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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
EUROPE
Non classifié
1 552
Piano & claviers
Piano, Voix et Guitare
1 872
Piano seul
1 015
Piano Facile
755
Piano, Voix
528
Accordéon
386
Orgue
58
Orgue, Trompette (duo)
28
1 Piano, 4 mains
24
Instruments en Do
18
2 Pianos, 4 mains
14
2 Accordéons
13
Piano grosses notes
12
Piano Trio: piano, violon, violoncelle
12
Clavier
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Accompagnement Piano
3
Ensemble d'Accordéons
3
1 Piano, 6 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
Accordéon - Piano, Voix, Guitare
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
+ 19 instrumentations
Retracter
Guitares
Ukulele
513
Ligne De Mélodie, (Paroles) et Accords
451
Guitare notes et tablatures
450
Paroles et Accords
315
Guitare
285
2 Guitares (duo)
25
Basse electrique
21
Mandoline, Guitare (duo)
6
4 Guitares (Quatuor)
6
Mandoline
5
Banjo
3
Guitare, Violon, Violoncelle (trio)
3
Ensemble de guitares
2
Piano, Guitare (duo)
2
Bouzouki
2
3 Guitares (trio)
2
Ukulele Baryton
1
2 Mandolines (duo)
1
Guitare, Flûte, Clarinette
1
Dulcimer
1
Orchestre à Plectres
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
314
Chorale 3 parties
63
Chorale 2 parties
26
Chorale TTBB
22
Pack Instrumental pour Chorale
16
Voix seule
9
Chorale SSAA
9
Voix duo, Piano
8
Chorale Unison
5
Voix Soprano, Piano
3
Chorale SSATTB
2
Chorale
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
2
Voix haute
2
Voix basse, Piano
1
Voix duo
1
Voix Alto, Piano
1
Chorale SAATB A Cappella
1
Voix Baryton, Piano
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière
395
Saxophone Alto
202
Clarinette
176
Quatuor de Saxophones: 4 saxophones
117
Flûte traversière et Piano
107
Clarinette et Piano
82
Quatuor de Clarinettes: 4 clarinettes
80
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
77
2 Saxophones (duo)
51
Saxophone Alto et Piano
48
Quintette de Saxophone: 5 saxophones
44
Saxophone Tenor
44
2 Flûtes traversières (duo)
44
2 Clarinettes (duo)
43
3 Saxophones (trio)
40
Saxophone (partie séparée)
36
Saxophone Tenor et Piano
35
Quatuor de Flûtes : 4 flûtes
35
Saxophone Soprano et Piano
33
Trio de Flûtes: 3 flûtes
33
Hautbois, Piano (duo)
31
Ensemble de Flûtes
26
2 Flûtes traversières, Piano
26
Saxophone
26
Cor anglais, Piano
24
Flûte, Hautbois, Basson
23
Saxophone Baryton, Piano
22
3 Clarinettes (trio)
22
Flûte, Clarinette (duo)
21
Flûte et Guitare
18
Flûte, Hautbois, Clarinette, Basson
17
Hautbois, Clarinette, Basson (trio d'anches)
17
Flûte irlandaise
16
Saxophone, Clarinette (duo)
15
Clarinette Basse, Piano
15
Quintette de Clarinettes: 5 clarinettes
14
Flûte, Hautbois, Clarinette (trio)
13
Quatuor de Flûtes à bec
12
Hautbois (partie séparée)
12
Clarinette, Trompette (duo)
10
Clarinette, Violon (duo)
10
Flûte, Violoncelle, Piano (trio)
9
Flûte, Alto (duo)
9
2 Hautbois (duo)
9
Flûte, Violon
8
Clarinette (partie séparée)
8
5 Flûtes à bec
8
Flûte à Bec
8
Clarinette, Guitare (duo)
7
Flûte, Saxophone (duo)
7
Saxophone Soprano
7
Hautbois, Flûte
6
Hautbois, Clarinette (duo)
6
Ensemble de Clarinettes
6
Clarinette et Alto
6
Hautbois, Basson (duo)
6
2 Flûte à bec (duo)
6
Flûte à bec Soprano, Piano
5
Flûte, Clarinette et Basson
5
Ensemble de saxophones
4
Flûte, Trompette (duo)
4
Flûte à bec Alto
4
4 Hautbois
4
Quintette de Flûte : 5 flûtes
4
3 Flûtes à bec (trio)
4
Flûte, Violon, Piano
3
Flûte à bec Soprano
3
Flûte, Alto et Piano
3
Clarinette, Basson (duo)
3
Saxophone et Harpe
