Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
From a Distance
Non classifié
68
Piano & claviers
Piano grosses notes
549
Orgue
180
Piano seul
75
Piano Facile
43
Piano, Voix et Guitare
29
Piano, Voix
11
1 Piano, 4 mains
2
Clavier
2
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
Clavecin
1
Instruments en Do
1
Piano Trio: piano, violon, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
10
Guitare notes et tablatures
9
Guitare
6
Ukulele
6
Paroles et Accords
6
Voix
Chorale SATB
26
Chorale TTBB
9
Chorale 3 parties
6
Chorale SSAA
4
Chorale 2 parties
4
Chorale SSATB
2
Chorale
1
Voix duo, Piano
1
Voix seule
1
Voix Tenor, Piano
1
+ 5 instrumentations
Retracter
Vents
Saxophone Alto
8
Clarinette
7
Saxophone Tenor
7
Flûte traversière
5
2 Clarinettes (duo)
3
2 Flûtes traversières (duo)
3
Hautbois (partie séparée)
2
Flûte traversière et Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Quatuor de Saxophones: 4 saxophones
2
Ensemble de Clarinettes
1
Flûte à Bec
1
Flute (partie séparée)
1
Saxophone Soprano et Piano
1
2 Flûte à bec (duo)
1
Clarinette et Piano
1
Flûte, Violon
1
Saxophone (partie séparée)
1
Clarinette, Violon (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette (duo)
1
Ensemble de Flûtes
1
+ 18 instrumentations
Retracter
Cuivres
Trompette
6
Trombone
6
Cor
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette (partie séparée)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Tuba
2
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
Trompette, Piano
1
+ 5 instrumentations
Retracter
Cordes
Violon
11
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violoncelle
5
Violon et Piano
3
Harpe
3
Alto seul
3
Violon (partie séparée)
2
2 Violons (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Flûte (duo)
1
2 Violoncelles (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Contre Basse
1
Alto (partie séparée)
1
Harpe, Violon (duo)
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
30
Orchestre de chambre
11
Orchestre
8
Cloches
6
Ensemble de Percussions
3
Orchestre à Cordes
2
Ensemble Jazz
1
Piano et Orchestre
1
Jazz combo
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
108
Partitions Numériques
3
Librairie Musicale
0
Matériel de Musique
673
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
From a Distance
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
3 partitions trouvées
<
1
From A Distance
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Bette Midler
#
James Haynor
#
From A Distance
#
James Haynor
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782282 By Bette Midler. By Julie Gold. Arranged by James Haynor. Contemporary. Score and p...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782282 By Bette Midler. By Julie Gold. Arranged by James Haynor. Contemporary. Score and parts. 17 pages. James Haynor #4410871. Published by James Haynor (A0.782282). From a Distance is a song written in 1985 by American singer-songwriter Julie Gold. Gold was working as a secretary at the time for Home Box Office and writing songs in her free time. Scored here for brass quintet, it is a nice change of pace to your concert, recital or program. Duration: 4:28
$12.99
Song Of The Jet (samba Do Avião)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Contemporain
#
Antonio Carlos Jobim
#
Peet du Toit
#
Song Of The Jet
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802574 Composed by Antonio Carlos Jobim. Arranged by Peet du Toit. Contemporary. Score and...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802574 Composed by Antonio Carlos Jobim. Arranged by Peet du Toit. Contemporary. Score and parts. 11 pages. Peet du Toit #5801391. Published by Peet du Toit (A0.802574). Samba do Avião (a.k.a. Song of the Jet, translated literally as Airplane Samba) is a Brazilian song composed in 1962 by Antônio Carlos Jobim, who also wrote the original Portuguese lyrics. The English-language lyrics are by Gene Lees.In the biography Antonio Carlos Jobim: An Illuminated Man, Helena Jobim describes how her brother came up with the idea for the song: Tom's many walks from Ipanema to Santos Dumont Airport yielded that ode of beauty... He would head towards the airport, following the water's edge around Guanabara's Bay. The pretext to go there was to buy foreign magazines and newspapers. From Santos Dumont Airport he could observe his passion, the airplane. Yet he still kept some distance from those machines. He was afraid of flying, but he loved their power, splendor, and aerodynamics-man's conquest over machine.In the song, Jobim writes about landing at Galeão in Rio de Janeiro. The airport was renamed in his honor in 1999 and is now called Rio de Janeiro–Antonio Carlos Jobim International Airport.Jobim wrote Samba do Avião for an Italian film, Copacabana Palace (1962), where it was performed by Jula De Palma and I 4 + 4 di Nora Orlandi. The movie was filmed in Rio and features cameo appearances by Jobim, João Gilberto and Os Cariocas.The first performance of the song was by Jobim and Os Cariocas in August 1962 at the Au Bon Gourmet restaurant in Copacabana, Rio, at what music historian Ruy Castro calls the bossa nova show to end all bossa nova shows, as it featured Jobim, João Gilberto, VinÃcius de Moraes and Os Cariocas on stage together for the only time.The first recording of the song was released in October 1962 by Elza Laranjeira. Os Cariocas had a hit with their rendition in 1963.The first English-language version was by Tony Bennett for his 1965 album If I Ruled the World: Songs for the Jet Set.Here is my brass quintet version of the song for your enjoyment.
$13.00
Brass Quintet - Three Pastoral Sketches
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
AVANCÉ
#
Contemporain
#
Mike Lyons
#
Brass Quintet - Three Pastoral
#
Lyons Music Services
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
<
1