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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All Is Calm
Non classifié
188
Piano & claviers
Piano seul
215
Piano Facile
33
Piano, Voix
20
Orgue
14
Piano, Voix et Guitare
6
Piano Trio: piano, violon, violoncelle
5
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Accompagnement Piano
2
Orgue, Trompette (duo)
2
Instruments en Do
1
Piano grosses notes
1
+ 7 instrumentations
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Guitares
Guitare
17
Guitare notes et tablatures
9
Piano, Guitare (duo)
3
3 Guitares (trio)
1
Voix
Chorale SATB
81
Chorale 3 parties
28
Chorale 2 parties
8
Chorale TTBB
3
Voix Soprano, Piano
2
Voix duo, Piano
2
Chorale SSAA
2
Chorale Unison
2
Voix haute
2
Voix Mezzo-Soprano, Piano
1
Voix moyenne, Piano
1
+ 6 instrumentations
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Vents
Flûte traversière et Piano
20
Clarinette et Piano
15
Hautbois, Piano (duo)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Clarinette
11
Flûte traversière
10
Quatuor de Saxophones: 4 saxophones
10
Quatuor de Flûtes : 4 flûtes
10
Hautbois (partie séparée)
9
2 Flûtes traversières (duo)
9
Saxophone Tenor et Piano
8
Saxophone Alto et Piano
7
Clarinette (partie séparée)
6
Quintette de Saxophone: 5 saxophones
6
Flûte, Hautbois, Clarinette, Basson
6
Quatuor de Clarinettes: 4 clarinettes
6
Ensemble de Flûtes
6
Flûte à Bec
5
3 Saxophones (trio)
5
Saxophone (partie séparée)
3
Flute (partie séparée)
3
Ensemble de Clarinettes
3
Flûte, Violon et Violoncelle
3
Saxophone Soprano et Piano
3
Flûte, Violon, Piano
3
Quintette de Flûte : 5 flûtes
2
2 Clarinettes (duo)
2
Saxophone Tenor
2
Quintette de Clarinettes: 5 clarinettes
2
Ensemble de saxophones
2
Flûte, Violon
2
Hautbois, Violoncelle
2
Saxophone Alto
2
2 Hautbois (duo)
1
Flûte, trombone et piano
1
Hautbois, violon (duo)
1
2 Flûtes traversières, Piano
1
Clarinette, Guitare (duo)
1
Flûte et Guitare
1
3 Clarinettes (trio)
1
Flûte, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois
1
Clarinette Basse, Piano
1
Trio de Flûtes: 3 flûtes
1
2 Saxophones (duo)
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle (duo)
1
Harmonica
1
Flûte, Hautbois, Basson
1
Clarinette, Violon (duo)
1
Flûte, alto et harpe
1
5 Flûtes à bec
1
Clarinette Basse
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Flûte, Alto et Piano
1
Hautbois et alto (duo)
1
+ 53 instrumentations
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Cuivres
Trompette, Piano
11
Trombone et Piano
11
Trompette
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone (partie séparée)
6
Cor et Piano
5
Cor
5
Tuba
4
Quatuor de cuivres: 4 cors
3
Ensemble de Trombones
3
Trombone
3
Tuba (partie séparée)
3
Trompette (partie séparée)
2
Trompette, Trombone (duo)
2
Cor (partie séparée)
2
Quatuor de Cuivres
2
Tuba et Piano
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trombones
2
2 Trombones (duo)
1
Ensemble de Cors
1
Ensemble de Trompettes
1
Tuba ou Euphonium ou Saxhorn
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone basse et Piano
1
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette, violon (duo)
1
Trio de Cuivres
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violon et Piano
25
Violoncelle
17
Violoncelle, Piano
15
Violon
11
Harpe
11
Alto seul
10
Alto, Piano
10
Contre Basse
9
Violon (partie séparée)
8
Violon, Violoncelle (duo)
6
Contrebasse (partie séparée)
3
Violon, Clarinette, Piano (trio)
2
4 Violoncelles
2
2 Violoncelles (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
2
Violoncelle (partie séparée)
2
2 Violons (duo)
2
Alto (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: violon, alto, violoncelle
1
Ensemble de Violons
1
Harpe, Flûte (duo)
1
Violon, Basson (duo)
1
2 Altos (duo)
1
Violon, Alto (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 25 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
137
Orchestre
26
Cloches
13
Orchestre à Cordes
11
Orchestre de chambre
6
Ensemble de cuivres
5
Percussion (partie séparée)
4
Percussion
3
Timbales (partie séparée)
2
Ensemble de Percussions
2
Jazz combo
1
Ensemble Jazz
1
Marimba
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
UKULELE
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Crtitères actifs :
All Is Calm
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
1 partition trouvée
Brass Quintet - Three Pastoral Sketches
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
AVANCÉ
#
Contemporain
#
Mike Lyons
#
Brass Quintet - Three Pastoral
#
Lyons Music Services
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
All Is Calm
