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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Han River
Non classifié
254
Piano & claviers
Piano seul
230
Piano Facile
70
1 Piano, 4 mains
58
Piano, Voix et Guitare
45
Piano, Voix
35
Instruments en Do
17
Piano grosses notes
16
Orgue
14
2 Pianos, 4 mains
8
Accordéon
7
Piano Trio: piano, violon, violoncelle
7
Accompagnement Piano
6
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
1
Ligne De Mélodie, Piano
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
12
Guitare
9
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
5
Paroles et Accords
4
2 Guitares (duo)
3
Ukulele Baryton
3
Piano, Guitare (duo)
2
Banjo
1
Basse electrique
1
4 Guitares (Quatuor)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
69
Chorale 3 parties
22
Chorale 2 parties
13
Voix seule
12
Chorale TTBB
7
Chorale SSAA
7
Voix duo, Piano
3
Voix Alto, Piano
3
Voix Baryton, Piano
2
Voix duo
2
Chorale
1
Voix Tenor
1
Voix Soprano, Piano
1
Chorale SSAB, Piano
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
35
Flûte traversière et Piano
24
Saxophone, Clarinette (duo)
16
Clarinette, Violon (duo)
16
Clarinette et Piano
13
Quatuor de Flûtes : 4 flûtes
13
2 Clarinettes (duo)
12
Saxophone Alto et Piano
10
Flûte, Clarinette (duo)
9
Saxophone Tenor et Piano
8
Flûte traversière
8
Clarinette, Trompette (duo)
8
Hautbois, Piano (duo)
8
2 Flûtes traversières (duo)
7
Ensemble de saxophones
7
2 Hautbois (duo)
7
Clarinette et Alto
7
Flûte, Violon
7
Quatuor de Clarinettes: 4 clarinettes
6
Hautbois, Clarinette (duo)
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quintette de Saxophone: 5 saxophones
6
Flûte, Hautbois, Clarinette, Basson
6
Flûte, Alto (duo)
6
Flûte, Trompette (duo)
5
Ensemble de Flûtes
5
Hautbois, Basson (duo)
5
Saxophone (partie séparée)
4
Flute (partie séparée)
4
Hautbois (partie séparée)
4
Clarinette (partie séparée)
4
Flûte à bec Soprano
4
Ocarina
4
Flûte à bec Alto
4
Clarinette
4
Cor anglais, Piano
3
Hautbois, Flûte
3
Saxophone Soprano et Piano
3
3 Clarinettes (trio)
3
Flûte, Violon, Piano
3
Flûte, Clarinette, Piano (trio)
3
Quatuor de Saxophones: 4 saxophones
3
Flûte, Saxophone (duo)
3
Harmonica
2
Saxophone Alto
2
Clarinette Basse, Piano
2
2 Clarinettes, Piano
2
Flute, harpe et violon
2
Ensemble de Clarinettes
2
2 Flûtes traversières, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Trio de Flûtes: 3 flûtes
2
Quintette de Flûte : 5 flûtes
1
Clarinette, Guitare (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois (duo)
1
Saxophone Baryton, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Harpe et Violoncelle
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Violoncelle
1
Saxophone Soprano
1
3 Saxophones (trio)
1
2 Flûte à bec (duo)
1
Flûte irlandaise
1
Flûte, Hautbois, Violon
1
+ 62 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trompette, Saxophone (duo)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone et Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette, Piano
6
Trompette, Trombone (duo)
6
2 Trompettes (duo)
6
Trompette
4
Trombone
4
Tuba
4
Euphonium, Piano (duo)
3
Cor anglais, Piano
3
2 Trombones (duo)
3
Ensemble de Trombones
3
Cor et Piano
3
Trompette, Cor (duo)
2
Trombone basse et Piano
2
Cor
2
Trompette (partie séparée)
2
3 Trombones (trio)
2
Cor (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
Trombone (partie séparée)
1
Quatuor de Cuivres
1
+ 20 instrumentations
Retracter
Cordes
Harpe
39
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violon et Piano
28
Violon, Violoncelle (duo)
15
Violoncelle, Piano
14
Alto, Piano
14
Violon, Alto (duo)
10
Violoncelle
9
2 Violoncelles (duo)
8
2 Altos (duo)
8
Violon
8
Harpe, Voix
7
2 Violons (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
Alto seul
5
Trio à cordes
3
Quatuor à cordes: 4 violons
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contre Basse
2
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Harpe, Flûte (duo)
1
Alto (partie séparée)
1
Ensemble de Violons
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
2 Violons, Piano
1
Ensemble d'Altos
1
Alto et Basson
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Basson (duo)
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 violins
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
139
Cloches
84
Ensemble de cuivres
20
Orchestre
13
Orchestre à Cordes
8
Orchestre de chambre
4
Ensemble Jazz
4
Jazz combo
2
Ensemble de Percussions
2
Fanfare
2
2 Xylophones
1
Marimba
1
Percussion
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
Han River
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
9 partitions trouvées
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1
Red River Valley for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Sy Brandon
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Red River Valley for Brass Qui
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Sy Brandon
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.754974 Composed by Traditional. Arranged by Sy Brandon. 20th Century,Contemporary,Folk. Sc...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.754974 Composed by Traditional. Arranged by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 24 pages. Sy Brandon #3227055. Published by Sy Brandon (A0.754974). This setting of the famous cowboy song makes a great opener or encore piece. It uses driving rhythms and meter changes to always keep your audience on their toes. A slow middle section, using chromatic harmony contrasts the fast outer sections.
