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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
E flat Instruments
Non classifié
1 670
Piano & claviers
Instruments en Do
89
Piano seul
54
Piano (partie séparée)
13
Accompagnement Piano
12
Piano, Voix
8
Piano, Voix et Guitare
5
1 Piano, 4 mains
5
Orgue
4
Piano Trio: piano, violon, violoncelle
3
Piano Facile
3
Orgue, Trompette (duo)
1
+ 6 instrumentations
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Guitares
Guitare (partie séparée)
32
Ligne De Mélodie, (Paroles) et Accords
2
Guitare
2
Guitare notes et tablatures
1
Ensemble de guitares
1
Ukulele
1
Mandoline
1
2 Guitares (duo)
1
+ 3 instrumentations
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Voix
Chorale SATB
38
Chorale Unison
8
Chorale 2 parties
5
Voix Soprano, Piano
3
Voix Alto, Piano
2
Voix Tenor, Piano
2
Chorale SSAA
2
Chorale TTBB
1
Voix Mezzo-Soprano, Piano
1
Voix seule
1
Chorale 3 parties
1
+ 6 instrumentations
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Vents
Saxophone (partie séparée)
277
2 Clarinettes (duo)
127
Quintette de Clarinettes: 5 clarinettes
88
Ensemble de Clarinettes
78
Quatuor de Clarinettes: 4 clarinettes
60
Clarinette et Piano
47
Saxophone Alto et Piano
32
Clarinette (partie séparée)
32
Clarinette
26
2 Saxophones (duo)
23
Flûte, Clarinette (duo)
22
3 Clarinettes (trio)
19
Hautbois, Clarinette (duo)
10
Flute (partie séparée)
9
Hautbois, Piano (duo)
8
Flûte traversière et Piano
8
Saxophone Tenor et Piano
8
Clarinette, Violon (duo)
8
2 Clarinettes, Piano
8
2 Flûtes traversières (duo)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Quatuor de Saxophones: 4 saxophones
6
Flûte et Guitare
6
Flûte, Trompette (duo)
6
3 Saxophones (trio)
5
Saxophone Alto
5
Clarinette, Basson (duo)
5
Clarinette, Guitare (duo)
5
Saxophone, Clarinette (duo)
5
Flûte, Violon
4
Flûte traversière
4
Clarinette, Violoncelle (duo)
3
Clarinette Basse, Piano
3
Saxophone Soprano et Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Hautbois, violon (duo)
2
Hautbois, Trompette (duo)
2
Flûte, Hautbois (duo)
2
Saxophone, Violon (duo)
2
Cor anglais, Guitare (duo)
2
Clarinette, Trombone (duo)
2
Flûte à bec Alto, Basse continue
1
Hautbois, Guitare (duo)
1
2 Hautbois (duo)
1
Saxophone et Guitare
1
Quintette de Saxophone: 5 saxophones
1
Cor anglais, Piano
1
Saxophone Tenor
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Orgue (duo)
1
2 Saxophones, Piano
1
Clarinette et Alto
1
Hautbois (partie séparée)
1
Clarinette, Tuba
1
Clarinette, Contrebasse (duo)
1
Saxophone
1
+ 52 instrumentations
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Trompette (partie séparée)
155
Trombone (partie séparée)
85
Trompette, Piano
29
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Euphonium, Tuba (duo)
16
Trombone, Tuba (duo)
13
Trompette, Trombone (duo)
13
Trombone et Piano
12
Cor et Piano
9
Tuba et Piano
8
Cor (partie séparée)
7
Trompette
7
Tuba (partie séparée)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette, Basson (duo)
3
Tuba
3
Trompette, Saxophone (duo)
2
Trombone, violoncelle (duo)
2
Trompette, Cor (duo)
2
2 Tubas (duo)
2
Cor anglais, Guitare (duo)
2
Trompette, violon (duo)
2
2 Trompettes (duo)
1
Cor anglais, Piano
1
Cor
1
Trombone et orchestre
1
Euphonium, Piano (duo)
1
Trompette, Tuba (duo)
1
Instruments en Sib
1
4 Tubas
1
Quatuor de Cuivres
1
Cornet et orchestre
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Trombones
1
2 Cors (duo)
1
2 Cors, Piano
1
Trombone, Cor (duo)
1
+ 33 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Contrebasse (partie séparée)
15
Violon et Piano
13
Alto, Piano
11
Harpe
10
Violoncelle, Piano
8
Violon, Violoncelle (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Violon
5
Harpe, Violon (duo)
4
Harpe, Violoncelle (duo)
4
Violon (partie séparée)
4
Harpe, Flûte (duo)
4
Alto et Harpe
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon, Guitare (duo)
3
2 Violons (duo)
3
Trio à cordes: 3 altos
2
Violon, Alto (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Violoncelles (duo)
1
Alto, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Voix
1
+ 19 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
409
Ensemble Jazz
62
Orchestre
43
Ensemble de cuivres
18
Batterie (partie séparée)
15
Orchestre à Cordes
8
Jazz combo
5
Percussion (partie séparée)
4
Ensemble de Percussions
3
Orchestre de chambre
3
Cloches
2
Ensemble d'École
2
Fanfare
1
Marimba
1
Xylophone, Piano
1
Vibraphone
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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Vous avez sélectionné:
E flat Instruments
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
4 partitions trouvées
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Breeze And I
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Al Stillman and Ernesto Lecuon
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F