2
Flûte, alto et harpe
2
Hautbois, Guitare (duo)
2
Ensemble de Hautbois
2
Flûte à bec, Guitare (duo)
2
Piccolo, Piano
2
Harmonica, Piano
2
Saxophone et Guitare
2
2 Saxophones, Piano
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon et Violoncelle
1
Ensemble De Flûte à bec
1
Flûte, Basson et Piano
1
Flute (partie séparée)
1
Flûte et Quatuor à Cordes
1
Hautbois, Violoncelle
1
Flûte et Trio à cordes
1
Flûte à Bec, Piano
1
2 Flûtes à bec, Piano
1
Clarinette Basse
1
Flûte, Violoncelle
1
Flûte de Pan
1
2 Clarinettes, Piano
1
Flûte traversière, Orchestre
1
Hautbois
1
Hautbois, Harpe
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Piano
1
2 Hautbois et Basson
1
Clarinette, Harpe (duo)
1
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois (duo)
1
2 Flûtes traversières, Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ocarina
1
+ 100 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
182
Trompette
61
Trompette, Piano
39
Trombone et Piano
33
Cor et Piano
33
Ensemble de Trompettes
31
Trombone
28
Euphonium, Piano (duo)
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Cor anglais, Piano
24
Tuba et Piano
17
Quatuor de cuivres: 4 trombones
16
2 Trompettes, Clavier (piano ou orgue)
13
2 Trompettes (duo)
13
Trompette, Trombone (duo)
10
2 Trombones (duo)
10
Quatuor de Cuivres
10
Trompette, Saxophone (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trombone (partie séparée)
9
Trompette (partie séparée)
9
Ensemble de Trombones
8
4 Tubas
8
Ensemble de Cors
8
Quatuor de cuivres: 4 cors
7
Cor
6
3 Trompettes (trio)
6
Quatuor de cuivres: 4 trompettes
5
Tuba
5
2 Cors (duo)
5
3 Trombones (trio)
5
Trompette, Cor (duo)
3
4 Euphoniums
2
Cor et Harpe
2
2 Tubas (duo)
2
3 Tubas (trio)
1
Tuba (partie séparée)
1
Trompette, Basson (duo)
1
3 Cors (trio)
1
Trombone basse
1
Euphonium
1
Trombone, Cor (duo)
1
Cor (partie séparée)
1
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
206
Violon
165
Harpe
115
Violon et Piano
111
Violoncelle
74
Violoncelle, Piano
62
Alto, Piano
50
Trio à Cordes: violon, alto, violoncelle
46
Violon, Violoncelle (duo)
27
2 Violons (duo)
25
Trio à cordes: 3 violins
25
2 Violoncelles (duo)
20
Violoncelle , Guitare (duo)
19
2 Harpes (duo)
14
Trio à Cordes: 3 violoncelles
12
Violon (partie séparée)
12
Alto seul
11
4 Violoncelles
11
Violon, Alto (duo)
10
2 Altos (duo)
9
Trio à cordes
8
Alto, Violoncelle (duo)
8
Contrebasse, Piano (duo)
8
Alto, Guitare (duo)
7
Alto (partie séparée)
6
Violon, Guitare (duo)
5
Quatuor à cordes: 4 violons
5
Harpe et Piano
4
Trio à cordes: 3 altos
4
Harpe, Flûte (duo)
4
Violoncelle (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble de Contre basses
3
Quatuor à cordes : 4 altos
3
2 Violons, Piano
3
Contre Basse
3
Harpe, Violon (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Contrebasse (partie séparée)
3
Ensemble de Violons
2
Ensemble de Violoncelles
2
Harpe, Violon, Violoncelle
2
Violon, Orgue
2
Harpe, Voix
1
Harpe, Trombone (duo)
1
2 Violoncelles, Piano
1
Alto et Harpe
1
Violoncelle, Orgue
1
Harpe, Violoncelle (duo)
1
Violoncelle, Basse continue
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
264
Orchestre à Cordes
90
Orchestre
68
Ensemble de cuivres
53
Batterie
39
Cloches
26
Ensemble Jazz
23
Orchestre de chambre
16
Quintette à Vent
8
Percussion (partie séparée)
5
Marimba
5
Jazz combo
5
Fanfare
4
Quintette de Cuivres: autres combinaisons
4
Ensemble de Percussions
3
Percussion
2
Quatuor à Vent : 4 instruments à vents
2
Vibraphone
2
Instrumentation Flexible
2
Marimba et Orgue
