English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
905
Partitions
Numériques
8
Librairie
Musicale
0
Matériel
de Musique
3 543
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
806
PIANO & CLAVIERS
Piano seul
327
Piano, Voix
237
Piano Facile
147
Piano, Voix et Guitare
73
Orgue
60
Piano (partie séparée)
59
Instruments en Do
20
1 Piano, 4 mains
16
Accompagnement Piano
14
Piano grosses notes
4
Accordéon
2
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
143
Guitare (partie séparée)
120
Guitare
75
Ukulele
38
Basse electrique
33
Banjo
12
Ligne De Mélodie, (Paroles) et Accords
9
2 Guitares (duo)
3
Ukulele Baryton
3
Mandoline
2
Basse électrique (partie séparée)
2
Dobro
1
Orchestre à Plectres
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
64
Chorale SSAA
13
Chorale 3 parties
13
Chorale 2 parties
7
Chorale TTBB
5
Chorale Unison
4
Voix Alto, Piano
2
Chorale SSAATTBB
2
Voix haute
2
Voix moyenne, Piano
2
Voix, Guitare
1
Voix seule
1
Voix duo, Piano
1
Voix Tenor, Piano
1
Chorale
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
385
Clarinette (partie séparée)
59
Flute (partie séparée)
58
Hautbois (partie séparée)
44
Flûte traversière et Piano
24
Flûte traversière
23
Clarinette
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Quatuor de Saxophones: 4 saxophones
13
2 Flûtes traversières (duo)
12
Clarinette et Piano
12
Flûte, Hautbois, Clarinette, Basson
11
3 Saxophones (trio)
9
Saxophone
8
2 Saxophones (duo)
8
2 Clarinettes (duo)
7
Quintette de Saxophone: 5 saxophones
7
Hautbois, Piano (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Hautbois, Clarinette (trio)
7
3 Clarinettes (trio)
6
Saxophone Alto et Piano
6
Quatuor de Flûtes : 4 flûtes
6
Flûte à bec Soprano
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Clarinettes
5
Trio de Flûtes: 3 flûtes
4
2 Flûte à bec (duo)
4
Hautbois, Basson (duo)
4
Saxophone Tenor et Piano
3
Saxophone Soprano et Piano
3
Flûte et Guitare
3
Saxophone Alto
2
Cor anglais, Piano
2
Hautbois
2
Clarinette, Basson (duo)
1
Flûte à bec Tenor
1
Clarinette et Alto
1
Clarinette Basse
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, trombone et piano
1
Quatuor de Flûtes à bec
1
Flûte, Violoncelle
1
2 Hautbois (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte irlandaise
1
Clarinette, Violon (duo)
1
Flute, harpe et violon
1
Quintette de Flûte : 5 flûtes
1
Ensemble de Flûtes
1
3 Flûtes à bec (trio)
1
Flûte traversière, Basse continue
1
2 Clarinettes, Piano
1
Saxophone Baryton, Piano
1
Harmonica
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
318
Trompette (partie séparée)
251
Cor (partie séparée)
71
Tuba (partie séparée)
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trompette, Piano
15
Trompette
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trombone et Piano
7
Cor et Piano
6
Quatuor de cuivres: 4 trombones
4
Trombone
4
Tuba
4
Tuba et Piano
4
Quatuor de Cuivres
3
2 Trompettes (duo)
3
Cor
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor anglais, Piano
2
Quatuor de cuivres: 4 cors
2
4 Tubas
2
2 Trombones (duo)
2
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
Trombone, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Euphonium
1
Trompette, Trombone (duo)
1
Ensemble de Cors
1
Euphonium, Piano (duo)
1
Trompette, Cor (duo)
1
Instrumentations suivantes
Retracter
CORDES
Violon (partie séparée)
155
Violoncelle (partie séparée)
106
Contrebasse (partie séparée)
91
Alto (partie séparée)
55
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon
35
Violon et Piano
29
Harpe
28
Violoncelle, Piano
19
Violon, Violoncelle (duo)
15
Alto seul
11
Violoncelle
10
Trio à Cordes: violon, alto, violoncelle
9
Alto, Piano
8
2 Violoncelles (duo)
8
2 Violons (duo)
7
2 Altos (duo)
7
Contrebasse, Piano (duo)
5
Flûte, Contrebasse (duo)
4
