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Don't Say, Don't Say
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Vous avez sélectionné:
Don't Say, Don't Say
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
6 partitions trouvées
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Time To Say Goodbye
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Opera
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Classique
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Andrea Bocelli & Sarah Brightm
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Thomas Graf
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Time To Say Goodbye
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.568947 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Thomas Graf. Oper...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.568947 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Thomas Graf. Opera. Score and parts. 26 pages. Thomas Graf - the-hit-factory.com #3430409. Published by Thomas Graf - the-hit-factory.com (A0.568947). World famous ballad. This arrangement features all parts; the beautiful melody is split into all parts. The Catchy bolero feel at the end, great dramatic finale. Drums are optional, but would give the last kick. Have fun! Instrumentation: Trumpet in Bb, Trombone /Euphonium, Tuba/Bass in Bb Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/DpRfn3_JV0U
$12.99
Beetlejuice
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Contemporain
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Various Artists
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Bobby Hesch
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Beetlejuice
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Bobby Hesch
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.839693 By Various Artists. By Danny Elfman. Arranged by Bobby Hesch. Contemporary. Score and parts. ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.839693 By Various Artists. By Danny Elfman. Arranged by Bobby Hesch. Contemporary. Score and parts. 26 pages. Bobby Hesch #6673969. Published by Bobby Hesch (A0.839693). BEETLEJUICE !!! DON'T SAY IT 3 TIMES!!! THE GREAT DANNY ELFMAN WRITE THIS WONDERFUL CRAZY SONG FOR THE MOVIE BEETLEJUICE!!! ARRANGED FOR 2 TRUMPETS, 2 FRENCH HORNS, 2 TROMBONES & TUBA!!! LET'S PLAY SOME JAZZ!!! KEYSOF D,G,C, RESPECTIVELY!!! MP3 FOR STYLE & INTERPRETATION!!! 12 PAGES OF PARTS/13 PAGE SCORE!!! THE RANGE SHOUD BE PLAYABLE FOR INTERMEDIATE TO ADVANCED PLAYERS!!! CHALLENGING PASSAGES!!! FUN TO PLAY!!! CONTACT INFORMATION:bobbyhesch@yahoo.com:IG@bobbyhesch HAVE FUN PLAYING THIS GREAT CHART!!!
$12.99
I've Gotta Get A Message To You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Tiroler Holzhacker Marsch - German Polka March Octoberfest - German Band
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Traditional
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Thomas Graf
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Tiroler Holzhacker Marsch - Ge
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.569859 Composed by Traditional. Arranged by Thomas Graf. Folk,Multicultural,World. Score a...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.569859 Composed by Traditional. Arranged by Thomas Graf. Folk,Multicultural,World. Score and parts. 16 pages. Thomas Graf - the-hit-factory.com #6516913. Published by Thomas Graf - the-hit-factory.com (A0.569859). Easy but effective arrangement of the famous German Oktoberfest March – Prost! Nothing more to say…. Instrumentation: Small Oompah Band - perfect for your upcoming Octoberfest gigs: Clarinet in Bb (sub Tpt.2) Flhn./Tpt., Baritone/Euph/Trombone Tenor Sax in C/Bb, Tuba/Bass (C/Bb/Eb), Drums, Accordion (opt.), Guitar (opt.)       Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!                Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic       .
$19.99
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Don't Say, Don't Say
