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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two For Tea
Non classifié
243
Piano & claviers
Piano seul
148
Orgue
18
1 Piano, 4 mains
14
Piano, Voix
12
Piano, Voix et Guitare
11
Instruments en Do
4
Piano Facile
4
Orgue, Trompette (duo)
4
2 Pianos, 4 mains
4
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
96
Piano, Guitare (duo)
72
Guitare
22
2 Guitares (duo)
19
Mandoline
3
4 Guitares (Quatuor)
3
Ligne De Mélodie, (Paroles) et Accords
3
Ukulele
3
Basse electrique
2
2 Dulcimers (duo)
2
Ensemble de guitares
1
Dulcimer
1
Partitions De Groupes
1
2 Mandolines (duo)
1
Paroles et Accords
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
29
Chorale 3 parties
7
Chorale 2 parties
6
Chorale TTBB
3
Chorale SSAA
2
Chorale Unison
2
Voix duo, Piano
1
Voix Soprano
1
Voix basse, Piano
1
+ 4 instrumentations
Retracter
Vents
2 Saxophones (duo)
236
Hautbois, Piano (duo)
134
Clarinette et Piano
116
Flûte traversière et Piano
114
Saxophone Alto et Piano
92
Saxophone Tenor et Piano
90
2 Clarinettes (duo)
88
2 Flûtes traversières (duo)
75
2 Hautbois (duo)
53
Saxophone, Clarinette (duo)
52
Clarinette, Violon (duo)
33
Clarinette, Trompette (duo)
25
Hautbois, Flûte
19
Hautbois, Clarinette (duo)
19
Flûte, Violon
19
Clarinette et Alto
19
Flûte, Clarinette (duo)
18
Hautbois, Basson (duo)
16
Flûte, Saxophone (duo)
15
Clarinette
14
Flûte, Trompette (duo)
13
Flûte traversière
11
Hautbois (partie séparée)
11
Saxophone Soprano et Piano
10
Flûte, Alto (duo)
9
Quatuor de Saxophones: 4 saxophones
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
2 Flûte à bec (duo)
7
Flûte à bec Soprano
7
Saxophone (partie séparée)
6
Saxophone Baryton, Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Alto
5
Cor Anglais
4
Flûte, Hautbois, Clarinette, Basson
4
2 Flûtes traversières, Piano
3
Saxophone Tenor
3
3 Clarinettes (trio)
3
Quatuor de Flûtes : 4 flûtes
3
Cor anglais, Piano
2
Flûte et Guitare
2
Flûte, Violon, Piano
2
2 Clarinettes, Basson
2
2 Flûtes, Basse continue
1
5 Flûtes à bec
1
Ensemble de Flûtes
1
Flûte à bec Soprano, Piano
1
Flûte, Violoncelle
1
Flûte à bec Alto, Piano
1
Clarinette, Violoncelle (duo)
1
Clarinette Basse
1
Clarinette, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Saxophone: 5 saxophones
1
Ensemble de saxophones
1
Flûte, Violoncelle, Piano (trio)
1
+ 51 instrumentations
Retracter
Cuivres
Trombone et Piano
93
2 Trombones (duo)
50
2 Trompettes (duo)
49
Trompette
46
Trompette, Saxophone (duo)
39
Trompette, Piano
38
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trompette, Trombone (duo)
18
Trompette (partie séparée)
10
Trombone
8
Cor Anglais
4
Trombone (partie séparée)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Euphonium, Piano (duo)
3
2 Cors (duo)
3
Quatuor de cuivres: 4 cors
2
Euphonium
2
Cor anglais, Piano
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 trombones
2
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
Trombone basse
1
Tuba et Piano
1
4 Tubas
1
Trompette, Violoncelle et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Cors
1
Trio de Cuivres
1
Cor et Piano
1
+ 25 instrumentations
Retracter
Cordes
Alto, Piano
122
2 Harpes (duo)
114
Violon et Piano
104
Violoncelle, Piano
95
2 Altos (duo)
68
2 Violons (duo)
64
2 Violoncelles (duo)
52
Trio à Cordes: 2 violons, violoncelle
37
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violon, Violoncelle (duo)
20
Violon, Alto (duo)
19
Violon
16
Violoncelle
12
Alto seul
7
Harpe
7
Alto (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
4
4 Violoncelles
2
Trio à Cordes: 2 violons, alto
2
Harpe et Piano
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
Violon (partie séparée)
1
Quatuor à cordes: 4 violons
1
3 Harpes
1
Alto et Harpe
1
Contre Basse
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
22
Ensemble Jazz
13
Orchestre
11
Orchestre à Cordes
9
Ensemble de cuivres
6
Orchestre de chambre
4
Cloches
3
Jazz combo
3
Vibraphone
1
Fanfare
1
Batterie (partie séparée)
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Crtitères actifs :
Two For Tea
intermédiaire
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
4 partitions trouvées
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1
Tea For Two for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Irving Caesar and Vincent Youm
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Bud Caputo
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Tea For Two for Brass Quintet
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Bud Caputo
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.826729 Composed by Irving Caesar and Vincent Youmans. Arranged by Bud Caputo. Broadway,Instruct...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.826729 Composed by Irving Caesar and Vincent Youmans. Arranged by Bud Caputo. Broadway,Instructional,Latin,Pop. Score and parts. 25 pages. Bud Caputo #6345117. Published by Bud Caputo (A0.826729). This brass quintet arrangement will be a hit with all our audiences, young and old. Youmans had written the basic melody idea of Tea for Two while he was in the navy during World War I, The song later appeared in the Broadway musical, No No Nannette. It’s light an airy melody lends itself to a soft shoe dance that could be incorporated with a dance class from your school. This American Standard is now public domain giving teachers a wide birth of using it for a variety of presentations.
$18.50
A Billings Triptych - for 8-Part Brass Choir
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
William Billings
#
Mike Allsen
#
A Billings Triptych - for 8-Pa
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
As With Gladness Men Of Old (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Conrad Kochier
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Joseph Pugh
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d
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As With Gladness Men Of Old
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855267 Composed by Conrad Kochier (1786-1872). Arranged by Joseph Pugh. Christian,Christma...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855267 Composed by Conrad Kochier (1786-1872). Arranged by Joseph Pugh. Christian,Christmas,Classical,Concert,Standards. Score and parts. 2 pages. Joseph Pugh #6518121. Published by Joseph Pugh (A0.855267). Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Striftsckirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for Treuer Heiland, wir sind hir, found in Kocher's Stimmen aus den Reiche Gottes (1838).-Hymnary.com Bert PolmanChristmas season wouldn't be complete without the Christmas Hymns. Joseph's arrangement of this classic Christmas Hymn will bring the Spirit of Christmas to your audience as well as, comfort and joy.Download it today and start getting ready for your Christmas gigs.
$19.99
Kyrie (Durante) (Brass Quartet - 1 Trp, 1 Hrn, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1092443 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,S...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1092443 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696535. Published by Regis Bookshar (A0.1092443). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 1 Bb Trumpet, 1 French Horn, 1 Trombone and 1 Tuba. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
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Two For Tea
