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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
1922 - mp3
Non classifié
456
Piano & claviers
Piano seul
471
Piano, Voix
183
Piano, Voix et Guitare
96
Piano Facile
58
Orgue
32
Instruments en Do
12
1 Piano, 4 mains
9
Accompagnement Piano
7
Piano grosses notes
7
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
4
Accordéon
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
Clavier
1
Ligne De Mélodie, Piano
1
Orgue, Voix
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
67
Guitare
57
Paroles et Accords
52
Ligne De Mélodie, (Paroles) et Accords
40
Ukulele
8
Basse electrique
6
4 Guitares (Quatuor)
2
Guitare (partie séparée)
2
3 Guitares (trio)
1
Mandoline
1
2 Guitares (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
53
Chorale 3 parties
28
Chorale TTBB
25
Pack Instrumental pour Chorale
24
Chorale 2 parties
13
Chorale SSAA
6
Chorale SSAATTBB
4
Voix seule
4
Voix Baryton, Piano
4
Chorale
3
Voix duo
3
Voix Tenor, Piano
2
Voix Soprano, Piano
2
Chorale SSATB
2
Voix duo, Piano
1
Chorale Unison
1
Voix haute
1
Voix moyenne, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
35
2 Saxophones (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Saxophone Alto
18
Quatuor de Saxophones: 4 saxophones
18
Clarinette et Piano
17
Hautbois, Piano (duo)
13
Saxophone (partie séparée)
12
Quintette de Saxophone: 5 saxophones
10
Saxophone Alto et Piano
10
Quatuor de Clarinettes: 4 clarinettes
8
Quatuor de Flûtes : 4 flûtes
8
2 Flûtes traversières (duo)
7
Flûte traversière
7
Ensemble de Clarinettes
7
2 Clarinettes (duo)
7
Saxophone Tenor et Piano
7
Saxophone Tenor
6
Clarinette
6
Flute (partie séparée)
5
Saxophone Soprano et Piano
5
Flûte, Clarinette (duo)
5
Cor anglais, Piano
4
Flûte, Hautbois, Clarinette, Basson
4
Instruments en Mib
4
3 Clarinettes (trio)
4
Ensemble de Flûtes
4
Clarinette (partie séparée)
4
Saxophone, Clarinette (duo)
3
Flûte à Bec
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte et Guitare
3
Hautbois (partie séparée)
3
Ensemble De Flûte à bec
3
Hautbois, Clarinette (duo)
3
Flûte à bec Soprano, Piano
3
Quintette de Flûte : 5 flûtes
3
Flûte à bec Alto, Piano
2
Flûte à bec Tenor
2
Clarinette, Violon (duo)
2
Flûte traversière, Basse continue
2
Clarinette, Trombone (duo)
2
Flûte, Violon
2
Clarinette, Trompette (duo)
2
Flûte à bec Soprano
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violoncelle
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette et Alto
2
Quatuor de Flûtes à bec
2
Saxophone Baryton, Piano
2
Hautbois, Flûte
1
Hautbois, Guitare (duo)
1
Flûte, Basson et Piano
1
5 Flûtes à bec
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse, Piano
1
Harmonica, Piano
1
Flûte traversière, Orgue (duo)
1
3 Flûtes à bec (trio)
1
Hautbois et Orchestre
1
2 Hautbois (duo)
1
Hautbois, Basson (duo)
1
Saxophone Soprano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette et Basson
1
Ensemble de saxophones
1
Flûte, Trompette (duo)
1
Clarinette, Violoncelle (duo)
1
2 Flûtes à bec, Piano
1
Saxophone Baryton
1
3 Saxophones (trio)
1
Flûte, Alto (duo)
1
Flûte, Hautbois (duo)
1
2 Flûte à bec (duo)
1
+ 71 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trompette (partie séparée)
11
Trombone et Piano
11
Trombone (partie séparée)
11
Trompette, Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trompette
6
Bass Clef Instruments
6
2 Trombones (duo)
6
Tuba et Piano
6
Cor et Piano
5
Instruments en Fa
4
Cor anglais, Piano
4
Cor (partie séparée)
4
Instruments en Sib
4
2 Cors (duo)
4
Euphonium, Piano (duo)
4
Trombone
4
Ensemble de Trombones
3
Quatuor de Cuivres
3
Tuba
3
4 Tubas
3
Tuba (partie séparée)
3
2 Trompettes (duo)
3
Trompette, Saxophone (duo)
2
Ensemble de Trompettes
2
Cor
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
Trompette, Trombone (duo)
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
+ 28 instrumentations
Retracter
Cordes
Violon
68
Violon et Piano
56
Violoncelle, Piano
42
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon (partie séparée)
30
Alto (partie séparée)
18
Alto, Piano
18
Violoncelle (partie séparée)
14
Alto seul
11
Trio à Cordes: violon, alto, violoncelle
11
Violon, Violoncelle (duo)
10
Violoncelle
9
2 Violoncelles (duo)
7
2 Altos (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Contrebasse, Piano (duo)
5
2 Violons (duo)
5
Violon, Guitare (duo)
5
Violon, Alto (duo)
4
4 Violoncelles
3
2 Contrebasses (duo)
3
Harpe
3
Contrebasse (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Ensemble de Violons
2
Violoncelle, Orchestre
2
2 Altos, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
302
Orchestre
21