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Breeze And I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1164066 Composed by Al Stillman and Ernesto Lecuona. Arranged by F. Leslie Smith. Multicul...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1164066 Composed by Al Stillman and Ernesto Lecuona. Arranged by F. Leslie Smith. Multicultural,Pop,Standards,World. Score and parts. 37 pages. Sweetwater Brass Press #764401. Published by Sweetwater Brass Press (A0.1164066). Ernesto Lecuona was born 1895 in Cuba.  He began piano lessons at 5 years of age and developed into a virtuoso pianist and internationally celebrated composer.  In 1928 he composed Suite AndalucÃa, a six-movement piano piece portraying the people and places of the Andalusia region of southern Spain.  Two of those pieces eventually achieved tremendous popularity as standalone songs:  #2, “Andalucia†and #6, “Malagueña.† Lecuona had composed both in ¾ time.  Salvador Tutti Camarata reframed “Andalucia†in 4/4, Al Stillman provided English lyrics and the song was given a new title, “The Breeze and I.† Jimmy Dorsey’s big band recorded it in 1940 with the vocal by Bob Eberly.  It was hugely popular, lasting nine weeks on the Billboard magazine chart and peaking at #2.  Fifteen years later, Caterina Valente recorded both “The Breeze and I†and “Malagueña†to great success.    This arrangement opens in A-flat major with Trumpets, Horn and Tuba laying down a Latin beat and the Trombone playing an opening lick.  After the introduction, Trombone and Trumpets take turns with the melody, while Horn and Tuba provide variety and accents.  On the second time through, the key changes to E-flat major and begins with a Trumpets-and-lower-brass fanfare.  The melody repeats, but this time with a different take.  Horn and Trombone take turns with melody and counter melody, then Trumpets take over.  After several cascade effects, the tune reaches its end and Trumpets play an extended version of Trombone’s lick from the introduction.  The group then repeats the final 16 bars of the tune and winds up with an extended ending treatment.  Trombone once again contributes its opening lick, and the arrangement fades away . . . all to a Latin beat.  Enjoy!    Time signature is 2/2 and suggested tempo is 72 BPM, which is maintained all the way through.  There are two instances of a one-bar change to 3/2.  The fanfare at Section C contains a measure and a half of 16th notes.  All notes are well within the normal playing range of the five instruments.    Completed in 2023, performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
Festival Coronation March for Brass Ensemble, Timpani and Percussion
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Classique
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Pytor Illych Tchaikovsky
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Steven Gamble
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Festival Coronation March for
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.1038558 Composed by Pytor Illych Tchaikovsky. Arranged by Steven Gamble. Romantic Period. Score and ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.1038558 Composed by Pytor Illych Tchaikovsky. Arranged by Steven Gamble. Romantic Period. Score and parts. 62 pages. Gordon Cherry #643528. Published by Gordon Cherry (A0.1038558). Tchaikovsky's Festival Coronation March was commissioned by the City of Moscow in 1883 for the coronation of Tsar Alexander III and was first performed on June 4 of that year. The work contains two quotes from God Save the Tsar, which were edited out during performances throughout the Communist Soviet era, but are now back in place in order for the low brass section to shine :) Steven Gamble's excellent arrangement of this 5 1/2 minute work for 11-part Brass Ensemble, Timpani & Percussion is appropriate for advanced players. Instrumentation is for 3 Trumpets (E-flat & 2 B-flat) 4 Horns, 3 Trombones, Tuba, Timpani & Percussion.
$45.00
The Star-Spangled Banner for 10-part Brass Ensemble
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Patriotique
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Francis Scott Key
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Geoffrey Bergler
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The Star-Spangled Banner for 1
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1297741 Composed by Francis Scott Key. Arranged by Geoffrey Bergler. Patriotic. Score and ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1297741 Composed by Francis Scott Key. Arranged by Geoffrey Bergler. Patriotic. Score and Parts. 17 pages. Gordon Cherry #887714. Published by Gordon Cherry (A0.1297741). The Star-Spangled Banner written by Francis Scott Key, is the national anthem of the United States of America. Written in 1814 by Key, who incorporated the song melody from a popular English drinking song called To Anacreon in Heaven the work has been the official anthem of America since 1931.This great patriotic anthem has been beautifully arranged for 10-part Brass Ensemble by Geoffrey Bergler, taken from a piano rendition by Louis Moreau Gottschalk and is appropriate for advanced performers.The instrumentation is for 1 Trumpet in e-flat, 3 Trumpets in b-flat, 2 Horns, 3 Trombones and Tuba.
$27.50
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
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