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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
E
Non classifié
761
Piano & claviers
Piano seul
256
Orgue
167
Piano grosses notes
104
Instruments en Do
97
Piano, Voix
97
Accompagnement Piano
90
Piano Facile
81
Piano, Voix et Guitare
81
Piano (partie séparée)
50
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
8
Orgue, Piano (duo)
3
Clavier
3
2 Pianos, 4 mains
3
2 Orgues (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
3 Pianos
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
25
Guitare notes et tablatures
22
Ukulele
16
Guitare (partie séparée)
12
Guitare
11
Paroles et Accords
7
Mandoline
6
Basse électrique (partie séparée)
3
Dulcimer
2
2 Guitares (duo)
2
Banjo
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
732
Chorale 3 parties
134
Chorale 2 parties
79
Chorale Unison
63
Chorale TTBB
38
Voix Soprano, Piano
19
Chorale
17
Pack Instrumental pour Chorale
15
Chorale SSAA
14
Voix duo, Piano
13
Voix Alto, Piano
11
Voix Tenor, Piano
10
Voix duo
10
Voix haute
10
Voix moyenne, Piano
9
Chorale SSATTB
5
Chorale SSAATTBB
3
Voix Baryton, Piano
3
Chorale SSATB
2
Chorale SSAATB
1
Voix seule
1
Voix basse
1
Voix duo, Orgue
1
Voix Tenor
1
+ 19 instrumentations
Retracter
Vents
Flute (partie séparée)
318
Saxophone (partie séparée)
317
Hautbois (partie séparée)
232
Clarinette (partie séparée)
136
Clarinette et Piano
67
Saxophone Alto et Piano
46
2 Clarinettes (duo)
38
Clarinette
27
Hautbois, Piano (duo)
26
Flûte traversière et Piano
26
2 Flûtes traversières (duo)
17
Saxophone Tenor et Piano
16
Flûte traversière
14
Quatuor de Clarinettes: 4 clarinettes
13
Ensemble de Clarinettes
11
Flûte et Guitare
10
Quatuor de Saxophones: 4 saxophones
10
Quintette de Clarinettes: 5 clarinettes
8
3 Clarinettes (trio)
7
3 Saxophones (trio)
7
Saxophone Soprano et Piano
7
Saxophone Alto
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Saxophone Tenor
5
Trio de Flûtes: 3 flûtes
4
Flûte, Hautbois, Clarinette, Basson
3
Flûte à bec Soprano
3
Quintette de Saxophone: 5 saxophones
3
Saxophone Baryton, Piano
3
Quatuor de Flûtes : 4 flûtes
3
Ensemble De Flûte à bec
2
Flûte, Violon
2
Hautbois, Violoncelle et Piano
2
Flûte, Violon, Piano
2
Flûte à Bec
2
Flûte, Basson et Piano
2
Cor anglais, Piano
2
Clarinette Basse, Piano
2
2 Saxophones (duo)
2
Clarinette, Violoncelle (duo)
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Piano (trio)
1
2 Clarinettes, Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, violon (duo)
1
Quintette de Flûte : 5 flûtes
1
Hautbois
1
Clarinette, Violon (duo)
1
Hautbois, Violoncelle
1
Ocarina
1
Cor Anglais
1
Piccolo
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Basson (duo)
1
Flûte, Violon, Violoncelle et Piano
1
2 Hautbois (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois et alto (duo)
1
Ensemble de saxophones
1
Clarinette, Basson (duo)
1
Flûte, Violoncelle
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois (duo)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
+ 65 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
297
Trombone (partie séparée)
151
Cor (partie séparée)
51
Trompette, Piano
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Tuba (partie séparée)
21
Trombone et Piano
17
Cor et Piano
16
Trompette
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Quatuor de Cuivres
7
Trombone
7
2 Cors (duo)
6
2 Trompettes (duo)
5
Tuba et Piano
4
Cor
3
2 Trombones (duo)
3
Tuba
2
Trompette, Trombone (duo)
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
Trio de Cuivres
2
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trompettes
1
Trompette et Guitare
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Trompette, Trombone, Piano
1
Ensemble de Trombones
1
Cor Anglais
1
Trombone, Cor (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium, Piano (duo)
1
3 Trompettes (trio)
1
+ 29 instrumentations
Retracter
Cordes
Violon (partie séparée)
221
Alto (partie séparée)
137
Violoncelle (partie séparée)
98
Contrebasse (partie séparée)
51
Violon et Piano
47
Violoncelle, Piano
30
Quatuor à cordes: 2 violons, alto, violoncelle
24
Alto, Piano
20
2 Violons (duo)
17
Violon
14
Harpe (partie séparée)
10
Violoncelle
10
Harpe
8
Alto seul
7
Violon, Violoncelle (duo)
6
Violon, Alto (duo)
6
2 Violoncelles (duo)
5
Piano Trio: Violon, Alto, Piano
4
Contrebasse, Piano (duo)
3
Contre Basse
3
Violon, Guitare (duo)
2
Autoharp
2
Harpe, Violon (duo)
2
Alto et Harpe
2
Violoncelle , Guitare (duo)
2
Alto, Violoncelle (duo)
2
Harpe, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
2 Altos (duo)
2
Harpe et Orgue
2
Ensemble de Violons
1
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
4 Violoncelles
1
Trio à cordes
1
2 Violons, Piano
1
Trio à Cordes: violon, alto, violoncelle
1
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Harpe, Voix
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
112
Cloches
98
Percussion (partie séparée)
82
Orchestre
34
Ensemble Jazz
22
Ensemble de cuivres
21
Batterie (partie séparée)
16
Timbales (partie séparée)
15
Orchestre à Cordes
12
Orchestre de chambre
9
Xylophone, Piano
2
Trio à Vent: 3 instruments à vents
1
Percussion
1
Xylophone
1
Marimba
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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DIDGERIDOO
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
O Come O Come Emmanuel - Brass Sextet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Noël
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Thomas Helmore
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David E
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O Come O Come Emmanuel - Brass
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LLB Music Publishing
