTE A BEC
FLUTE A DIX…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
Church Baroque
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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1
Kyrie (Durante) (Brass Quartet - 2 Trp, 1 Hrn, 1 Trb)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
#
Francesco Durante
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Regis Bookshar
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Kyrie
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1092445 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1092445 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696537. Published by Regis Bookshar (A0.1092445). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 2 Bb Trumpets, 1 French Horn and 1 Trombone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzona in Echo Ch.
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Jesu, Joy of Man's Desiring (Brass Trio): Trumpet, Horn in F and Trombone
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John A
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Jesu, Joy of Man's Desiring
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John A. Dempsey
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.523973 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Classical,Easter...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.523973 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Classical,Easter,Sacred,Wedding. Score and parts. 18 pages. John A. Dempsey #4572495. Published by John A. Dempsey (A0.523973). A Â musical oasis of beauty and tranquility, Bach's Jesu, Joy of Man's Desiring is arranged here as a brass trio for Bb trumpet, horn in F and trombone. Â The gentle, flowing nature of this elegant instrumental makes this Baroque music a popular, traditional choice at weddings, as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional. Â Also recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude and silent prayer accompaniment. Â 14 pages of music (that includes the score and separate two-page parts for each brass instrument). Â Concert Key (Trombone): Eb major. Â Trumpet Key: F major. Â Horn Key: Bb major.
$9.99
Sheep May Safely Graze (Bach): Brass Trio for Trumpet, Horn in F and Trombone
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John A
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Sheep May Safely Graze
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John A. Dempsey
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1130684 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Christmas,Class...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1130684 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Christmas,Classical,Easter,Wedding. Score and parts. 16 pages. John A. Dempsey #730950. Published by John A. Dempsey (A0.1130684). With its bell-like refrain, Bach's exquisite, elegant Sheep May Safely Graze (from Cantata, No. 208) appeals not only to fans of Baroque music but also to admirers of classical, romantic and pop music. Â This brass trio for Bb trumpet, French horn and trombone is recommended for concerts, recitals, banquets, weddings, traditional church services and other worship events. Â Suggested wedding uses: prelude, unity candle music, bridesmaid processional, bridal march and wedding recessional. Â As worship music, Sheep May Safely Graze may serve as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Key: Bb major. 12 pages of music (that includes separate two-page parts for each instrument).
$9.99
Jesu, Joy of Man's Desiring (Brass Quartet): Two Trumpets, Horn in F and Trombone
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John A
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Jesu, Joy of Man's Desiring
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John A. Dempsey
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SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 3 - SKU: A0.1234162 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Christmas,Classi...
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Brass Quartet Horn,Trombone,Trumpet - Level 3 - SKU: A0.1234162 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Christmas,Classical,Traditional,Wedding. 21 pages. John A. Dempsey #829698. Published by John A. Dempsey (A0.1234162). A musical oasis of beauty and tranquility, Bach's Jesu, Joy of Man's Desiring is arranged here as a brass quartet for two Bb trumpets, horn in F and trombone. Â The gentle, flowing nature of this elegant instrumental makes this Baroque music a popular choice for weddings, as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional. Â Also recommended for traditional church services and other worship events, as a prelude, a postlude, an offertory, special music and silent prayer accompaniment. Â 17 pages of music (that includes separate two-page parts for trumpet 1, trumpet 2, French horn and trombone). Â Concert Key: Eb major.
$11.99
Ave Maria (Brass Quartet)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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FACILE
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Classique
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Jacques
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Stephen DeCesare
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Ave Maria
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Exultet Music
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SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 2 - SKU: A0.619574 Composed by Jacques (Jacob) Arcadelt. Arranged by Stephen DeCesare. Baroque,Christian,Cla...
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Brass Quartet Horn,Trombone,Trumpet - Level 2 - SKU: A0.619574 Composed by Jacques (Jacob) Arcadelt. Arranged by Stephen DeCesare. Baroque,Christian,Classical,Sacred,Standards. 7 pages. Exultet Music #3000267. Published by Exultet Music (A0.619574). The classic and beautiful hymn by Jacob Arcadelt has been freshly arranged for Brass Quartet (Bb-Trumpet (2), French Horn, Trombone). Â Accessible for all levels of playing and appropriate for any church setting. Â Can be used for various times throughout the liturgical year.
$12.99
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