1
Trio à Vent: 3 instruments à vents
1
Piano et Orchestre
1
Marimba ou Xylophone et Piano
1
Ensemble d'École
1
Big band
1
2 Caisses Claires (duo)
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
EUROPE
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
26 partitions trouvées
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26
Ode to Joy (Europe Anthem) for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
#
L
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Damiano Drei
#
Ode to Joy
#
Damiano Drei
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.823517 Composed by L. v. Beethoven. Arranged by Damiano Drei. Classical,Multicultural,Patr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.823517 Composed by L. v. Beethoven. Arranged by Damiano Drei. Classical,Multicultural,Patriotic,Standards,World. Score and parts. 10 pages. Damiano Drei #3484539. Published by Damiano Drei (A0.823517). This is an easy and brief arrangement of the Ode to Joy from the 9th Symphony by Beethoven.This is also used as official European Unione Anthem, so you can use it for ceremonial and patriotic purpose.Check also my arrangement for Brass Quartet of the same piece: https://www.sheetmusicplus.com/title/ode-to-joy-european-union-anthem-for-brass-quartet-digital-shee...and for School Band: https://www.sheetmusicplus.com/title/ode-to-joy-europe-anthem-flexible-instrumentation/20667462
$9.99
Ode to Joy (European Union Anthem) for Brass Quartet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
L
#
Damiano Drei
#
Ode to Joy
#
Damiano Drei
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.823522 Composed by L. v. Beethoven. Arranged by Damiano Drei. Classical,Multicultural,Patr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.823522 Composed by L. v. Beethoven. Arranged by Damiano Drei. Classical,Multicultural,Patriotic,Standards,World. Score and parts. 9 pages. Damiano Drei #4622439. Published by Damiano Drei (A0.823522). This is an easy and brief arrangement of the Ode to Joy from the 9th Symphony by Beethoven.This is also used as official European Unione Anthem, so you can use it for ceremonial and patriotic purpose.Instrumentation: 2 Trumpets/2 Trombones, or 2 Trumpets/Horn/TromboneIf you need a different instrumentation email me! ddrei87@gmail.comCheck also my arrangement for Brass Quintet of the same piece: https://www.sheetmusicplus.com/title/ode-to-joy-europe-anthem-for-brass-quintet/20717267and for School Band: https://www.sheetmusicplus.com/title/ode-to-joy-europe-anthem-flexible-instrumentation/20667462
$9.99
Ode To Joy (from Symphony No. 9) for Brass Quartet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
Diego Marani
#
Ode To Joy
#
Diego Marani
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527824 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Holid...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527824 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Holiday,Instructional,Standards. Score and parts. 14 pages. Diego Marani #3500451. Published by Diego Marani (A0.527824). Ode to Joy (An die Freude) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller. Ode to Joy is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. Beethoven's text is not based entirely on Schiller's poem, and introduces a few new sections. His tune was adopted as the Anthem of Europe by the Council of Europe in 1972 and subsequently by the European Union.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.
