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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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MANDOLINE
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OCARINA
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Little Suite for Trumpet, Horn
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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FLUTE TRAVERSI…
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Crtitères actifs :
Little Suite for Trumpet, Horn
expert
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
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Music for Four Brass - Volume 1 - Keyboard or Guitar 60150
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Celtique/Irlandais
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Various
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Daniel Kelley
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Music for Four Brass - Volume
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Last Resort Music Publishing
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.530810 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Weddin...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.530810 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Wedding. Score and parts. 87 pages. Last Resort Music Publishing #6427931. Published by Last Resort Music Publishing (A0.530810). Part 4 for Keyboard or Guitar #60150Music for Four Brass, Volume 1 - Baroque, Classical & Romantic FavoritesA lively collection of arrangements for brass quartet including works by Beethoven, Brahms and many more! This series is designed to be used by a brass quartet. Each volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score. Parts are sold separately and as sets.Available for the following instrumentation:Part 1 Bb Trumpet Part 2 Bb TrumpetPart 2 French Horn in F Part 3 TrombonePart 3 French Horn in FPart 4 Bass Trombone or TubaKeyboard or GuitarScore (parts 1-2 in Bb, 3-4 in C) Table of ContentsAir from Suite #3 in D Major (Bach)Jesu, Joy of Man's Desiring from Cantata #147 (Bach)Little Fugue in G Minor (Bach)Rondeau from Orchestral Suite #2 in B Minor (Bach)Sheep May Safely Graze from Cantata #208 (Bach)Ode to Joy from Symphony #9 (Beethoven)St. Anthony Chorale from Haydn Variations (Brahms)Trumpet Voluntary (Clarke)Gavotte (Gossec)Gavotte from Holberg Suite, Op. 40 (Grieg)Bourree, Menuet, La Rejouissance from Fireworks Music (Handel)Largo from Xerxes (Handel)Air, Allegro, Andante, Hornpipe from The Water Music (Handel)Presto from String Quartet in F Major, Op. 74, #2 (Haydn)Elegie from Incidental Music to Les Erinnyes (Massenet)Wedding March from A Midsummer Night's Dream (Mendelssohn)Rondeau from Sinfonies de Fanfares (Mouret)Canon (Pachelbel)Rondeau from Incidental Music to Abdelazer (Purcell)Trumpet Tune (Purcell)Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert)Londonderry Air (Traditional Irish Melody)Simple Gifts (Traditional Shaker Hymn)Adagio from Concerto Grosso in D Minor, Op. 3 #11 (Vivaldi)Bridal Chorus from Act III of Lohengrin (Wagner)
$26.00
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
At The Movies
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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John Philip Sousa
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James Haynor
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At The Movies
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James Haynor
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.782192 Composed by John Philip Sousa. Arranged by James Haynor. 20th Century. Score and pa...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.782192 Composed by John Philip Sousa. Arranged by James Haynor. 20th Century. Score and parts. 176 pages. James Haynor #3366111. Published by James Haynor (A0.782192). Written in 1922 , The Serenaders is the first movement of a little known suite titled Impressions - At the Movies by John Phillip Sousa. Originally scored for military band, The Serenaders is a delightful musical depiction of a college student trying to woo co-eds at a neighboring university. Subsequent movements include: The Crafty Villain and the Timid Maid and Balance All and Swing Partners. Transcribed for double brass quintet, the piece retains it’s exuberance and flair for whimsy and evokes the era of Sunday afternoon concerts in the park. From Herbert L. Clarke-like cornet solos/cadenzas and quintet duels to rousing tutti sections, this is an all out crowd pleaser. Only Sousa sounds like this!
$10.00
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Little Suite for Trumpet, Horn 
