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How beautiful is the rain!
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How beautiful is the rain!
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Prelude, Op. 28, No. 15 - "Raindrop"
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.944201 Compose…
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.944201 Composed by Frederic Chopin. Arranged by Ryan Putt. Romantic Period. Score and parts. 17 pages. Brasswood Publishing, LLC #5306183. Published by Brasswood Publishing, LLC (A0.944201). This arrangement of one of Chopin's piano preludes, subtitled Raindrop, is an ideal addition to any concert program. Best suited to an advanced ensemble, the melody is passed around the quintet allowing each member to highlight their expressiveness. Hauntingly beautiful, this piece showcases the ability of the brass quintet to be at once delicate and powerful. The arrangement opens with the trumpets passing the melody to each other with the horn acting as an acommpaniment. The trombone begins with the driving eighth notes prevalent throughout the entire piece. The middle section features the trombone and tuba in a strong, driving melody which recedes into a restatement of the opening material to close out the work. The short horn solo at the end brings the piece to a peaceful close, resolving the tension of the middle section. This piece offers a great challenge to the ensemble and would be a wonderful addition to any recital or concert performance.
$19.99
18.43 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Frederic Chopin
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Ryan Putt
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Prelude, Op. 28, No. 15 - "Raindrop"
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Brasswood Publishing, LLC
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SheetMusicPlus
A Billings Triptych - for 8-Part Brass Choir
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
32.26 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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William Billings
#
Mike Allsen
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A Billings Triptych - for 8-Part Brass Choir
#
Aaron Hettinga
#
SheetMusicPlus
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