Trio à cordes: 3 violins
3
Contre Basse
3
Violon, Alto (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
2 Violons, Piano
2
Trio à cordes
2
Quatuor à cordes: 4 violons
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Basse continue
1
Autoharp
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Ensemble Jazz
105
Orchestre d'harmonie
83
Batterie (partie séparée)
64
Percussion (partie séparée)
39
Orchestre à Cordes
29
Orchestre
26
Orchestre de chambre
16
Ensemble de cuivres
13
Jazz combo
11
Timbales (partie séparée)
9
Cloches
8
Fanfare
4
Ensemble de Percussions
3
Percussion
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
E.G. MUSIC
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
8 partitions trouvées
<
1
DIES IRAE from REQUIEM by G. Verdi
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità , i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00
8.31 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Giuseppe Verdi
#
Alessandro Macrì
#
DIES IRAE from REQUIEM by G. Verdi
#
Music Macri Editions
#
SheetMusicPlus
Amor vittorioso & Il martellato by G. G. Gastoldi
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931221
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931221 Composed by Giovanni Giacomo Gastoldi. Arranged by Alessandro Macrì. Film/TV,Renaissance,Standards. Score and parts. 24 pages. Music Macri Editions #5359687. Published by Music Macri Editions (A0.931221). G. G. Gastoldi divenne famoso principalmente per i suoi Balletti, molto in voga ai suoi tempi. Infatti il balletto, dal quale nasceranno successivamente le canzoni ballate, ebbe proprio origine nel XVI secolo presso le corti rinascimentali italiane. Nati dalle canzonette e dalle villanelle popolari, i balletti venivano impiegati per accompagnare spettacoli di danze mimate. Tra i più famosi balletti del Gastoldi si ricordano: Amor vittorioso e Il martellato.
$12.00
11.08 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Giovanni Giacomo Gastoldi
#
Alessandro Macrì
#
Amor vittorioso & Il martellato by G. G. Gastoldi
#
Music Macri Editions
#
SheetMusicPlus
Two Marches for Brass Quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.931216
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.931216 Composed by Alessandro Macrì. Contemporary,Folk,Holiday,Musical/Show,Patriotic. Score and parts. 27 pages. Music Macri Editions #5316497. Published by Music Macri Editions (A0.931216). Two Marches for Brass Quintet è una raccolta di marce sinfoniche originali, di carattere allegro e brioso.- Gimmy- Enter the starSi diploma in Corno presso il Conservatorio di Musica F. Cilea di Reggio Calabria. Si laurea in Didattica Strumentale (Bi.For.Doc.) presso il Conservatorio S. Giacomantonio di Cosenza ed è Docente di Corno dell'I. C. Forum Novum di Torri in Sabina (Rieti). Come solista, compositore e arrangiatore del Movie Brass Quintet, ha inciso gli Albums: Symphonic Sounds - edito da Always Records P. Studio & Thaurus Publishing e ACTION! edito da Valle G. Ed. Musicali e ApplausoUS (USA) e altri Singoli. Le musiche sono state eseguite nei Festivals, quali: Incontro Internazionale di Cornisti G. Nalli, Santa Fiora in Musica, Sardigna Brass Festival, Venezia Suona Festival, Le Giornate Europee del Patrimonio italiano e Italian Brass Week di Cesena e di Firenze. Le diverse formazioni di ottoni, che hanno portato avanti la musica del compositore, sono state: BUSINA BRASS, KOLIN BRASS, SAN ANTONIO BRASS, UNDERGRADUATE BRASS, ELDER CONSERVATORIUM BRASS, SMU SYMPHONIA BRASS, TUBILUSTRIUM BRASS ENSEMBLE, TROMPAS LUSAS HORN QUARTET, SOMMERSTAD BRASSKVINTETT, CARAVELA BRASS, CONCENTUS OTTONI dell’ARENA DI VERONA, BRASS QUINTET del MAGGIO MUSICALE FIORENTINO, PANAMA BRASS, GOLDEN HORN BRASS e BRASS QUINTET del Teatro dell’Opera di Roma.
