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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come On And See
Non classifié
404
Piano & claviers
Piano, Voix et Guitare
399
Piano seul
174
Piano, Voix
57
Piano Facile
48
Instruments en Do
40
Orgue
27
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
8
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
Piano (partie séparée)
1
Accordéon
1
+ 10 instrumentations
Retracter
Guitares
Ukulele
37
Guitare notes et tablatures
23
Guitare
20
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
4
2 Guitares (duo)
3
Piano, Guitare (duo)
1
Banjo
1
3 Guitares (trio)
1
Paroles et Accords
1
Mandoline
1
+ 6 instrumentations
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Voix
Chorale SATB
138
Chorale 3 parties
29
Chorale 2 parties
13
Chorale TTBB
10
Chorale Unison
9
Chorale SSAA
5
Pack Instrumental pour Chorale
5
Voix duo, Piano
4
Voix Soprano, Piano
4
Voix Alto, Piano
3
Voix seule
2
Voix basse, Piano
2
Voix haute
2
Voix duo
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Voix Tenor
1
+ 12 instrumentations
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Vents
2 Saxophones (duo)
27
2 Flûtes traversières (duo)
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quatuor de Saxophones: 4 saxophones
22
Flûte traversière et Piano
20
Clarinette
16
Saxophone Alto et Piano
16
Clarinette et Piano
16
Hautbois, Piano (duo)
14
Hautbois (partie séparée)
13
3 Saxophones (trio)
13
2 Clarinettes (duo)
12
Flûte, Hautbois, Clarinette, Basson
11
3 Clarinettes (trio)
11
Ensemble de Flûtes
10
Saxophone Tenor et Piano
9
Saxophone Soprano et Piano
8
Quintette de Saxophone: 5 saxophones
8
Ensemble de Clarinettes
7
Flûte traversière
7
Saxophone Baryton, Piano
7
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Tenor
6
2 Hautbois (duo)
5
Quatuor de Flûtes : 4 flûtes
5
Saxophone Alto
5
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Clarinette (duo)
4
Flûte, Clarinette et Basson
4
Saxophone Baryton
3
Trio de Flûtes: 3 flûtes
3
Saxophone Soprano
3
Ensemble de saxophones
3
Saxophone
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois
3
Quatuor de Flûtes à bec
2
Flûte à bec Alto
2
Cor anglais, Piano
2
Flûte à bec Tenor
2
Flûte à bec Soprano
2
Clarinette Basse, Piano
2
Clarinette, Harpe (duo)
1
Flûte à bec Soprano, Piano
1
2 Clarinettes, Piano
1
Ensemble De Flûte à bec
1
Piccolo, Piano
1
Clarinette Basse
1
Hautbois, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Guitare
1
Flûte, Violon
1
Quintette de Flûte : 5 flûtes
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violoncelle (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Guitare (duo)
1
Saxophone (partie séparée)
1
Hautbois, Clarinette (duo)
1
+ 54 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
13
Trombone et Piano
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Cor et Piano
11
Trompette
10
2 Trompettes (duo)
8
Trombone
8
2 Cors (duo)
7
2 Trombones (duo)
7
Trompette, Piano
6
2 Tubas (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Tuba
4
Trompette, Trombone (duo)
3
Ensemble de Trombones
3
Cor
3
Euphonium, Piano (duo)
3
2 Euphoniums (duo)
2
Cor anglais, Piano
2
Cor, Tuba (duo)
2
Trompette, Cor (duo)
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
1
Tuba et Orgue
1
Quatuor de Cuivres
1
2 Cors Anglais Et Pianoforte
1
Trombone, Tuba (duo)
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon et Piano
27
Violoncelle, Piano
17
Trio à Cordes: violon, alto, violoncelle
16
Alto, Piano
14
2 Violons (duo)
13
Violon
13
Violon, Violoncelle (duo)
12
2 Violoncelles (duo)
10
Violoncelle
8
Harpe
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto seul
6
Contre Basse
5
2 Altos (duo)
5
2 Contrebasses (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Contrebasse, Piano (duo)
4
Violon, Alto (duo)
3
Harpe, Voix
3
Violoncelle, Orgue
2
Violoncelle , Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
2 Harpes (duo)
1
Ensemble de Violons
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
Violon, Violoncelle, Clarinette
1
Trio à Cordes: 2 violons, alto
1
4 Violoncelles
1
2 Violons, Piano
1
Ensemble d'Altos
1
Trio à cordes: 3 violins
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
60
Orchestre
36
Ensemble de cuivres
25
Orchestre à Cordes
18
Ensemble Jazz
16
Orchestre de chambre
14
Cloches
11
Batterie
2
Ensemble de Percussions
1
Marimba
1
Orchestre, Violon
