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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
5 - 8 voice parts.
Non classifié
1 486
Piano & claviers
Piano, Voix
849
Piano, Voix et Guitare
69
Piano seul
7
Piano Facile
6
Accompagnement Piano
4
Orgue
3
2 Pianos, 4 mains
2
1 Piano, 4 mains
2
Instruments en Do
2
Accordéon
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon, Corde(s)
1
Piano Trio: piano, violon, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
17
Ukulele
5
Guitare
1
2 Guitares (duo)
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
109
Chorale SSAA
49
Chorale TTBB
42
Chorale 3 parties
32
Chorale 2 parties
17
Chorale Unison
12
Voix duo, Piano
9
Chorale SSAB a cappella
5
Voix Baryton, Piano
4
Voix duo
4
Voix, Guitare
2
Voix Mezzo-Soprano, Piano
2
Voix Soprano, Piano
2
Voix Tenor, Piano
2
Voix Alto, Piano
2
Voix basse, Piano
1
Voix seule
1
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
Voix haute
1
+ 15 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
29
Quintette de Clarinettes: 5 clarinettes
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Flûte, Hautbois, Clarinette, Basson
13
Quatuor de Saxophones: 4 saxophones
8
2 Saxophones (duo)
8
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Alto et Piano
6
Quintette de Flûte : 5 flûtes
5
3 Saxophones (trio)
4
Flûte, Clarinette (duo)
4
Ensemble de Clarinettes
4
Quatuor de Flûtes : 4 flûtes
4
Flûte traversière et Piano
4
Flûte et Guitare
3
Clarinette et Piano
3
Trio de Flûtes: 3 flûtes
3
Hautbois, Clarinette (duo)
3
2 Clarinettes (duo)
3
2 Flûtes traversières (duo)
3
Saxophone, Clarinette (duo)
3
3 Clarinettes (trio)
3
Saxophone Tenor et Piano
2
Hautbois, Flûte
2
Ensemble de Flûtes
2
Clarinette, Violon (duo)
2
2 Clarinettes, Piano
2
2 Flûte à bec (duo)
2
Saxophone Soprano et Piano
2
Flûte traversière
1
5 Flûtes à bec
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Saxophone (duo)
1
Ensemble de Hautbois
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Basson (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Violon
1
Clarinette et Alto
1
Hautbois, Basson (duo)
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Piano (duo)
1
Flûte, Alto et Piano
1
Flute, harpe et violon
1
Ensemble De Flûte à bec
1
Clarinette
1
Clarinette, Trompette (duo)
1
Flûte, Hautbois (duo)
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Ensemble de Trombones
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de cuivres: 4 trombones
3
3 Trombones (trio)
2
Trompette, Trombone (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres
2
Trombone et Piano
2
2 Trombones (duo)
2
Quatuor de cuivres: 4 cors
2
Trompette, Cor (duo)
2
2 Cors (duo)
2
Tuba et Piano
1
2 Trompettes (duo)
1
3 Euphoniums
1
3 Tubas (trio)
1
2 Tubas (duo)
1
Trompette, Piano
1
3 Trompettes (trio)
1
Ensemble de Cors
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon, Alto (duo)
11
Harpe, Voix
11
Violon et Piano
10
Violoncelle, Piano
7
Violoncelle, Contrebasse (duo)
6
Alto, Piano
5
Violon, Violoncelle (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
2 Altos (duo)
4
Alto, Violoncelle (duo)
3
Violoncelle
3
Violon, Guitare (duo)
2
Ensemble de Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Violon
2
Harpe
2
Harpe, Flûte (duo)
1
Contrebasse, Piano (duo)
1
2 Violoncelles (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violons (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
159
Orchestre
97
Orchestre d'harmonie
32
Orchestre à Cordes
30
Ensemble de cuivres
20
Orchestre de chambre
18
Jazz combo
11
Cloches
6
Ensemble de Percussions
4
Batterie
2
Fanfare
2
Big band
1
Marimba
1
+ 8 instrumentations
Retracter
Autres
Formation musicale - Solfège
3
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AUTRES INST…
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DOBRO - GUI…
DULCIMER
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
5 - 8 voice parts.
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
22 partitions trouvées
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1
Sinfonia 5, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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J
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Rudy Volkmann
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Sinfonia 5, J. S. Bach, adapte
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Rudy Volkmann
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005657 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005657 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6365233. Published by Rudy Volkmann (A0.1005657). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein. This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece. This is a great recital piece or concert opener.
