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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Amber Mark
Non classifié
293
Piano & claviers
Piano, Voix
99
Piano seul
22
Piano Facile
5
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue
2
Piano (partie séparée)
1
+ 3 instrumentations
Retracter
Guitares
Guitare
9
2 Guitares (duo)
2
Guitare notes et tablatures
1
Ligne De Mélodie, (Paroles) et Accords
1
Guitare (partie séparée)
1
3 Guitares (trio)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
50
Pack Instrumental pour Chorale
10
Chorale 3 parties
8
Chorale TTBB
7
Voix Soprano, Piano
6
Chorale SSAA
3
Soli, choeur mixte et accompagnement
2
Chorale Unison
2
Voix Baryton, Piano
1
Chorale
1
Voix Alto, Piano
1
Voix duo, Piano
1
+ 7 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
101
Flûte, Hautbois, Clarinette, Basson
94
Quatuor de Saxophones: 4 saxophones
92
2 Saxophones (duo)
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
40
Flûte traversière et Piano
18
Quintette de Saxophone: 5 saxophones
17
Hautbois, Piano (duo)
15
Saxophone Alto et Piano
15
2 Clarinettes (duo)
15
Clarinette et Piano
14
2 Flûtes traversières (duo)
13
Clarinette
11
2 Hautbois (duo)
9
Saxophone Baryton, Piano
9
Flûte traversière
9
Saxophone (partie séparée)
8
Saxophone Soprano et Piano
8
Hautbois (partie séparée)
7
Saxophone Alto
7
Saxophone Tenor et Piano
7
Ensemble de Clarinettes
6
Saxophone Tenor
6
Quatuor de Flûtes : 4 flûtes
5
Quintette de Clarinettes: 5 clarinettes
4
Ensemble de Flûtes
3
Flute (partie séparée)
2
Hautbois
2
Saxophone Baryton
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon et Violoncelle
1
Saxophone Soprano
1
3 Clarinettes (trio)
1
Clarinette (partie séparée)
1
Clarinette Basse
1
Ensemble de saxophones
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Clarinette Basse, Piano
1
3 Saxophones (trio)
1
Quintette de Flûte : 5 flûtes
1
Cor anglais et Harpe (duo)
1
Flûte et Guitare
1
Clarinette, Alto et Piano (trio)
1
Cor anglais, Piano
1
+ 40 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Quatuor de Cuivres
11
Trompette, Piano
11
Cor et Piano
10
2 Trombones (duo)
9
2 Trompettes (duo)
9
Trombone et Piano
9
Tuba et Piano
9
Cor
8
Trombone
8
Trompette
8
2 Cors (duo)
7
Tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette (partie séparée)
4
Euphonium, Piano (duo)
3
2 Tubas (duo)
3
Trio de Cuivres
3
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trompettes
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
Cor (partie séparée)
1
Trompette, Basson (duo)
1
2 Euphoniums et 2 Tubas
1
Cor anglais, Piano
1
+ 25 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
141
Trio à Cordes: violon, alto, violoncelle
19
Violon et Piano
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Violoncelle, Piano
15
Alto, Piano
14
Violoncelle
14
Violon
13
2 Violoncelles (duo)
13
2 Violons (duo)
13
Contre Basse
11
Contrebasse, Piano (duo)
10
2 Altos (duo)
8
Alto seul
7
Alto (partie séparée)
7
Violon, Violoncelle (duo)
6
Violon (partie séparée)
6
2 Harpes (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
2 Contrebasses (duo)
4
Violon, Alto (duo)
4
Trio à Cordes: 3 violoncelles
3
Violoncelle (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Flûte (duo)
2
Contrebasse (partie séparée)
1
4 Violoncelles
1
Harpe, Quatuor à cordes
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
109
Orchestre à Cordes
27
Orchestre
11
Orchestre d'harmonie
8
Cloches
4
Ensemble de cuivres
3
Ensemble Jazz
2
Jazz combo
2
Percussion
1
Piano et Orchestre
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
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ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1050309 By Brandy, Tamia, Gladys Knight & Chaka Khan. By Barry Eastmond and Gordon Chamber...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1050309 By Brandy, Tamia, Gladys Knight & Chaka Khan. By Barry Eastmond and Gordon Chambers. Arranged by Mark Rippe. Contemporary,Hip-Hop,Pop,R & B,Rock. Score and parts. 13 pages. Mark Rippe #654671. Published by Mark Rippe (A0.1050309). AM00173. Arrangement for brass quintet. Other contemporary brass quintet arrangements are available for Londonderry Air (AM00772) Perfect (AM00146), Eleanor Rigby (AM00147), and Ghost Town (AM00149).
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Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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2 Trombones 1
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Machaut: La Messe de Nostre Da
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Brass Quartet - Level 2 - SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,...
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Brass Quartet - Level 2 - SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
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Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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Brass Quartet - Level 2 - SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festiva...
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Brass Quartet - Level 2 - SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
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