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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
CITHARE
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COR
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
SYNTHETISEUR
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TUBA
UKULELE
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VIOLON
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XYLOPHONE
Giovanni Gabrieli
Non classifié
139
Piano & claviers
Orgue
1
Guitares
Voix
Chorale SATB
17
Chorale
5
Chorale SSAATTBB
1
Vents
Ensemble de Clarinettes
14
Flûte, Hautbois, Clarinette, Basson
8
Quintette de Saxophone: 5 saxophones
7
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Quatuor de Clarinettes: 4 clarinettes
6
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6
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5 Flûtes à bec
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
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13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
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8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
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6
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6
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5
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5
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4
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3
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3
Cor
2
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2
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
+ 12 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4
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Ensemble de cuivres
43
Quintette à Vent
5
Orchestre d'harmonie
2
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2
Ensemble Jazz
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
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Vous avez sélectionné:
Giovanni Gabrieli
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Partitions à imprimer
10 partitions trouvées
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"Alma cortes'e bella" for Brass Trio - Giovanni Gabrieli
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Renaissance
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Giovanni Gabrieli
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Dennis S
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"Alma cortes'e bella"
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Dennis S. Mowers
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.827227 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and part...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.827227 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and parts. 12 pages. Dennis S. Mowers #3492323. Published by Dennis S. Mowers (A0.827227). Giovanni Gabrieli's music was some of the most influential music of the Renaissance, and it continues to be played widely today. Alma cortes'e bella was originally written as a madrigal for three voices, but this arrangement was written for brass trio, echoing the style of Gabrieli's famous instrumental pieces.
$9.99
"Canzon No. 2" for Brass Quartet - Giovanni Gabrieli
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
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Renaissance
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Giovanni Gabrieli
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Dennis S
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"Canzon No. 2" for B
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Dennis S. Mowers
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.827230 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and part...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.827230 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and parts. 12 pages. Dennis S. Mowers #3493141. Published by Dennis S. Mowers (A0.827230). A staple of Renaissance music, Canzoni per sonare is a collection of 36 relatively short pieces by various composers. Legendary composer Giovanni Gabrieli began the canzoni per sonare with four memorable pieces. This is the second of those four, and it has been rearranged for brass quartet in a way that feels natural for brass players.
$9.99
"Canzon No. 4" for Brass Quartet - Giovanni Gabrieli
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
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Renaissance
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Giovanni Gabrieli
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Dennis S
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"Canzon No. 4" for B
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Dennis S. Mowers
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.827232 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and part...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.827232 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and parts. 11 pages. Dennis S. Mowers #3493301. Published by Dennis S. Mowers (A0.827232). A staple of Renaissance music, Canzoni per sonare is a collection of 36 relatively short pieces by various composers. Legendary composer Giovanni Gabrieli began the canzoni per sonare with four memorable pieces. This is the last of those four, and it has been rearranged for brass quartet in a way that feels natural for brass players.
$9.99
"Canzon No. 3" for Brass Quartet - Giovanni Gabrieli
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
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Renaissance
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Giovanni Gabrieli
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Dennis S
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"Canzon No. 3" for B
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Dennis S. Mowers
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.827231 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and part...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.827231 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and parts. 10 pages. Dennis S. Mowers #3493225. Published by Dennis S. Mowers (A0.827231). A staple of Renaissance music, Canzoni per sonare is a collection of 36 relatively short pieces by various composers. Legendary composer Giovanni Gabrieli began the canzoni per sonare with four memorable pieces. This is the third of those four, and it has been rearranged for brass quartet in a way that feels natural for brass players.
$9.99
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzona in Echo Ch.
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Dormiva dolcemente - Version for Double Brass Quartet
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Classique
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Stanley M Hoffman
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Stanley M Hoffman
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Dormiva dolcemente - Version f
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stanleymhoffman.com
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1253700 By Stanley M Hoffman. By Giovannie Gabrieli. Arranged by Stanley M Hoffman. Classical. ...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1253700 By Stanley M Hoffman. By Giovannie Gabrieli. Arranged by Stanley M Hoffman. Classical. Score and Parts. 54 pages. Stanleymhoffman.com #847326. Published by stanleymhoffman.com (A0.1253700). The Gabrieli is presented with only one note displaced by an octave (written for voices out-of-range for this brass ensemble). Then, the Gabrieli is presented as reimagined by me; mainly the harmonies are different.
$9.00
Canzona (Nb. 2)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
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Giovanni Gabrieli
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Josef STASTNY
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Canzona
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Josef STASTNY
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.743651 Composed by Giovanni Gabrieli. Arranged by Josef STASTNY. Baroque,Concert,Instructional,...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.743651 Composed by Giovanni Gabrieli. Arranged by Josef STASTNY. Baroque,Concert,Instructional,Standards. Score and parts. 8 pages. Josef STASTNY #4610347. Published by Josef STASTNY (A0.743651). One of Gabrieli´s canzonas. Early baroque polyphonic music.
$9.99
Canzona (Nb. 3)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Giovanni Gabrieli
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Josef STASTNY
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Canzona
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Josef STASTNY
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.743658 Composed by Giovanni Gabrieli. Arranged by Josef STASTNY. Baroque,Holiday,Instructional,...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.743658 Composed by Giovanni Gabrieli. Arranged by Josef STASTNY. Baroque,Holiday,Instructional,Standards,Wedding. Score and parts. 8 pages. Josef STASTNY #4621907. Published by Josef STASTNY (A0.743658). One of Gabrieli´s canzonas. Early baroque polyphonic music.
$7.99
17 Brass Quartets from "Canzoni per sonare"
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
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Renaissance
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Claudio Merulo, Costanzo Anteg
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Dennis S
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17 Brass Quartets from "C
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Dennis S. Mowers
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.827244 Composed by Claudio Merulo, Costanzo Antegnati, Florentio Maschera, Gioseffo Guami, Giov...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.827244 Composed by Claudio Merulo, Costanzo Antegnati, Florentio Maschera, Gioseffo Guami, Giovanni Battista Grillo, Giovanni Gabrieli, Girolami Frescobaldi, Luzzasco Luzzaschi, and Pietro Lappi. Arranged by Dennis S. Mowers. Renaissance. Score and parts. 224 pages. Dennis S. Mowers #3505087. Published by Dennis S. Mowers (A0.827244). A staple of Renaissance music, Canzoni per sonare is a collection of 36 relatively short pieces by various composers. The first 17 canzoni in the series are written for four parts, and have been rearranged for brass quartet. Composed by some of the most prolific and popular composers of the Renaissance .
$59.99
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