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.986067 Composed by Thomas Helmore (adapted from Plainsong). Arranged by David E. Harris. C...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.986067 Composed by Thomas Helmore (adapted from Plainsong). Arranged by David E. Harris. Christian,Christmas,Sacred. Score and parts. 20 pages. LLB Music Publishing (ASCAP) #4805427. Published by LLB Music Publishing (ASCAP) (A0.986067). A beautiful and sparkling arrangement of this traditional Christmas hymn for Brass SextetIncludes 6 part score and individual parts for Trumpet 1 (Bb), Trumpet 2 (Bb), Horn in F, Trombone 1, Trombone 2 (Bass), and Tuba.Duration: 2:48.David E. Harris is a composer in the Nashville, Tennessee area with a Bachelor of Music degree in Trumpet Performance and Doctor of Musical Arts in Composition. Dr. Harris is a past member of the trumpet sections of the Greenville (S.C.) and Memphis Symphony Orchestras and a current member of the Brentwood Baptist Church Orchestra where he plays trumpet and keyboard. Facebook page: https://www.facebook.com/LLB-Music-Publishing-2584616388232407More music listening available at https://soundcloud.com/user-985960936 https://youtube.com/c/LLBMusicPublishing
$7.99
How Firm A Foundation (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Early American Melody- by Jose
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Joseph Pugh
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How Firm A Foundation
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.854985 Composed by Early American Melody- by Joseph Funk,lyrics by Robert Keene. Arranged ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.854985 Composed by Early American Melody- by Joseph Funk,lyrics by Robert Keene. Arranged by Joseph Pugh. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 8 pages. Joseph Pugh #5851071. Published by Joseph Pugh (A0.854985). This brass quintet arrangement by Joseph Pugh of How Firm a Foundation is a Christian hymn, published in 1787 by John Rippon in A Selection of Hymns from the Best Authors, Intended to be an Appendix to Dr. Watts's Psalms and Hymns, known as Rippon's Selection. It is attributed only to K, which probably refers to Robert Keen(e), precentor at Rippon's church,[1] though other names suggested include Richard or John Keene, Kirkham,John Keith or Words by G. Keith and Music by J. Reading as cited in the 1884 publication of Asa Hull's Jewels of Praise. [2] It is most often sung to the tune Foundation (or Protection) which first appeared in A Compilation of Genuine Church Music (1832) edited by Joseph Funk, though the original tune may be Keen(e)'s Geard(Wikipedia).
$19.99
Are You Washed in the Blood?
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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E
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Beka Wilson
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Are You Washed in the Blood?
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Beka Wilson
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.786380 Composed by E. A. Hoffman. Arranged by Beka Wilson. Christian,Gospel,Sacred. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.786380 Composed by E. A. Hoffman. Arranged by Beka Wilson. Christian,Gospel,Sacred. Score and parts. 14 pages. Beka Wilson #4601827. Published by Beka Wilson (A0.786380). This arrangement of a popular gospel song will showcase your church or school's brass section for a prelude, offertory, or contest piece. It is just over 2.5 minutes long and contains a score and parts (14 pages). Clarinet choir and flute choir versions will be available soon.
$14.99
Lo He Comes (Helmsley) by Thomas Olivers - BRASS QUARTET/QUINTET & ORGAN
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Thomas Olivers
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Matt Smith
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Lo He Comes
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Matt Smith
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.789795 Composed by Thomas Olivers. Arranged by Matt Smith. Christian,Classical,Praise & Wo...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.789795 Composed by Thomas Olivers. Arranged by Matt Smith. Christian,Classical,Praise & Worship,Sacred. Score and parts. 30 pages. Matt Smith #6255937. Published by Matt Smith (A0.789795). One of the Great Four Anglican Hymns. This arrangement can also be played by a Brass Quintet, doubling any part.Duration: About 7 minutesYouTube demo video: https://www.youtube.com/watch?v=E-VCtSGZJIkVisit www.mattsmithmusic.co.uk for more!
$29.99
Once in Royal David's City - Brass Sextet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Noël
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Henry John Gauntlett
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Richard E Brown
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Once in Royal David's City - B
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Dacker Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1266456 Composed by Henry John Gauntlett. Arranged by Richard E Brown. Christian,Christmas...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1266456 Composed by Henry John Gauntlett. Arranged by Richard E Brown. Christian,Christmas,Sacred. Score and Parts. 21 pages. Dacker Music #859009. Published by Dacker Music (A0.1266456). This popular carol is set to the hymn tune Irby, penned in 1849 by English organist Henry J. Gauntlett (1805-1876). Since the beginning of the tune resembles another even more popular carol, I have included a couple of nods to it in this setting for brass sextet (standard quintet plus a second trombone).
$10.00
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