$12.99
The Castle Walk
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Europe's Society Orchestra
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John Benoit
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The Castle Walk
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John Benoit Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.481923 By Europe's Society Orchestra. By James Reese Europe & Ford T. Dabney. Arranged by ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.481923 By Europe's Society Orchestra. By James Reese Europe & Ford T. Dabney. Arranged by John Benoit. Jazz,Traditional. Score and parts. 25 pages. John Benoit Music #100226. Published by John Benoit Music (A0.481923). James Reese Europe was an African-American composer and band leader whose music helped effect the transition from ragtime to jazz in the 1910s and whose “Harlem Hellfighter†regimental band popularized “Negro music†in France during the first World War. “The Castle Walk†was written by Europe and Ford Dabney in 1914 for the famous exhibition dancers Vernon and Irene Castle. This upbeat toe-tapper combines elements of the march, ragtime, and jazz. Instrumentation: 2 trumpets, horn, trombone, tuba, opt. percussion. Duration: c. 3:20â€. Grade 4.
$12.00
Final Countdown
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Europe
#
Diego Marani
#
Final Countdown
#
Diego Marani
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528261 By Europe. By Joey Tempest. Arranged by Diego Marani. Contemporary,Instructional,Po...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528261 By Europe. By Joey Tempest. Arranged by Diego Marani. Contemporary,Instructional,Pop,Rock,Standards. Score and parts. 16 pages. Diego Marani #5713671. Published by Diego Marani (A0.528261). The Final Countdown is a song by Swedish rock band Europe, released in 1986. Written by Joey Tempest, it was based on a keyboard riff he made in the early 1980s. The song became an instant success on the charts worldwide upon its release, reaching number one in 25 countries and it is a favourite at sporting events.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.It is suitable for classroom, repertoire and recital.
$19.99
A Billings Triptych - for 8-Part Brass Choir
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
William Billings
#
Mike Allsen
#
A Billings Triptych - for 8-Pa
#
Aaron Hettinga
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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2 Trombones 1
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet - Level 2 - SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,...
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Brass Quartet - Level 2 - SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet - Level 2 - SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festiva...
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Brass Quartet - Level 2 - SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Final Countdown
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Europe
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Diego Marani
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Final Countdown
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528262 By Europe. By Joey Tempest. Arranged by Diego Marani. Contemporary,Instructional,Po...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528262 By Europe. By Joey Tempest. Arranged by Diego Marani. Contemporary,Instructional,Pop,Rock,Standards. Score and parts. 19 pages. Diego Marani #5714077. Published by Diego Marani (A0.528262). The Final Countdown is a song by Swedish rock band Europe, released in 1986. Written by Joey Tempest, it was based on a keyboard riff he made in the early 1980s. The song became an instant success on the charts worldwide upon its release, reaching number one in 25 countries and it is a favourite at sporting events.This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.It is suitable for classroom, repertoire and recital.
