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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Solo Renaissance
Non classifié
545
Piano & claviers
Piano seul
480
Piano, Voix
115
Piano Facile
40
Orgue
34
Accompagnement Piano
5
Piano, Voix et Guitare
4
Clavecin
3
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
2
Clavier
1
Orgue, Piano (duo)
1
+ 6 instrumentations
Retracter
Guitares
Guitare
258
Guitare notes et tablatures
147
4 Guitares (Quatuor)
8
Ukulele
6
Paroles et Accords
5
Mandoline
3
Ensemble de guitares
2
Guitare, Flûte, Clarinette
2
Guitare, Violon, Violoncelle (trio)
1
Dulcimer
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
40
Voix seule
18
Voix haute
12
Voix duo
8
Chorale TTBB
8
Voix duo, Piano
6
Chorale 2 parties
5
Voix Soprano, Piano
5
Voix moyenne, Piano
4
Voix Baryton, Piano
3
Chorale Unison
3
Chorale 3 parties
2
Voix, Guitare
2
Voix basse, Piano
2
Chorale
2
Chorale SSAA
2
Voix basse
1
Voix Alto, Piano
1
Chorale SSATB
1
Voix Tenor
1
Voix Tenor, Piano
1
+ 16 instrumentations
Retracter
Vents
Flûte à bec Soprano
90
Flûte et Guitare
56
Flûte traversière
55
Quatuor de Clarinettes: 4 clarinettes
54
Flûte à bec Alto
49
Quatuor de Saxophones: 4 saxophones
49
Quatuor de Flûtes : 4 flûtes
48
Flûte, Hautbois, Clarinette, Basson
44
Clarinette, Guitare (duo)
31
Flûte traversière et Piano
29
Quintette de Clarinettes: 5 clarinettes
26
Saxophone Alto et Piano
25
3 Saxophones (trio)
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Trio de Flûtes: 3 flûtes
23
Clarinette et Piano
23
Ensemble de Clarinettes
21
Cor anglais, Guitare (duo)
21
Quintette de Flûte : 5 flûtes
19
Saxophone et Guitare
19
3 Clarinettes (trio)
19
Hautbois, Piano (duo)
17
Clarinette
15
Quatuor de Flûtes à bec
15
2 Flûtes traversières (duo)
13
Saxophone Tenor et Piano
12
2 Clarinettes (duo)
11
Ensemble de Flûtes
10
Saxophone Alto
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Flûte, Hautbois, Basson
8
2 Saxophones (duo)
8
Cor anglais, Piano
8
Clarinette, Harpe (duo)
7
Quintette de Saxophone: 5 saxophones
7
Flûte à bec, Guitare (duo)
6
3 Flûtes à bec (trio)
6
Cor anglais et Harpe (duo)
6
Flûte à bec, Harpe
6
5 Flûtes à bec
5
Hautbois, Guitare (duo)
5
Saxophone Soprano et Piano
5
Hautbois (partie séparée)
5
Flûte, Clarinette (duo)
4
Hautbois
4
Flûte à bec Alto, Piano
4
2 Flûte à bec (duo)
4
Hautbois, Basson et Piano
4
Hautbois, Basson (duo)
3
2 Hautbois (duo)
3
Clarinette, Basson (duo)
3
Flûte, Hautbois (duo)
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Clarinette (duo)
2
Flûte à Bec
2
Flûte, Clarinette et Basson
2
Saxophone (partie séparée)
2
Saxophone Baryton, Piano
1
Flute (partie séparée)
1
Flûte, Trombone (duo)
1
Clarinette, Contrebasse (duo)
1
Cornemuse
1
Clarinette, Tuba
1
2 Hautbois, Piano
1
Flûte à bec Tenor
1
Flute, harpe et violon
1
2 Flûtes traversières, Guitare
1
Cor Anglais
1
Clarinette, Trombone (duo)
1
Ensemble De Flûte à bec
1
Ensemble de Hautbois
1
2 Clarinettes, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
+ 69 instrumentations
Retracter
Cuivres
Trombone
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Cor anglais, Guitare (duo)
21
Trompette, Piano
19
Trompette
16
Cor et Piano
14
Cor
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Tuba
10
Trombone et Piano
10
Trompette, Trombone (duo)
9
Cor anglais, Piano
8
Tuba et Piano
8
Cor anglais et Harpe (duo)
6
Euphonium
5
2 Trompettes (duo)
5
2 Trombones (duo)
4
Trompette (partie séparée)
4
2 Cors (duo)
4
2 Tubas (duo)
3
Ensemble de Cors
3
Ensemble de Trompettes
3
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
2
Quatuor de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trombones
2
Euphonium, Tuba (duo)
2
Trombone, Cor (duo)
2
Trombone basse
1
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
3 Trombones (trio)
1
3 Trompettes (trio)
1
Cor Anglais
1
Ensemble de Trombones
1
3 Cors (trio)
1
+ 32 instrumentations
Retracter
Cordes
Violon et Piano
41
Violon
40
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violoncelle
34
Violoncelle, Piano
29
Trio à Cordes: violon, alto, violoncelle
28
Alto, Piano
24
Violoncelle , Guitare (duo)
23
Harpe
22
Alto seul
16
Alto, Guitare (duo)
15
Harpe, Flûte (duo)
13
Violon, Guitare (duo)
13
Contre Basse
7
Harpe, Violoncelle (duo)
7
2 Altos (duo)
7
Contrebasse, Piano (duo)
6
2 Violoncelles (duo)
6
Alto et Harpe
6
Harpe, Violon (duo)
6
Violon, Violoncelle (duo)
5
Trio à cordes
4
Alto, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
Violon, Alto (duo)
3
Violon, Basse continue
2
2 Violons (duo)
2
2 Contrebasses (duo)
2
Alto (partie séparée)
2
4 Violoncelles
2
Harpe et Piano
1
2 Violoncelles, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Flûte, Contrebasse (duo)
1
Trio à cordes: 3 altos
1
2 Violons et Basse continue
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Altos, Piano
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
31
Orchestre à Cordes
12
Orchestre d'harmonie
11
Quintette à Vent
9
Quatuor à Vent : 4 instruments à vents
8
Orchestre
6
Orchestre de chambre
6
Ensemble Jazz
5
Marimba
4
Xylophone
2
Vibraphone
1
Trio à Vent: 3 instruments à vents
1
Batterie
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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HARPE
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LUTH
MANDOLINE
MARIMBA
OCARINA
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Solo Renaissance
Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 C…
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 C…
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
#
jmsgu3
#
SheetMusicPlus
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