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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time In Music Is Much
Non classifié
472
Piano & claviers
Piano seul
167
Piano, Voix
89
Piano, Voix et Guitare
43
Piano Facile
39
Orgue
9
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
1
2 Pianos, 8 mains
1
Accordéon
1
Orgue, Trompette (duo)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
19
Guitare notes et tablatures
13
2 Guitares (duo)
4
3 Guitares (trio)
3
Ensemble de guitares
2
Mandoline
2
Mandoline, Guitare (duo)
1
Piano, Guitare (duo)
1
Dulcimer
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
45
Chorale 3 parties
13
Chorale SSAA
7
Chorale 2 parties
5
Chorale Unison
4
Voix Baryton, Piano
3
Chorale TTBB
3
Voix Tenor, Piano
2
Voix duo, Piano
2
Voix duo
1
Voix haute
1
Soli, choeur mixte et accompagnement
1
Voix Soprano, Piano
1
+ 8 instrumentations
Retracter
Vents
2 Saxophones (duo)
45
Flûte traversière et Piano
31
2 Flûtes traversières (duo)
27
Saxophone, Clarinette (duo)
27
Clarinette et Piano
25
Ensemble de saxophones
23
Flûte, Hautbois, Clarinette, Basson
22
Quatuor de Saxophones: 4 saxophones
22
Hautbois, Piano (duo)
22
2 Clarinettes (duo)
21
Clarinette
21
Clarinette, Violon (duo)
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Alto et Piano
15
Quintette de Saxophone: 5 saxophones
12
Clarinette, Trompette (duo)
12
Flûte traversière
11
Flûte, Clarinette (duo)
11
Flûte, Saxophone (duo)
10
Hautbois (partie séparée)
10
Flûte, Violon
10
Clarinette et Alto
10
Hautbois, Basson (duo)
9
Saxophone Tenor et Piano
9
2 Hautbois (duo)
9
Hautbois, Clarinette (duo)
8
Flûte, Alto (duo)
8
Hautbois, Flûte
8
Quatuor de Clarinettes: 4 clarinettes
8
Flûte, Trompette (duo)
7
3 Saxophones (trio)
7
Ensemble de Clarinettes
7
Hautbois
7
Saxophone Soprano et Piano
6
Saxophone Baryton, Piano
6
Ensemble de Flûtes
6
Flûte et Guitare
5
Flûte à bec Soprano
4
Cor anglais, Piano
4
Saxophone Alto
4
Flûte à Bec
3
Trio de Flûtes: 3 flûtes
3
Flûte à bec Alto, Piano
2
Flûte à bec Alto
2
3 Clarinettes (trio)
2
Saxophone et Orgue
2
Saxophone (partie séparée)
2
Clarinette, Guitare (duo)
2
Quintette de Flûte : 5 flûtes
2
Saxophone Tenor
2
Clarinette Basse, Piano
2
Clarinette, Basson (duo)
2
Clarinette, Violoncelle (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Flute (partie séparée)
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
5 Flûtes à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Flûtes à bec (trio)
1
Flûte, Violon et Violoncelle
1
2 Flûte à bec (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Quatuor de Flûtes à bec
1
+ 62 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
63
Ensemble de Trompettes
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette, Saxophone (duo)
18
Cor et Piano
18
Trombone et Piano
17
Cor
15
Trompette
14
Trombone
12
Trompette, Trombone (duo)
12
Trompette, Piano
12
Tuba et Piano
11
Quatuor de Cuivres
10
2 Trombones (duo)
10
2 Trompettes (duo)
9
Tuba
5
Ensemble de Trombones
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Cors
4
Cor anglais, Piano
4
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 cors
2
Cor, Tuba (duo)
2
2 Cors (duo)
2
Trombone, Cor (duo)
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trio de Cuivres
1
Instruments en Sib
1
2 Tubas (duo)
1
4 Tubas
1
Tuba et Orgue
1
Trompette, Violoncelle et Piano
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
61
Violon et Piano
35
Violoncelle, Piano
24
Violon, Violoncelle (duo)
24
Alto, Piano
22
2 Violons (duo)
21
Violon
20
Violoncelle
13
Harpe
11
Violon, Alto (duo)
11
2 Violoncelles (duo)
10
Contrebasse, Piano (duo)
9
2 Altos (duo)
9
Trio à Cordes: violon, alto, violoncelle
8
Alto seul
8
Contre Basse
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à Cordes: 2 violons, violoncelle
4
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes : 4 altos
1
Violon (partie séparée)
1
Violoncelle, Orchestre
1
Quatuor à cordes: 4 violons
1
Harpe, Violon (duo)
1
Ensemble de Violons
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Alto (partie séparée)
1
Trio à cordes: 3 altos
1
Ensemble d'Altos
1
Violon, Basson (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
53
Orchestre à Cordes
43
Ensemble de cuivres
22
Orchestre
19
Ensemble Jazz
10
Jazz combo
6
Orchestre de chambre
6
Cloches
6
Ensemble de Percussions
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Piano et Orchestre
1
Caisse Claire
1
Batterie
1
Percussion
1
+ 9 instrumentations
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Autres
Instruments
ACCORDEON
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BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Time In Music Is Much
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Partitions à imprimer
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Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzona in Echo Ch.
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Time To Say Goodbye
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Contemporain
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Andrea Bocelli & Sarah Brightm
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John A
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Time To Say Goodbye
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John A. Dempsey
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.524273 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John A. Dempsey. ...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.524273 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John A. Dempsey. Classical,Contemporary,Film/TV,Multicultural,Opera,World. Score and parts. 20 pages. John A. Dempsey #5204983. Published by John A. Dempsey (A0.524273). This sublime song, full of emotion coupled with a majestic melody that shines in both beauty and brilliance, is arranged here as a brass quartet (two Bb trumpets, horn in F and trombone). Â Also known as Con Te Partiro, this music will undoubtedly appeal to lovers of Puccini, Donizetti, Delibes and Verdi, but pop music fans will also find much to love. Â Recommended for concerts, recitals and other multiple venues. Â 16 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, French horn and trombone). Â Concert Key: Eb major / modulates to F major. Â Trumpet Key: F major / modulates to G major. Â French horn Key: Bb major / modulates to C major. Â Trombone Key: Eb major / modulates to F major.
$12.99
Recordare (from "Requiem") (F) (Brass Septet - 3 Trp, 2 Hrn, 2 Trb)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.1111644 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Clas...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.1111644 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. Score and Parts. 37 pages. Regis Bookshar #713938. Published by Regis Bookshar (A0.1111644). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Septet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Septet, consisting of 3 Bb Trumpets, 2 French Horns and 2 Trombones, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (37 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
H.P. Takes Five Brass Quintet Edition
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
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Henry Purcell
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Phil Thrift
#
H.P. Takes Five Brass Quintet
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Phil Thrift
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.955734 Composed by Henry Purcell. Arranged by Phil Thrift. Baroque,Contemporary. Score and part...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - SKU: A0.955734 Composed by Henry Purcell. Arranged by Phil Thrift. Baroque,Contemporary. Score and parts. 21 pages. Phil Thrift #5990477. Published by Phil Thrift (A0.955734). H.P. Takes Five is a cheeky take on Henry Purcell's famous trumpet tune. Instead of 4/4 time, it's in 5/4, with a few 7/4 measures thrown in for a bit more fun! Purcell (1659–95) wrote much incidental music for plays and so-called semi-operas performed in London's theaters, and often included a trumpet tune as a signal for the next act. A trumpet was the only instrument that could be heard above the noise of the audience!
$6.99
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Time In Music Is Much
