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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 C…
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.21 €
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 C…
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.21 €
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
#
jmsgu3
#
SheetMusicPlus
All This Night Bright Angels Sings (for Brass Quartet)
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Quartet Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1288606 Co…
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Brass Quartet Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1288606 Composed by Sir Arthur Seymour Sullivan. Arranged by Andrew Lamb. Christmas. 45 pages. Andrew Lamb #879563. Published by Andrew Lamb (A0.1288606). Celebrate the holiday season in grand style with our brass quartet arrangement of the beloved Christmas carol, All This Night Bright Angels Sing, composed by the renowned Englishman, Arthur S. Sullivan. This timeless carol has been skillfully adapted for a brass quartet, bringing the joy and warmth of Christmas to your musical repertoire.Instrumentation is made easy with this arrangement, designed for 2 Bb Trumpets, French Horn, and Trombone. But what makes this adaptation truly versatile are the included alternative flexible parts for Tenor Horn, Baritone (Treble Clef), Euphonium (Treble Clef), Tuba, and Eb and Bb Basses. Whether you're performing in a concert band or brass band brass ensemble, this arrangement caters to your ensemble's specific needs.With an accessibility level marked as Easy, this arrangement is perfect for musicians of varying skill levels, making it an excellent choice for educational purposes. It's also ideal for concerts, recitals, or any festive occasion where you want to infuse the spirit of Christmas into your performance.The sweet, nostalgic melodies of All This Night Bright Angels Sing will transport your audience to a place of holiday wonder and joy. This arrangement captures the essence of the season, making it a must-have addition to your Christmas repertoire.Embrace the magic of Christmas with this delightful arrangement that brings together the harmonious sounds of brass instruments in celebration. Spread the holiday cheer with All This Night Bright Angels Sing and make your next Christmas performance unforgettable.
$6.00
5.41 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Sir Arthur Seymour Sullivan
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Andrew Lamb
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All This Night Bright Angels Sings
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Andrew Lamb
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SheetMusicPlus
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