$22.99
Two Marches for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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DÉBUTANT
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Alessandro Macrì
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Two Marches for Brass Quintet
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.931216 Composed by Alessandro Macrì. Contemporary,Folk,Holiday,Musical/Show,Patriotic. ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.931216 Composed by Alessandro Macrì. Contemporary,Folk,Holiday,Musical/Show,Patriotic. Score and parts. 27 pages. Music Macri Editions #5316497. Published by Music Macri Editions (A0.931216). Two Marches for Brass Quintet è una raccolta di marce sinfoniche originali, di carattere allegro e brioso.- Gimmy- Enter the starSi diploma in Corno presso il Conservatorio di Musica F. Cilea di Reggio Calabria. Si laurea in Didattica Strumentale (Bi.For.Doc.) presso il Conservatorio S. Giacomantonio di Cosenza ed è Docente di Corno dell'I. C. Forum Novum di Torri in Sabina (Rieti). Come solista, compositore e arrangiatore del Movie Brass Quintet, ha inciso gli Albums: Symphonic Sounds - edito da Always Records P. Studio & Thaurus Publishing e ACTION! edito da Valle G. Ed. Musicali e ApplausoUS (USA) e altri Singoli. Le musiche sono state eseguite nei Festivals, quali: Incontro Internazionale di Cornisti G. Nalli, Santa Fiora in Musica, Sardigna Brass Festival, Venezia Suona Festival, Le Giornate Europee del Patrimonio italiano e Italian Brass Week di Cesena e di Firenze. Le diverse formazioni di ottoni, che hanno portato avanti la musica del compositore, sono state: BUSINA BRASS, KOLIN BRASS, SAN ANTONIO BRASS, UNDERGRADUATE BRASS, ELDER CONSERVATORIUM BRASS, SMU SYMPHONIA BRASS, TUBILUSTRIUM BRASS ENSEMBLE, TROMPAS LUSAS HORN QUARTET, SOMMERSTAD BRASSKVINTETT, CARAVELA BRASS, CONCENTUS OTTONI dell’ARENA DI VERONA, BRASS QUINTET del MAGGIO MUSICALE FIORENTINO, PANAMA BRASS, GOLDEN HORN BRASS e BRASS QUINTET del Teatro dell’Opera di Roma.
$5.00
PARSIFAL by Richard Wagner
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Wagner
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Alessandro Macrì
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PARSIFAL by Richard Wagner
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.931214 Composed by Richard Wagner. Arranged by Alessandro Macrì. Concert,Film/TV,Opera,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.931214 Composed by Richard Wagner. Arranged by Alessandro Macrì. Concert,Film/TV,Opera,Video Game. Score and parts. 55 pages. Music Macri Editions #5311013. Published by Music Macri Editions (A0.931214). Parsifal è l'ultimo dramma musicale di Richard Wagner, andato in scena il 26 luglio 1882 al Festival di Bayreuth diretto da Hermann Levi, ma rappresentato per la prima volta nei teatri europei solo a partire dal 1º gennaio 1914 con la prima a Bologna con Giuseppe Borgatti.Dopo una gestazione lunga alcuni decenni, l'opera fu composta tra il 1877 e il 1882 e segna il ritorno al tema del Graal, già affrontato molti anni prima in Lohengrin. Il preludio dell'opera è stato oggetto di citazione nel film Baci e abbracci (1998), ed usato come colonna sonora nel film Excalibur (1981).L'arrangiamento è diviso in tre parti:1. PreludioL'introduzione sinfonica espone con straordinaria ampiezza il motivo dell'Ultima Cena, articolato col tema della Fede in un discorso interrotto da lunghi silenzi. L'atmosfera di altissima sacralità si rivela fin dalle prime battute del preludio, collegandosi direttamente alla scena del primo atto. In una radura boscosa nei pressi del monastero, i cavalieri si destano al sorgere del sole; tra di loro è l'anziano Gurnemanz, il più saggio custode della virtù e della storia del Santo Graal. Giunge al galoppo la selvaggia Kundry, che appare nelle sincere vesti di amica dei cavalieri. La donna ha con sé un'erba medicamentosa proveniente dall'Arabia, pensando che possa servire per lenire la piaga di Amfortas. Dopo un accenno alla profezia del Salvatore, Amfortas viene condotto sul lago per l'abluzione giornaliera, mentre la natura sorride al sole del mattino.2. Ingresso nel Castello del Santo GraalI temi di Klingsor e della Magia commentano il breve preludio orchestrale, mentre la scena rivela l'interno di un favoloso palazzo arabo: Klingsor, guardando nel suo specchio magico, osserva Parsifal venire verso il castello. Solo il nemico del Graal riconosce il puro folle che potrebbe redimere i cavalieri, e lo attira dunque nell'abbraccio mortale di Kundry. L'evocazione della donna ne rivela il passato reincarnato: non fu già l'Erodiade che rise in faccia al Battista? Così Klingsor la chiama e la obbliga ad adempiere al proprio castigo. Ma pur preda di terribili sofferenze, Kundry ride in faccia anche a lui, beffeggiando la castità che lo accomuna ai cavalieri del Graal.3. Incantesimo del Venerdì Santo Questa scena è un altro punto chiave dell’opera, senza dubbio uno dei momenti musicali più ispirati di Wagner, che illustra come la natura che circonda i personaggi riflette la santità del giorno, rivelandosi in tutto il proprio splendore.