$7.99
Presto from Handel's Water Music Third Suite for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Georg Fredrick Handel
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James Haynor
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Presto from Handel's Water Mus
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James Haynor
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782393 Composed by Georg Fredrick Handel. Arranged by James Haynor. Baroque. Score and par...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782393 Composed by Georg Fredrick Handel. Arranged by James Haynor. Baroque. Score and parts. 10 pages. James Haynor #6245437. Published by James Haynor (A0.782393). The Water Music is a collection of orchestral movements, often published as three suites, composed by George Frideric Handel. It premiered on 17 July 1717, in response to King George I 's request for a concert on the River Thames. Scored here for brass quintet is a Presto from the Third Suite. the instrumentation includes a Trumpet in D on the first part. This short, fast piece makes for a lively encore. ( Duration 1:16 )
$10.00
Some Folks
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
#
Contemporain
#
Stephen Foster
#
P
#
Some Folks
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802619 Composed by Stephen Foster. Arranged by P.R. and Peet du Toit. Contemporary. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802619 Composed by Stephen Foster. Arranged by P.R. and Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6027489. Published by Peet du Toit (A0.802619). Stephen Collins Foster (July 4, 1826 – January 13, 1864), known as the father of American music, was an American songwriter known primarily for his parlor and minstrel music. He wrote more than 200 songs, including Oh! Susanna, Hard Times Come Again No More, Camptown Races, Old Folks at Home (Swanee River), My Old Kentucky Home, Jeanie with the Light Brown Hair, Old Black Joe, and Beautiful Dreamer, and many of his compositions remain popular today. He has been identified as the most famous songwriter of the nineteenth century and may be the most recognizable American composer in other countries. Most of his handwritten music manuscripts are lost, but editions issued by publishers of his day feature in various collections.
$13.00
Silent Night (Bb) (Brass Octet - 3 Trp, 2 Hrn, 2 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813980 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813980 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636611. Published by Regis Bookshar (A0.813980). Brass Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Octet, consisting of 3 Trumpets, 2 French Horns, 2 Trombones and 1 Tuba, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Silent Night (Bb) (Brass Octet - 4 Trp, 1 Hrn, 2 Trb, 1 Tuba)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813983 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813983 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 11 pages. Regis Bookshar #6636615. Published by Regis Bookshar (A0.813983). Brass Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Octet, consisting of 4 Trumpets, 1 French Horn, 2 Trombones and 1 Tuba, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Silent Night (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813961 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813961 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 7 pages. Regis Bookshar #6632967. Published by Regis Bookshar (A0.813961). Brass Quintet Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Quinet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Rosen aus dem Süden op. 388 waltz
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Classique
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Johann Strauss Jr
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Alessandro Macrì
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Rosen aus dem Süden op. 3