$5.00
4.61 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Alessandro Macrì
#
Two Marches for Brass Quintet
#
Music Macri Editions
#
SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.84 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Mike Lyons
#
Brass Quintet - Three Pastoral Sketches
#
Lyons Music Services
#
SheetMusicPlus
Still Still Still - Brass Quartet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.567467 Co…
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.567467 Composed by Traditional. Arranged by Thomas Graf. Baroque,Christmas,Gospel,World. Score and parts. With 2013-12-09. 30 pages. Thomas Graf - the-hit-factory.com #431517. Published by Thomas Graf - the-hit-factory.com (A0.567467). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult. Instrumentation: Tpt 1/2 in Bb/C, Trombone/Horn in F/Euph., Tuba/Bass in Bb Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/-cBAyS5-o9Y .
$9.99
9.22 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Traditional
#
Thomas Graf
#
Still Still Still - Brass Quartet
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
How Firm A Foundation (Brass Quintet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.854985
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.854985 Composed by Early American Melody- by Joseph Funk,lyrics by Robert Keene. Arranged by Joseph Pugh. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 8 pages. Joseph Pugh #5851071. Published by Joseph Pugh (A0.854985). This brass quintet arrangement by Joseph Pugh of How Firm a Foundation is a Christian hymn, published in 1787 by John Rippon in A Selection of Hymns from the Best Authors, Intended to be an Appendix to Dr. Watts's Psalms and Hymns, known as Rippon's Selection. It is attributed only to K, which probably refers to Robert Keen(e), precentor at Rippon's church,[1] though other names suggested include Richard or John Keene, Kirkham,John Keith or Words by G. Keith and Music by J. Reading as cited in the 1884 publication of Asa Hull's Jewels of Praise. [2] It is most often sung to the tune Foundation (or Protection) which first appeared in A Compilation of Genuine Church Music (1832) edited by Joseph Funk, though the original tune may be Keen(e)'s Geard(Wikipedia).
$19.99
18.45 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Early American Melody- by Joseph Funk,lyrics by Robert Keene
#
Joseph Pugh
#
How Firm A Foundation
#
Joseph Pugh
#
SheetMusicPlus
Minuet by Boccherini for Brass Quartet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet - Level 3 - Digital Download SKU: A0.1264323 Composed by Luigi Bocche…
(+)
Brass Quartet - Level 3 - Digital Download SKU: A0.1264323 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Traditional,Wedding. 6 pages. Woods Only, Arrangements #857186. Published by Woods Only, Arrangements (A0.1264323). Adaptation for brass quartet of Luigi Boccherini’s String Quintet in E major, Op. 11, No. 5, G 275. Ideal for beginner students in classical music with the help of a teacher. The original essence of the work was maintained, with adaptations in tonality and tessitura of the instruments. Can be used in professional and academic recitals, didactic material and repertoire for ensemble practice. Boccherini was born in Lucca, Italy, and became a cello virtuoso. He moved to Spain, where he worked with the Spanish royal family. The third movement of the quintet, minuet and trio, is famous and often played as an independent piece. The work is beautiful and has good partial writing for all instruments, with melodies and rhythms typical of Boccherini. Suitable for concerts and home performances.
$7.99
7.37 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Luigi Boccherini
#
Ander
#
Minuet by Boccherini for Brass Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