$3.00
The Voice
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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The Moody Blues
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Jeff Tincher
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The Voice
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble,Brass Quartet Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1193180 By The Moody Blues. By Justin Hayward. Arranged by Jeff Tincher. Contempo...
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Brass Ensemble,Brass Quartet Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1193180 By The Moody Blues. By Justin Hayward. Arranged by Jeff Tincher. Contemporary,Pop,Rock. Score and parts. 33 pages. Jeff Tincher #792637. Published by Jeff Tincher (A0.1193180). This is the opening song from The Moody Blues' Long Distance Voyager LP. In the original key, this song will have you rockin'. This arrangement has the live ending from their Live At Red Rocks LP. Duration = 5:41. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
Brass Choir - Monteverdi - The Seventh Book of Madrigals (1619) - 29. Amor che deggio far
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Brass Choir - Monteverdi - The
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Lyons Music Services
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767367 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767367 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 58 pages. Lyons Music Services #3548869. Published by Lyons Music Services (A0.767367). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.In Amor che deggio far, the poet is pleading with his love for constancy. he feels she doesn't love him enough to be his lover forever.This is one of the longer poems set in the seventh book and has a variety of musical forms within it. It begins with an opening statment of the 3 ritornelli that will reappear after each solo, duet, trio or quartet from the soloists. In this way, the composer prepares the listener for what will come and it will therefore be familiar and recognisable in the context of the song.This ia also one of the most demanding songs in the book. It requires a set of four solo singers (Trumpet/Horn/Trombone/Tuba) a pair of obbligato violins (Eb trumpet and Bb trumpet) and a string+ keyboard continuo part (Trumpet/Horn/Euphonium/Tuba) making 10 instruments in all. I had to use an Eb trumpet as the range of the obbligato is quite adventurous for the period and covers some of the clarino range that was to become popular in the High Baroque.At 5 minutes in length, this is a great finisher for either hafl of a concert, especially as Monteverdi has reserved use of all the instruments/voices until the very end, creating a rousing finish.The seventh book continues to be a challenge. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, this song is exquisitely crafted and travels well onto brass.
$9.98
Monteverdi - The Seventh Book of Madrigals (1619) - 28. Chiome d'oro
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767365 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767365 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 25 pages. Lyons Music Services #3545853. Published by Lyons Music Services (A0.767365). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Chiome d'oro, bel tesoro tells of golden tresses of hair, strings of pearls and roses that all charm and bind the lover to his love. It's a typical slushy romantic poem of the time and Monteverdi gives it some special treatment indeed. Originally for 'two voices (unspecified) two violins and basso continuo (now a standard part of any accompaniment) I have chosen to arrnage it for Two horns, Two Trumpets/Cornets, two trombones (baritone/euphonium) and tuba.The range of the violin parts is quite small, so it fits rather well on the trumpets. Of course, we are in the era when music was apt to be composed to fit any combination of instruments and so all the ranges would have to be similar to enable this to happen. I decided to give the duet lines to the horns.The seventh book continues to be a challenge. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, this song is exquisitely crafted and travels well onto brass.
$8.99
Come Ye That Love the Lord
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Folklorique/Traditionel
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Issac Watts
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Monty J
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Come Ye That Love the Lord
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quartet - Grade 3.5 - SKU: DX.145405 Composed by Issac Watts. Arranged by Monty J. Budahl. Traditional. Key of F, Db. Sacred Instrumental Music. S...
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Brass Quartet - Grade 3.5 - SKU: DX.145405 Composed by Issac Watts. Arranged by Monty J. Budahl. Traditional. Key of F, Db. Sacred Instrumental Music. Score and Parts. 11 pages. David E. Smith - Digital Sheet Music #145405. Published by David E. Smith - Digital Sheet Music (DX.145405). A brass quartet for two trumpets and two trombones with opt. parts for Fr. Horn and Baritone TC. The pieces begins with canonic entrances and then increases in activity. The first thematic statement is stately in a block harmonic structure. The parts then state the tune with others in an ornamental addition. A modulation takes place and the first tombone/horn states the theme while the others portray soft bell-tone like accompniment. A spirited entrance from low voices to higher in a fugal format coming to a final, majestic Coda marking a strong ending.
