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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We are First
Non classifié
421
Piano & claviers
Piano, Voix
1 296
Piano seul
138
Piano, Voix et Guitare
50
Piano Facile
45
Piano Trio: piano, violon, violoncelle
12
Orgue
11
Instruments en Do
11
1 Piano, 4 mains
9
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accompagnement Piano
2
Piano grosses notes
1
Piano (partie séparée)
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
41
Guitare
34
Ukulele
3
Basse electrique
3
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Paroles et Accords
1
Dulcimer
1
Ukulele Baryton
1
Mandoline
1
+ 7 instrumentations
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Voix
Chorale SATB
197
Chorale Unison
35
Chorale 3 parties
24
Chorale 2 parties
19
Chorale TTBB
10
Chorale SSAA
7
Voix duo, Piano
6
Voix duo
5
Voix Soprano, Piano
4
Voix haute
3
Voix Alto, Piano
2
Voix basse, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix Tenor, Piano
2
Voix seule
2
Chorale SSAB, Piano
1
Chorale SSATTB
1
Chorale
1
+ 14 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
57
Quintette de Saxophone: 5 saxophones
49
2 Saxophones (duo)
40
Flûte, Hautbois, Clarinette, Basson
19
2 Clarinettes (duo)
18
2 Flûtes traversières (duo)
18
Quatuor de Saxophones: 4 saxophones
16
Flûte traversière et Piano
15
Saxophone, Clarinette (duo)
14
Hautbois, Piano (duo)
14
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Alto et Piano
12
Clarinette et Piano
10
Ensemble de Clarinettes
10
Clarinette, Trompette (duo)
9
Flûte, Clarinette (duo)
9
Clarinette, Violon (duo)
9
2 Hautbois (duo)
8
Saxophone Tenor et Piano
8
Flûte traversière
8
Flûte à bec Soprano
8
Clarinette
7
Saxophone Soprano et Piano
7
Hautbois (partie séparée)
6
Saxophone Alto
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
Ensemble de saxophones
6
Hautbois, Basson (duo)
6
Quatuor de Flûtes : 4 flûtes
6
3 Saxophones (trio)
5
Flûte et Guitare
5
Trio de Flûtes: 3 flûtes
5
Flûte, Saxophone (duo)
5
3 Clarinettes (trio)
4
Flûte, Violon
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Alto (duo)
4
Clarinette Basse, Piano
4
Ensemble de Flûtes
4
Flûte, Trompette (duo)
4
Saxophone Baryton, Piano
4
Hautbois, Flûte
4
Saxophone Tenor
3
Hautbois, Guitare (duo)
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Violoncelle (duo)
3
Cor anglais, Piano
3
Flûte, Violoncelle
3
Flûte, Violon, Piano
2
Ocarina
2
Clarinette, Basson (duo)
2
Saxophone (partie séparée)
2
2 Flûte à bec (duo)
2
Flûte à Bec
2
Clarinette, Harpe (duo)
2
Ensemble à vent
1
2 Clarinettes, Piano
1
Flûte à bec Alto
1
Flute (partie séparée)
1
Harmonica
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes à bec
1
Cor Anglais
1
Hautbois, violon (duo)
1
Hautbois, Violoncelle
1
+ 62 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
2 Trompettes (duo)
17
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
14
Trombone et Piano
13
Trompette
12
Trompette, Saxophone (duo)
11
Trompette, Piano
10
Cor et Piano
8
Trompette, Trombone (duo)
8
Tuba
7
Ensemble de Trompettes
6
2 Cors (duo)
5
Cor
5
Trombone
5
Ensemble de Trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres
4
Trompette (partie séparée)
3
Cor anglais, Piano
3
Trompette, Cor (duo)
3
2 Tubas (duo)
3
Tuba et Piano
3
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor Anglais
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 30 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon et Piano
35
2 Violons (duo)
25
Violoncelle, Piano
24
Violon, Violoncelle (duo)
21
Violon
18
2 Violoncelles (duo)
15
Harpe
15
Trio à Cordes: violon, alto, violoncelle
15
Alto, Piano
12
Violon, Alto (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Trio à Cordes: 2 violons, violoncelle
9
Alto seul
9
Violoncelle
9
2 Altos (duo)
8
Violoncelle, Contrebasse (duo)
6
Alto, Violoncelle (duo)
6
Contrebasse, Piano (duo)
5
Trio à cordes: 3 violins
5
Ensemble d'Altos
4
Ensemble de Violons
4
2 Harpes (duo)
4
4 Violoncelles
4
Violon, Guitare (duo)
4
Violon (partie séparée)
4
Harpe, Voix
3
2 Contrebasses (duo)
3
2 Violons, Piano
3
Contre Basse
2
Violoncelle (partie séparée)
2
Violoncelle , Guitare (duo)
2
Alto (partie séparée)
2
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
109
Ensemble de cuivres
68
Orchestre à Cordes
37
Orchestre de chambre
22
Orchestre
19
Cloches
11
Ensemble Jazz
5
Ensemble de Percussions
5
Fanfare
3
Piano et Orchestre
1
2 Marimbas
1
Instrumentation Flexible
1
Orchestre, Violon
1
Vibraphone
1
Marimba
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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Vous avez sélectionné:
We are First
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Partitions à imprimer
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1
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
#
Giovanni Gabrieli
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James M
#
Gabrieli: Canzona in Echo Ch.
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Kyrie (Durante) (Brass Quartet - 2 Trp, 1 Hrn, 1 Trb)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
#
Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1092445 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1092445 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696537. Published by Regis Bookshar (A0.1092445). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 2 Bb Trumpets, 1 French Horn and 1 Trombone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
20 Favourite Christmas Carols for Brass Quartet
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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FACILE
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Noël
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Various
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David McKeown
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20 Favourite Christmas Carols
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David McKeown
#
SheetMusicPlus
Composed by Various. Arranged by David McKeown. Christian, Sacred, Praise and Worship, General Worship, Christmas. Score, Set of Parts. 61 pages. Published by D...
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Composed by Various. Arranged by David McKeown. Christian, Sacred, Praise and Worship, General Worship, Christmas. Score, Set of Parts. 61 pages. Published by David McKeown (S0.245439). - Score,Set of Parts - Christian,Sacred,Praise and Worship,General Worship,Christmas - David McKeown
20 FavouriteCarols for Brass Quartet is a collection of the best-known Christmas carolsarranged primarily for two Trumpets,one Trombone and one Tuba. The file contains the score plusthe separate parts, including alternative/additional parts 2 and 3 for French Horn in F and Tenor Horn in Eb. 20 Favourite Carols for Brass Quartet is fully compatible with the other Brass, Woodwind andString volumes in the series. Both the short audio sample and the youtube performance are from the Clarinet version of these Quartets. There are also soloand duet versions available of the same carols, in the same keys, so that nomatter what instrument you play they will fit together. This makes them idealfor building a full and flexible band or ensemble for school, community orchurch. The keys chosen arethe standard singing keys Thesearrangements will provide colourful accompaniment to carol singing anywherethroughout the Christmas period. The carols are in alphabetical orderand are as follows Away in a Manger Deck the Halls Ding Dong Merrily on High The First Nowell God Rest ye Merry Gentleman Good Christian Men Rejoice Good King Wenceslas Hark, the Herald Angels Sing The Holly and the Ivy I Saw Three Ships In the Bleak Midwinter It Came upon a Midnight Clear O Cone All Ye Faithful O Come, O Come Emmanuel O Little Town of Bethlehem Once in Royal David?s City Silent Night We Three Kings While Shepherds Watched We Wish you a Merry Christmas
$9.99
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