Orchestre à Cordes
19
Ensemble Jazz
10
Orchestre de chambre
8
Jazz combo
3
Cloches
3
Percussion (partie séparée)
3
Ensemble de cuivres
3
Fanfare
3
Batterie (partie séparée)
2
Batterie
2
Percussion
2
Timbales (partie séparée)
1
Orchestre, Violon
1
Xylophone
1
+ 11 instrumentations
Retracter
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COR ANGLAIS
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DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
1922 - mp3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
10 partitions trouvées
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1
Acapulco 1922
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Herb Alpert
#
James Bicigo
#
Acapulco 1922
#
Polar Publications
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.757765 By Herb Alpert. By Herb Alpert. Arranged by James Bicigo. Pop. Score and parts. 14 ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.757765 By Herb Alpert. By Herb Alpert. Arranged by James Bicigo. Pop. Score and parts. 14 pages. Polar Publications #4286587. Published by Polar Publications (A0.757765). Herb Alpert made this famous in the 70's. Now, here it is for your brass quintet!
$25.00
ADORAMUS TE CHRISTE - Q. Gasparini. - For Brass Quartet - Set of parts
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Gasparini Quirino
#
Renato Tagliabue
#
ADORAMUS TE CHRISTE - Q. Gaspa
#
Renato Tagliabue
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.723989 Composed by Gasparini Quirino. Arranged by Renato Tagliabue. Christian,Classical,Easter,Sacre...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.723989 Composed by Gasparini Quirino. Arranged by Renato Tagliabue. Christian,Classical,Easter,Sacred. Score and parts. 7 pages. Renato Tagliabue #3415881. Published by Renato Tagliabue (A0.723989). Mozart copied the motet Adoramus te by Gasparini, whom he met in Turin in 1771. He was included in the Köchelverzeichnis under KV 327 Anh. A. 10. The Gasparini work was assigned in 1922 by the director of the Salzburg cathedral, Hermann Spies.Video on Youtube: (Here for Choir SATB)https://www.youtube.com/watch?v=op1g4pn2JBU
$12.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
At The Movies
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
AVANCÉ
#
Contemporain
#
John Philip Sousa
#
James Haynor
#
At The Movies
#
James Haynor
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.782192 Composed by John Philip Sousa. Arranged by James Haynor. 20th Century. Score and pa...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.782192 Composed by John Philip Sousa. Arranged by James Haynor. 20th Century. Score and parts. 176 pages. James Haynor #3366111. Published by James Haynor (A0.782192). Written in 1922 , The Serenaders is the first movement of a little known suite titled Impressions - At the Movies by John Phillip Sousa. Originally scored for military band, The Serenaders is a delightful musical depiction of a college student trying to woo co-eds at a neighboring university. Subsequent movements include: The Crafty Villain and the Timid Maid and Balance All and Swing Partners. Transcribed for double brass quintet, the piece retains it’s exuberance and flair for whimsy and evokes the era of Sunday afternoon concerts in the park. From Herbert L. Clarke-like cornet solos/cadenzas and quintet duels to rousing tutti sections, this is an all out crowd pleaser. Only Sousa sounds like this!
$10.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
The Story In Your Eyes
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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The Moody Blues
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Jeff Tincher
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The Story In Your Eyes
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble,Brass Quartet Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1192294 By The Moody Blues. By Justin Hayward. Arranged by Jeff Tincher. Contempo...
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Brass Ensemble,Brass Quartet Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1192294 By The Moody Blues. By Justin Hayward. Arranged by Jeff Tincher. Contemporary,Pop,Rock. Score and parts. 20 pages. Jeff Tincher #791736. Published by Jeff Tincher (A0.1192294). Another rocker from The Moody Blues. In the original key from their Every Good Boy Deserves Favour LP. This arrangement includes the live ending from their Aug 25, 2010 Albert Hall concert. Duration = 3:12. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
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