$7.00
Lohengrin – Prelude to Act III (for Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Classique
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Classique
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Richard Wagner
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Kenneth Abeling
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Lohengrin – Prelude to A
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.515306 Composed by Richard Wagner. Arranged by Kenneth Abeling. Classical,Opera,Romantic P...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.515306 Composed by Richard Wagner. Arranged by Kenneth Abeling. Classical,Opera,Romantic Period. Score and parts. 28 pages. LINCOLN MUSIC PUBLICATIONS #6269955. Published by LINCOLN MUSIC PUBLICATIONS (A0.515306). Prelude to Act III of Richard Wagner’s highly acclaimed opera Lohengrin transcribed for Brass Quintet. This is an intermediate advance level piece, for the lower voices and advanced level (double/triple tonguing suggested) for the upper two voices. The transcription is true to the composer’s intent for this universally recognized work. Playing time approximately 3:20.
$14.99
Sinfonia 1, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
#
J
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Rudy Volkmann
#
Sinfonia 1, J. S. Bach, adapte
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Rudy Volkmann
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005653 Composed by J. S, Bach (1685-1750). Arranged by Rudy Volkmann. Baroque,Concert. Score a...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005653 Composed by J. S, Bach (1685-1750). Arranged by Rudy Volkmann. Baroque,Concert. Score and parts. 5 pages. Rudy Volkmann #6361813. Published by Rudy Volkmann (A0.1005653). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein. This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece. Notes in parenthesis suggest breathing spots (if necessary). This is a great recital piece or concert opener.
$3.00
Sinfonia 3, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
#
J
#
Rudy Volkmann
#
Sinfonia 3, J. S. Bach, adapte
#
Rudy Volkmann
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005656 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts...
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005656 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6363015. Published by Rudy Volkmann (A0.1005656). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein. This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece. This is a great recital piece or concert opener.
$3.00
Sinfonia 4, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
#
J
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Rudy Volkmann
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Sinfonia 4, J. S. Bach, adapte
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Rudy Volkmann
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005659 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts...
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005659 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6364605. Published by Rudy Volkmann (A0.1005659). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein. This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece. This is a great recital piece or concert opener.
$3.00
Sinfonia 9, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
#
Rudy Volkmann
#
Sinfonia 9, J. S. Bach, adapte
#
Rudy Volkmann
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005662 Composed by . S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts....
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005662 Composed by . S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6370015. Published by Rudy Volkmann (A0.1005662). This particular sinfonia has been arranged for a number of instrumental combinations, but not this one. It is the most interesting one of the sinfonia from a harmonic standpoint because of its highly chromatic treatment. The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein. This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece. This is a great recital piece or concert opener.
$3.00
Sinfonia 10, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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J
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Rudy Volkmann
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Sinfonia 10, J. S. Bach, adapt
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Rudy Volkmann
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005663 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005663 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6384137. Published by Rudy Volkmann (A0.1005663). This is one of my favorites. I chose adapted, rather than arranged because in order to make it playable I had to leave out a few notes (carefully chosen) in order to give the brass players a spot or two to breathe. For the real 'horses, the written arrangement leaves these in with the breaths notes in parenthesis; the mp3 audio file leaves them out. The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein. This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece. This is a great recital piece or concert opener.
$3.00
Sinfonia 11, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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J
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Rudy Volkmann
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Sinfonia 11, J. S. Bach, adapt
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Rudy Volkmann
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005664 Composed by J. S, Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005664 Composed by J. S, Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6385005. Published by Rudy Volkmann (A0.1005664). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein. This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece. This is a great recital piece or concert opener.
$3.00
Sinfonia 14, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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J
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Rudy Volkmann
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Sinfonia 14, J. S. Bach, adapt
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Rudy Volkmann
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005665 Composed by J. S, Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005665 Composed by J. S, Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6402425. Published by Rudy Volkmann (A0.1005665). This is a nice one - I added some articulations to make it a bit more brass-like. The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein. This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece. This is a great recital piece or concert opener.
$3.00
Sinfonia 13, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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J
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Rudy Volkmann
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Sinfonia 13, J. S. Bach, adapt
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Rudy Volkmann
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005666 Composed by J. S, Bach (1685-1750). Arranged by Rudy Volkmann. Baroque,Concert. Score a...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005666 Composed by J. S, Bach (1685-1750). Arranged by Rudy Volkmann. Baroque,Concert. Score and parts. 5 pages. Rudy Volkmann #6403133. Published by Rudy Volkmann (A0.1005666). This is another of my favorites in the series. The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein. This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece. This is a great recital piece or concert opener.