$19.00
Final Countdown
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Folklorique/Traditionel
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Europe
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João Marcos Maciel
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Final Countdown
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Joao Marcos
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.1228898 By Europe. By Joey Tempest. Arranged by João Marcos Maciel. Folk. Score and Parts. 14 pag...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.1228898 By Europe. By Joey Tempest. Arranged by João Marcos Maciel. Folk. Score and Parts. 14 pages. Joao Marcos #824811. Published by Joao Marcos (A0.1228898).
$15.00
Three Dances from Terpsichore
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Michael Praetorius
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Alessandro Macrì
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Three Dances from Terpsichore
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931217 Composed by Michael Praetorius. Arranged by Alessandro Macrì. Film/TV,Renaissanc...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931217 Composed by Michael Praetorius. Arranged by Alessandro Macrì. Film/TV,Renaissance,Standards. 69 pages. Music Macri Editions #5317471. Published by Music Macri Editions (A0.931217). Written for Sardigna Brass Festival Three Dances from Terpsichore (Introduzione - Spagnola - Bransle simple de Novelle) The Terpsichore is a compendium of more than 300 instrumental dances published in 1612 by the German composer Michael Praetorius. The collection takes its name from the muse of dance. In his introduction Praetorius takes credit for arranging the music rather than composing the tunes. The collection is based on French dance repertoire of the time, although some of the tunes have been identified as coming from elsewhere in Europe, for example England and Spain. The publication was rediscovered in the twentieth century by the early music movement. Recordings include a selection performed by the Early Music Consort (which was released in 1973),and others from the New London Consort etc.
$23.00
On December Five-and-Twenty (medley) - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Todd Marchand
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On December Five-and-Twenty
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726032 Composed by Traditional. Arranged by Todd Marchand. Christmas,Folk. Score and parts...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726032 Composed by Traditional. Arranged by Todd Marchand. Christmas,Folk. Score and parts. 17 pages. Con Spirito Music #2958109. Published by Con Spirito Music (A0.726032). “On December Five-and-Twenty†brings together three folk tunes from different regions of Europe. The first, “Fum, Fum, Fum,†is a Catalan carol from northeastern Spain. The second, “Pat-a-Pan,†comes from the Burgundy region of east-central France. The third, “Touro-Louro-Louro!†comes from the Provence region of southeastern France.Each tune bears an onomatopoetic title (a word that phonetically imitates or suggests the source of the sound that it describes): The refrain “fum, fum, fum†in the Catalan carol is an onomatopoeia for the strumming of a guitar. “Pat-a-pan†— the title of the Burgundian carol — imitates the sound of a drum being struck. “Touro-louro-louro!†— the title of the Provencal carol — suggests the singing of birds. (A similar onomatopoeia, “turelurelu,†appears in “Pat-a-Pan,†suggesting the sound of a fife, or flute, being played.)This is a delightful arrangement that is enjoyable to play and pleasing to listeners. ©Copyright 2014 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$15.00
Heut' geht's auf - Gottlieb Weißbacher arr. Sepp Tanzer (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Contemporain
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Gottlieb Weißbacher
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Sepp Tanzer and Peet du Toit
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Heut' geht's auf - Gottlieb We
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.957662 Composed by Gottlieb Weißbacher. Arranged by Sepp Tanzer and Peet du Toit. Contemporary. S...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.957662 Composed by Gottlieb Weißbacher. Arranged by Sepp Tanzer and Peet du Toit. Contemporary. Score and parts. 12 pages. Peet du Toit #6861453. Published by Peet du Toit (A0.957662). The Ländler is a folk dance in 3/4 time which was popular in Austria, Bavaria, German Switzerland, and Slovenia at the end of the 18th century.It is a partner dance which strongly features hopping and stamping. It might be purely instrumental or have a vocal part, sometimes featuring yodeling.When dance halls became popular in Europe in the 19th century, the Ländler was made quicker and more elegant, and the men shed the hobnail boots which they wore to dance it. Along with a number of other folk dances from Germany and Bohemia, it is thought to have influenced the development of the waltz.Here's a brass quintet version for your enjoyment.
