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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Doria
Non classifié
180
Piano & claviers
Piano seul
134
Piano, Voix
22
Orgue
21
Piano Facile
10
Piano, Voix et Guitare
8
Instruments en Do
3
1 Piano, 4 mains
3
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
1
+ 4 instrumentations
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Guitares
Guitare notes et tablatures
150
Basse electrique
15
Guitare
12
Ukulele
3
Dulcimer
3
3 Guitares (trio)
1
Paroles et Accords
1
Guitare Pedal Steel
1
Ukulele Baryton
1
+ 4 instrumentations
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Voix
Chorale SATB
65
Chorale 3 parties
22
Chorale TTBB
16
Chorale Unison
3
Voix duo
2
Chorale SSAA
2
Voix Soprano
1
Voix moyenne, Piano
1
Voix seule
1
Voix haute
1
Chorale 2 parties
1
+ 6 instrumentations
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Vents
Flûte traversière et Piano
22
Clarinette et Piano
15
Flûte et Guitare
11
Clarinette, Guitare (duo)
10
Quatuor de Flûtes : 4 flûtes
8
Saxophone Alto et Piano
7
Saxophone (partie séparée)
6
Quatuor de Clarinettes: 4 clarinettes
5
Hautbois, Piano (duo)
5
Clarinette (partie séparée)
4
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Saxophones: 4 saxophones
3
2 Saxophones (duo)
3
Cor anglais, Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Alto et Piano
2
3 Clarinettes (trio)
2
2 Flûtes traversières (duo)
2
Quatuor de Flûtes à bec
2
Flûte traversière
2
2 Clarinettes (duo)
2
Hautbois (partie séparée)
2
Saxophone Alto
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette
2
Clarinette, Harpe (duo)
1
Saxophone Tenor et Piano
1
Cor anglais, Guitare (duo)
1
Flûte à bec, Harpe
1
Flûte, Saxophone (duo)
1
Cor anglais et Harpe (duo)
1
Saxophone Soprano et Piano
1
Trio de Flûtes: 3 flûtes
1
Flute (partie séparée)
1
Ensemble de saxophones
1
Flûte, Clarinette (duo)
1
Saxophone Tenor
1
3 Saxophones (trio)
1
Clarinette, Violon (duo)
1
Flûte, Hautbois, Basson
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone et Guitare
1
Cor Anglais
1
Harmonica
1
+ 39 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette, Piano
4
Cor et Piano
3
Cor anglais, Piano
3
Euphonium, Piano (duo)
2
Quatuor de Cuivres
2
Trombone (partie séparée)
2
2 Tubas (duo)
2
Tuba et Piano
2
Ensemble de Trombones
2
Trompette
1
Cor anglais, Guitare (duo)
1
Trompette (partie séparée)
1
Trombone
1
Trombone et Piano
1
Cor anglais et Harpe (duo)
1
Tuba (partie séparée)
1
Tuba
1
2 Trombones (duo)
1
Cor (partie séparée)
1
Cor
1
Cor Anglais
1
+ 18 instrumentations
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Cordes
Harpe
48
Violon et Piano
12
Quatuor à cordes: 2 violons, alto, violoncelle
11
Violoncelle , Guitare (duo)
9
Violon (partie séparée)
8
Violon
6
Alto, Guitare (duo)
6
Violoncelle
5
2 Harpes (duo)
5
Alto seul
5
Alto, Piano
4
Violoncelle (partie séparée)
3
Violoncelle, Piano
3
Violon, Guitare (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Violon, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
2 Violoncelles (duo)
1
Harpe, Voix
1
Alto, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Harpe, Violoncelle (duo)
1
Contre Basse
1
Violon, Basson (duo)
1
Alto et Harpe
1
+ 23 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
105
Orchestre à Cordes
25
Ensemble Jazz
12
Ensemble de cuivres
5
Orchestre de chambre
5
Cloches
3
Jazz combo
2
Percussion (partie séparée)
2
Orchestre
2
Ensemble de Percussions
1
Timbales (partie séparée)
1
Batterie
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Doria
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Built on the Rock the Church Doth Stand - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Ludvig M
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Todd Marchand
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Built on the Rock the Church D
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score and parts. 17 pages. Con Spirito Music #4967607. Published by Con Spirito Music (A0.726093). Built on the Rock is a proclamation, through scripturally anchored words and sturdily architected music, of the nature and eternity of the Church whose foundation is Jesus Christ. Long a favorite of Scandinavian Christians and Lutherans, the hymn was written by Danish theologian, cleric, and poet Nicolai F.S. Grundtvig (1783-1872), whose criticism of the rationalist philosophy then predominant in the Danish Lutheran church, and his argument for Christianity as a revealed, inspired, and sacramental religion, led to the revitalization of that church. The text was translated to English by Carl Doving (1867-1937).The tune accompanying the text, known as KIRKEN DEN DER ET, was the first hymn tune written by Danish organist, composer, and folk music collector Ludvig Mathias Lindeman (1812-1887). It is an austere, arching, and folk-like melody in the Dorian mode. This arrangement begins with individual voices of the brass quintet, like individual members of the Church, joining together in various combinations and as a whole to introduce the tune. Verses 2 and 3 (measure numbers 33 and 65) present the tune in additional combinations. Verse 4 (measure 101) introduces alternate harmonizations and features a soaring descant in Trumpet 1, powerful unison statements by the entire ensemble, and majestic final chords.©2019 Todd Marchand / Con Spirito Music. This video is a demo of the sheet music available from Con Spirito Music. Visit www.conspiritomusic.com
$15.00
Hodie Christus Natus Est - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Gregorian Chant
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Todd Marchand
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Hodie Christus Natus Est - bra
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726024 Composed by Gregorian Chant. Arranged by Todd Marchand. Christmas,Classical,Sacred....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726024 Composed by Gregorian Chant. Arranged by Todd Marchand. Christmas,Classical,Sacred. Score and parts. 9 pages. Con Spirito Music #2957979. Published by Con Spirito Music (A0.726024). Hodie Christus Natus Est is the antiphon sung before and after the Magnificat (song of the Virgin Mary) in the monastic service of Vespers on Christmas Day. The text announces:Hodie Christus natus est: / Hodie Salvator apparuit: / Hodie in terra canunt Angeli, / laetantur Archangeli / Hodie exsultant justi, dicentes: / Gloria in excelsis Deo. Alleluia.Translated:Today Christ is born: / Today the Savior appeared: / Today on Earth the Angels sing, / Archangels rejoice: / Today the righteous rejoice, saying: / Glory to God in the highest. Alleluia.Hodie Christus Natus Est is traditionally sung monophonically (without accompanying harmony) to a Gregorian chant tune in Dorian mode (Mode 1 of the eight church modes). In this arrangement, the antiphon is presented three times, each harmonized and arranged differently, and the final Alleluia is played three times.©Copyright 2013 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$15.00
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Chorale Prelude Op.79b N.5 for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Max Reger
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Cristiano Vecchi
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Chorale Prelude Op.79b N.5 for
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Cristiano Vecchi
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.963386 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Contemporary,Inst...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.963386 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Contemporary,Instructional,Sacred,Standards. Score and parts. 8 pages. Cristiano Vecchi #4995089. Published by Cristiano Vecchi (A0.963386). Mit Fried und Freud ich fahr dahin (In peace and joy I now depart):an intense and fascinating chorale prelude in ancient style, composed by Max Reger in five real parts, here in the original mode of D dorian.Duration: 1'40.Version for: Trumpets in Bb 1&2, Frech Horn in F, Trombone, Tuba.SCORE and PARTS.MP3 also available on this website.
$6.99
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