$3.00
Chorale Prelude Op.67 N.43 for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Max Reger
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Cristiano Vecchi
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Chorale Prelude Op.67 N.43 for
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Cristiano Vecchi
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.963417 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Christian,Easter,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.963417 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Christian,Easter,Instructional,Standards. Score and parts. 15 pages. Cristiano Vecchi #5044751. Published by Cristiano Vecchi (A0.963417). Wachet auf, ruft uns die Stimme (Awake, calls the Voice to us):a majestic and radiant chorale prelude composed by Max Reger in five real parts.Duration: 2'50.Version for: Trumpets in Bb 1&2 - French Horn in F - Trombone - Tuba . Also available for Woodwind Quintet.SCORE and PARTS.MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$7.99
Sinfonia 2, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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J
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Rudy Volkmann
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Sinfonia 2, J. S. Bach, adapte
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Rudy Volkmann
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005655 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Baroque,Concert. Score a...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1005655 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Baroque,Concert. Score and parts. 6 pages. Rudy Volkmann #6362691. Published by Rudy Volkmann (A0.1005655). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein. This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece. This is a great recital piece or concert opener.
$3.00
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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2 Trombones 1
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet - Level 2 - SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,...
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Brass Quartet - Level 2 - SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet - Level 2 - SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festiva...
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Brass Quartet - Level 2 - SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
The Gloucestershire Wassail (Wassail, Wassail! All Over the Town) - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Traditional English Folk Song
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Todd Marchand
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The Gloucestershire Wassail
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726087 Composed by Traditional English Folk Song. Arranged by Todd Marchand. Christmas,Fol...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726087 Composed by Traditional English Folk Song. Arranged by Todd Marchand. Christmas,Folk,Holiday,Traditional. Score and parts. 17 pages. Con Spirito Music #4777739. Published by Con Spirito Music (A0.726087). The Gloucestershire Wassail is one of many traditional wassails (festive songs, carols) associated with the centuries-old tradition of wassailing. In the West of England from where this particular song comes, groups of people would go door to door, singing and offering a drink of mulled cider (wassail) from a large, decorated bowl (the wassail bowl) in exchange for other drinks, food, and gifts. The custom of sharing the wassail bowl is supposedly of Saxon origin, a drinking ritual dating to the Middle Ages and derived from one of the observances of the Feast of Yule. Today it is associated with Christmas-tide, the twelve days from December 25 through January 5. The word wassail itself comes from an Anglo-Saxon greeting (Middle English waes hael) meaning be thou hale or be in good health.This arrangement of a sprightly West-English traditional song features the voices of the brass quintet in various combinations, keys, and harmonizations, echoing the strains of wassail-singers across time and place.©Copyright 2019 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00
Contrapunctus #1 for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ellis Wean
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Contrapunctus #1 for Brass Qui
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.792100 Composed by Johann Sebastian Bach. Arranged by Ellis Wean. Baroque. Score and parts...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.792100 Composed by Johann Sebastian Bach. Arranged by Ellis Wean. Baroque. Score and parts. 12 pages. Gordon Cherry #3451741. Published by Gordon Cherry (A0.792100). This work gives all five players a real workout. This masterful transcription is Symphonic in style with all 5 players playing the 4 voice fugue. There is a lot of doubling with some thrilling sounds and textures. Turn up the volume, because this work shakes the rafters. A great work in recital! Trumpets are in B-flat, Horn, Trombone and Tuba
$20.00
Danse Macabre for Double Brass Quintet and Timpani
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Classique
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Halloween
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Camille Saint-Saens
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James Haynor
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Danse Macabre for Double Brass
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James Haynor
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.782339 Composed by Camille Saint-Saens. Arranged by James Haynor. Romantic Period. Score a...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.782339 Composed by Camille Saint-Saens. Arranged by James Haynor. Romantic Period. Score and parts. 114 pages. James Haynor #5709197. Published by James Haynor (A0.782339). Danse Macabre, Op. 40, is a tone poem for orchestra, written in 1874 by the French composer Camille Saint-Saëns. It is in the key of G minor. It started out in 1872 as an art song for voice and piano with a French text by the poet Henri Cazalis, which is based on an old French superstition. In 1874, the composer expanded and reworked the piece into a tone poem, replacing the vocal line with a solo violin part. Dance Macabre is scored here for Double Brass Quintet and Timpani. The piece should be considered advanced in nature but the reward is worth the effort. ( Duration 7:50 )
$10.00
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5 - 8 voice parts. 