$14.00
Jesus Is All The World To Me (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Will L
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Joseph Pugh
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Jesus Is All The World To Me
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855026 Composed by Will L. Thompson (1847-1909). Arranged by Joseph Pugh. Christian,Easter...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855026 Composed by Will L. Thompson (1847-1909). Arranged by Joseph Pugh. Christian,Easter,Sacred,Standards. Score and parts. 8 pages. Joseph Pugh #6056985. Published by Joseph Pugh (A0.855026). Thompson wrote Jesus is All the World to Me in 1904, and it became quite popular. He was as successful with Christian music as he had been earlier with secular music. This offering by Joseph Pugh is a testament to the Christian life. Jesus Is All The World To All Me was first published in the New Century Hymnal. Whilst on a trip to Europe in 1909 he fell ill and died a few weeks after returning to the United States. This song shows total reliance on the Lord Jesus Christ. Through sadness or happiness, Jesus is still all the world to the Christian.
$19.99
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Carnival Processional : Brass Choir (2, 4, 2, 1)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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M
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Carnival Processional : Brass
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Vocal Works
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.741955 Composed by M. Ryan Taylor. 20th Century,Contemporary,Renaissance. Score and parts. 15 pages....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.741955 Composed by M. Ryan Taylor. 20th Century,Contemporary,Renaissance. Score and parts. 15 pages. Vocal Works #485585. Published by Vocal Works (A0.741955). A processional for brass choir invoking the spirit of a European Renaissance carnival of old. Originally premiered by the Chicago Brass.
$9.99
Boccherini's Minuet for Brass Quartet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Luigi Boccherini
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Diego Marani
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Boccherini's Minuet for Brass
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528659 Composed by Luigi Boccherini. Arranged by Diego Marani. Classical,Concert,Instructi...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528659 Composed by Luigi Boccherini. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and parts. 11 pages. Diego Marani #6340731. Published by Diego Marani (A0.528659). Ridolfo Luigi Boccherini was an Italian, later Spanish, composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers. He is best known for a minuetto from his String Quintet in E, Op. 11, No. 5.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.
$7.99
Elizabethan Serenade
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Ronald Binge
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BRIAN W
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Elizabethan Serenade
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EMK Music
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SheetMusicPlus
Brass Quartet - Level 5 - SKU: A0.1204611 By Ronald Binge. By Ronald Binge. Arranged by BRIAN W. COPPING. 20th Century,Chamber,Contest,Festival. 32 page...
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Brass Quartet - Level 5 - SKU: A0.1204611 By Ronald Binge. By Ronald Binge. Arranged by BRIAN W. COPPING. 20th Century,Chamber,Contest,Festival. 32 pages. EMK Music #803082. Published by EMK Music (A0.1204611). This well known piece has been arranged for Brass Quartet comprising Trumpet 1 &2 (Bb Cornet/Flugel Horn), Trombone/Euphonium and Bass.  There are alternative parts for F Horn (Trombone/Euphonium), Eb Horn (Trombone/Euphonium), Bb Trombone/Euphonium in Treble and Bass Clef, Eb and Bb Bass in Treble and Bass Clef.Please Note: This title is published for Brass Quartet and Brass Quintet. The parts are not interchangeable and can be differentiated by looking at bottom left hand corner.In spite of its title, ‘Elizabethan Serenade’ is a comparatively modern composition which was first performed by Mantovani in 1951.  Originally called ‘Andante Cantabile’, Ronald Binge changed the name to reflect post-war optimism when Queen Elizabeth 11 came to the throne in 1952. Its popularity as a piece of light music and as a theme tune was further enhanced when lyrics were added in English and in several other European Languages.