1
Piano et Orchestre
1
Fanfare
1
Xylophone
1
+ 9 instrumentations
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Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Come On And See
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
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Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Brass Choir - Monteverdi - The Seventh Book of Madrigals (1619) - 29. Amor che deggio far
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Brass Choir - Monteverdi - The
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767367 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767367 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 58 pages. Lyons Music Services #3548869. Published by Lyons Music Services (A0.767367). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.In Amor che deggio far, the poet is pleading with his love for constancy. he feels she doesn't love him enough to be his lover forever.This is one of the longer poems set in the seventh book and has a variety of musical forms within it. It begins with an opening statment of the 3 ritornelli that will reappear after each solo, duet, trio or quartet from the soloists. In this way, the composer prepares the listener for what will come and it will therefore be familiar and recognisable in the context of the song.This ia also one of the most demanding songs in the book. It requires a set of four solo singers (Trumpet/Horn/Trombone/Tuba) a pair of obbligato violins (Eb trumpet and Bb trumpet) and a string+ keyboard continuo part (Trumpet/Horn/Euphonium/Tuba) making 10 instruments in all. I had to use an Eb trumpet as the range of the obbligato is quite adventurous for the period and covers some of the clarino range that was to become popular in the High Baroque.At 5 minutes in length, this is a great finisher for either hafl of a concert, especially as Monteverdi has reserved use of all the instruments/voices until the very end, creating a rousing finish.The seventh book continues to be a challenge. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, this song is exquisitely crafted and travels well onto brass.
$9.98
O Christmas Tree (G) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Noël
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German Folk Song
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Regis Bookshar
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O Christmas Tree
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813939 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,M...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813939 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 8 pages. Regis Bookshar #6631133. Published by Regis Bookshar (A0.813939). Brass Quintet - Intermediate - . This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.
$5.00
In The Garden (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Charles Austin Miles
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Joseph Pugh
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In The Garden
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855253 Composed by Charles Austin Miles (1868-1946). Arranged by Joseph Pugh. Christian,Sa...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855253 Composed by Charles Austin Miles (1868-1946). Arranged by Joseph Pugh. Christian,Sacred. Score and parts. 9 pages. Joseph Pugh #6506087. Published by Joseph Pugh (A0.855253). In the Garden (sometimes rendered by its first line I Come to the Garden Alone is a gospel song written by American songwriter C. Austin Miles (1868–1946), a former pharmacist who served as editor and manager at Hall-Mack publishers for 37 years.The song was first published in 1912 and popularized during the Billy Sunday evangelistic campaigns of the early twentieth century by two members of his staff, Homer Rodeheaver and Virginia Asher .Roy Rogers and Dale Evans recorded the song with vocal quartet and orchestra on March 3, 1950.[2] Tennessee Ernie Ford performed the song on his 1956 platinum album Hymns. A June 18, 1958 recording by Perry Como was part of his album When You Come to the End of the Day.- wikipedia This BQ arrangement by, Joseph Pugh attempts to breathe new life in to this old tune.
$19.99
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Come On And See