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931272 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,F...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931272 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,Film/TV,Holiday,Romantic Period. Score and parts. 47 pages. Music Macri Editions #6076475. Published by Music Macri Editions (A0.931272). Rosen aus dem Süden (Rose del Sud) op. 388, è un valzer di Johann Strauss (figlio).«È stata una serata movimentata, la sala era gremita e tutti erano in attesa di poter ascoltare il nuovo lavoro del nostro Strauss, che oggi può godere del raro titolo di nostro, il massimo superlativo per un artista!»(Fremdenblatt)Così scrisse il giornale Fremdenblatt (3 ottobre) in sede di riesame del grande successo alla prima dell'operetta di Johann Strauss Das Spitzentuch der Königin (Il fazzoletto di pizzo della regina), che ebbe la sua prima al Theater an der Wien di Vienna il 1º ottobre 1880.Il compositore stesso, nonostante il favore con il quale la sua operetta venne accolta da pubblico e critica, era convinto che non avrebbe goduto di un successo duraturo. Ma Strauss non aveva alcun dubbio al riguardo del valzer, Rosen aus dem Süden, che aveva frettolosamente assemblato da motivi dell'operetta. L'edizione per pianoforte venne pubblicata dal suo editore, Cranz, appena quattro giorni dopo la prima del lavoro.L'onore di condurre la prima rappresentazione di Rosen aus dem Süden toccò al fratello Johann, Eduard Strauss, ancora impegnato in un tour di concerti in Germania quando vi fu la prima dell'operetta, che il 7 novembre lo eseguì durante uno dei concerti della domenica pomeriggio diretti da Eduard al Musikverein.Il valzer racchiude al suo interno alcune delle più belle arie dell'operetta, due arie che già avevano ricevuto la lode alla prima rappresentazione furono quella del re nel primo atto Stets kommt mir wieder in den Sinn (il ritornello che Strauss sostenne di aver dovuto riscrivere per ben 12 volte) e la romanza di Cervantes del secondo atto Wo die Wilde erblht Rose.
$17.00
DIES IRAE from REQUIEM by G. Verdi
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Giuseppe Verdi
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Alessandro Macrì
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DIES IRAE from REQUIEM by G. V
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Fil...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità , i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00
Voices of Spring Waltz op. 410 by J. Strauss II
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Johann Strauss Jr
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Alessandro Macrì
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1881)
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Voices of Spring Waltz op. 410
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.931268 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,F...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.931268 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,Film/TV,Holiday,Romantic Period. Score and parts. 38 pages. Music Macri Editions #5871333. Published by Music Macri Editions (A0.931268). Voices of Spring (Voci di Primavera) op. 410, è un valzer di Johann Strauss (figlio).Nell'inverno del 1882-83 il compositore fu invitato a comporre un valzer vocale per il celebre soprano austriaco Bianca Bianchi (il cui vero nome era Bertha Schwarz), al tempo un acclamato membro del Wiener Hopfoperntheater (Teatro dell'opera reale di Vienna).Il valzer fu eseguito per la prima volta al Theater an der Wien il 1º marzo 1883 ad un concerto di beneficenza per la fondazione degli indigenti dell'Impero austro-ungarico fondata dall'imperatore Francesco Giuseppe e dall'imperatrice Elisabetta.Strauss, dopo il successo che aveva ottenuto con i suoi valzer corali, fu felice di scrivere un brano per sola voce e il librettista Richard Genée, che aveva già collaborato con il compositore nell'operetta Eine Nacht in Venedig (Una notte a Venezia) del 1883, scrisse anche il testo per il nuovo valzer.L'autunno del 1882 vide Strauss impegnato a Budapest per curare la prima rappresentazione dell'operetta Der lustige Krieg (L'allegra Guerra; 1881). Durante lo svolgimento di una delle serate in onore della visita del musicista viennese, fu Strauss stesso ad esibirsi al pianoforte con un altro degli illustri ospiti della serata: Franz Liszt. I due compositori si conoscevano già molto bene da almeno 30 anni (Strauss aveva dedicato il suo valzer Abschieds-Rufe op. 179 a Liszt nel gennaio del 1856) e si incontrarono in numerose altre occasioni. Fu questa visita che fornì l'ispirazione per la scrittura del valzer Frühlingsstimmen.Successivamente il valzer venne arrangiato da Johann in versione solamente orchestrale e fu eseguito in questa forma, oggi celeberrima, da Eduard Strauss durante uno dei suoi concerti al Musikverein nel 1883.Nel 1934 il valzer fu riutilizzato per l'operetta postuma (con musiche di Strauss jr.) Die Tänzerin Fanny Elßler.Durante il Concerto di Capodanno del 1987, Herbert von Karajan, inserì nel programma il valzer Frühlingsstimmen eseguendolo nella versione vocale originale con il soprano Kathleen Battle.
$15.00
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