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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rather Be - Vibes
Non classifié
297
Piano & claviers
Piano seul
211
Piano, Voix
128
Piano, Voix et Guitare
51
Piano Facile
34
Instruments en Do
16
Orgue
10
Piano Trio: piano, violon, violoncelle
4
Accompagnement Piano
2
Piano grosses notes
2
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
Clavier
1
2 Pianos, 4 mains
1
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
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Guitares
Guitare notes et tablatures
31
Guitare
25
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
9
Banjo
5
Basse electrique
4
4 Guitares (Quatuor)
4
Mandoline
3
Dulcimer
3
Paroles et Accords
2
Mandoline, Guitare (duo)
2
2 Guitares (duo)
1
+ 7 instrumentations
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Voix
Chorale SATB
84
Chorale 3 parties
25
Chorale TTBB
16
Chorale SSAA
13
Pack Instrumental pour Chorale
5
Chorale 2 parties
4
Chorale Unison
4
Chorale
2
Voix Baryton, Piano
2
Voix duo
1
Voix Tenor
1
Chorale SSAATTBB
1
Chorale SSAB a cappella
1
Voix Soprano, Piano
1
Voix haute
1
Voix Alto, Piano
1
+ 11 instrumentations
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Vents
Flûte traversière et Piano
32
Hautbois, Piano (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Clarinette et Piano
20
Quatuor de Saxophones: 4 saxophones
18
Quintette de Saxophone: 5 saxophones
14
Saxophone Tenor et Piano
13
Saxophone Soprano et Piano
13
Cor anglais, Piano
12
Saxophone Alto et Piano
12
Saxophone Baryton, Piano
12
Quatuor de Clarinettes: 4 clarinettes
11
Clarinette Basse, Piano
10
Clarinette
10
2 Clarinettes (duo)
10
Ensemble de Flûtes
8
Ensemble de Clarinettes
8
2 Flûtes traversières (duo)
8
Flûte, Hautbois, Clarinette, Basson
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone Alto
7
Ensemble de saxophones
6
2 Saxophones (duo)
5
Quintette de Flûte : 5 flûtes
4
Flûte traversière
4
Clarinette, Violon (duo)
4
Flûte, Violon
3
Hautbois (partie séparée)
2
Clarinette, Trompette (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Clarinette (duo)
2
Saxophone, Clarinette (duo)
2
Flûte et Guitare
2
Saxophone (partie séparée)
2
Instruments en Mib
1
Flûte, Trompette (duo)
1
Flûte, Violon, Piano
1
2 Hautbois (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Alto (duo)
1
Clarinette et Alto
1
Clarinette (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Saxophone Tenor
1
Hautbois, Flûte
1
2 Flûte à bec (duo)
1
Flute (partie séparée)
1
Hautbois, Basson (duo)
1
+ 43 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Euphonium, Piano (duo)
15
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor anglais, Piano
12
Cor et Piano
12
Trompette, Piano
9
Trompette (partie séparée)
8
Trompette
8
Trombone (partie séparée)
6
Cor
6
Tuba et Piano
4
Ensemble de Trombones
4
Ensemble de Trompettes
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Trombone (duo)
3
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Trombone
1
Bass Clef Instruments
1
Trombone basse et Piano
1
Tuba
1
Trio de Cuivres
1
Trompette, Tuba (duo)
1
3 Cors (trio)
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 trombones
1
Instruments en Sib
1
Euphonium
1
3 Trombones (trio)
1
Trombone, Violon (duo)
1
Cor (partie séparée)
1
Quatuor de Cuivres
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violon et Piano
25
Violon
19
Violoncelle, Piano
16
Alto, Piano
15
Violoncelle
13
Harpe
11
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
9
Trio à Cordes: 2 violons, violoncelle
7
Alto seul
5
Ensemble de Violons
4
Ensemble d'Altos
4
Alto (partie séparée)
4
2 Violons (duo)
4
4 Violoncelles
2
Contre Basse
2
Violon, Alto (duo)
2
Violoncelle (partie séparée)
1
Violon (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes
1
2 Violoncelles (duo)
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Contrebasse (partie séparée)
1
2 Altos (duo)
1
+ 23 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
50
Ensemble Jazz
22
Orchestre à Cordes
21
Orchestre
17
Ensemble de cuivres
10
Fanfare
8
Cloches
4
Ensemble de Percussions
4
Orchestre de chambre
4
Vibraphone
3
Batterie
3
Marimba
1
Piano et Orchestre
1
Jazz combo
1
Orchestre, Violon
1
Xylophone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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LIVRES
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MANDOLINE
MARIMBA
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Vous avez sélectionné:
Rather Be - Vibes
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Partitions à imprimer
4 partitions trouvées
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Rather Be
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Pop musique
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Clean Bandit Feat
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Matthew pyeon
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Rather Be
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sungil
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.730138 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Ni...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.730138 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Matthew pyeon. Pop. Score and parts. 27 pages. Sungil (Matthew) Pyeon #338393. Published by sungil (Matthew) Pyeon (A0.730138).
$12.99
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzona in Echo Ch.
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Kyrie (Durante) (Brass Quartet - 2 Trp, 1 Hrn, 1 Trb)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1092445 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1092445 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696537. Published by Regis Bookshar (A0.1092445). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 2 Bb Trumpets, 1 French Horn and 1 Trombone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
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Rather Be - Vibes
