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A Child I Was
Non classifié
249
Piano & claviers
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191
Piano, Voix
72
Piano Facile
66
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40
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18
Orgue
8
1 Piano, 4 mains
8
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3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Accordéon
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
+ 9 instrumentations
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Guitares
Guitare
20
Guitare notes et tablatures
11
Basse electrique
3
Ukulele
3
Mandoline
2
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1
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
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1
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1
+ 5 instrumentations
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92
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40
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26
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24
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7
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6
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6
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4
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4
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3
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2
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1
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1
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22
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18
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14
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11
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10
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9
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8
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8
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7
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7
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7
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6
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6
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5
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5
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5
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4
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4
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4
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Ensemble de Flûtes
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
3 Saxophones (trio)
1
Cor anglais, Guitare (duo)
1
2 Clarinettes (duo)
1
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20
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14
Trompette
13
Cor
11
Tuba
8
Trombone
8
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7
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7
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3
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2
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1
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1
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2 Euphoniums (duo)
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Cor anglais, Guitare (duo)
1
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Cordes
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29
Violoncelle, Piano
18
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17
Alto, Piano
15
Violoncelle
14
Violon
13
Harpe
9
Alto seul
9
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4
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4
Trio à Cordes: 2 violons, violoncelle
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4
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3
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2 Violoncelles (duo)
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2 Violons (duo)
3
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2
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4 Violoncelles
2
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1
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1
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1
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
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Orchestre à Cordes
34
Orchestre
26
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21
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7
Ensemble de Percussions
4
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3
Ensemble Jazz
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1
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1
Fanfare
1
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Vous avez sélectionné:
A Child I Was
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
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I Was Made For Lovin' You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Metal/Hard Rock
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Rock
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Kiss
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Tsuyoshi Yoroiguma
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I Was Made For Lovin' You
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.711379 By Kiss. By Desmond Child, Paul Stanley, and Vini Poncia. Arranged by Tsuyoshi Yoro...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.711379 By Kiss. By Desmond Child, Paul Stanley, and Vini Poncia. Arranged by Tsuyoshi Yoroiguma. Metal,Rock. Score and parts. 23 pages. Tsuyoshi Yoroiguma #4854331. Published by Tsuyoshi Yoroiguma (A0.711379). This is a famous rock music performed by KISS. Audience will be fun to hear it.Instrumentation : 2 Bb Trumpets / F Horn / Trombone / TubaPDF file includes 13 pages of score and 10 pages of parts.Playing time is 3 min 05 sec.Please visit youtube to watch sample score.
$23.00
A Billings Triptych - for 8-Part Brass Choir
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Pa
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
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