$14.00
Symphony No. 5 by Beethoven for Brass Quartet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Brass Quartet - Level 3 - SKU: A0.1261597 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,Romantic Period. 13 pages. Woods O...
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Brass Quartet - Level 3 - SKU: A0.1261597 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,Romantic Period. 13 pages. Woods Only, Arrangements #854676. Published by Woods Only, Arrangements (A0.1261597). This adaptation was intended for a small group of brass quartet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$7.99
Boccherini's Minuet for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Luigi Boccherini
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Diego Marani
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Boccherini's Minuet for Brass
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528660 Composed by Luigi Boccherini. Arranged by Diego Marani. Classical,Concert,Instructi...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528660 Composed by Luigi Boccherini. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and parts. 13 pages. Diego Marani #6340737. Published by Diego Marani (A0.528660). Ridolfo Luigi Boccherini was an Italian, later Spanish, composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers. He is best known for a minuetto from his String Quintet in E, Op. 11, No. 5.This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.
$9.99
L'Amant Anonyme - III. Presto
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Joseph Bologne, Chevalier de S
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Betsy Bright
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L'Amant Anonyme - III. Presto
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Bright Music Company
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1098790 Composed by Joseph Bologne, Chevalier de Saint-Georges. Arranged by Betsy Bright. ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1098790 Composed by Joseph Bologne, Chevalier de Saint-Georges. Arranged by Betsy Bright. Classical. Score and parts. 28 pages. Bright Music Company #702643. Published by Bright Music Company (A0.1098790). This high energy Presto movement of Chevalier de Saint-Georges is a thrill to hear in brass quintet form! A hero of Mozart, Chevalier de Saint-Georges embodies the European Classical style of the late 1700s. This piece fits beautifully onto any program and showcases the fast, technical skills of each musician in the quintet. Duration: 3 minutes Difficulty: Advanced Intermediate.
$18.00
Get Right (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Joseph Pugh
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Get Right
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855227 Composed by Joseph Pugh. Blues,Jazz,Pop,Rock,Standards. Score and parts. 13 pages. ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855227 Composed by Joseph Pugh. Blues,Jazz,Pop,Rock,Standards. Score and parts. 13 pages. Joseph Pugh #6479227. Published by Joseph Pugh (A0.855227). You can get your Brass Quintet Right with this cute, jazzy arrangement by, Joseph Pugh. Download the fun today at a reduced price and Get Right because, its selling like hot cakes over seas in the European market.
$12.99
(ghost) Riders In The Sky (a Cowboy Legend)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Johnny Cash
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Arthur Jesse & Peet du Toit
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(ghost) Riders In The Sky
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du Toit. Contemporar...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du Toit. Contemporary. Score and parts. 9 pages. Peet du Toit #6023995. Published by Peet du Toit (A0.802616). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. The story has been linked with old European myths of the Wild Hunt, in which a supernatural group of hunters passes the narrator in wild pursuit.Stan Jones stated that he had been told the story when he was 12 years old by an old Native American who resided north-east of the Douglas, Arizona border town, a few miles behind D Hill, north of Agua Prieta, Sonora. The Native Americans, possibly Apache, who lived within Cochise County, believed that when souls vacate their physical bodies, they reside as spirits in the sky, resembling ghost riders. He related this story to Wayne Hester, a boyhood friend (later owner of the Douglas Cable Company). As both boys were looking at the clouds, Stan shared what the old Native American had told him, looking in amazement as the cloudy shapes were identified as the ghost riders that years later, would be transposed into lyrics. The melody is based on the song When Johnny Comes Marching Home.
$15.00
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