Partitions Numériques de I Can pour Quatuor de Cuivres : 2 trompettes, trombone, tuba

I Can

I Can't Make You Love Me

I Can't Make You Love Me
Quatuor de Cuivres : 2 trompettes, trombone, tuba

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855391(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855391 By George Michael. By Allen Shamblin and Mike Reid. Arranged by Joseph Pugh. Contemporary. Score and parts. 8 pages. Joseph Pugh #6688459. Published by Joseph Pugh (A0.855391). Copyright Â© 1991 ALMO MUSIC CORP., UNIVERSAL MUSIC - MGB SONGS and BRIO BLUES MUSIC All Rights Reserved Used by PermissionOneÂ ofÂ America'sÂ favoriteÂ BonnieÂ RaitÂ tunes.Â IÂ Can'tÂ MakeÂ YouÂ LoveÂ MeÂ Â isÂ aÂ songÂ writtenÂ byÂ MikeÂ ReidÂ andÂ AllenÂ ShamblinÂ andÂ recordedÂ byÂ AmericanÂ singerÂ BonnieÂ RaittÂ forÂ herÂ eleventhÂ studioÂ albumÂ LuckÂ ofÂ theÂ DrawÂ (1991). This arrangement for brass quintet features Trombone and French Horn leads. Download today at a reduced price.
$12.99 11.88 € #Quatuor de Cuivres : 2 trompettes, trombone, tuba #George Michael #Joseph Pugh #I Can't Make You Love Me #Joseph Pugh #SheetMusicPlus

#I Can't Make You Love Me

I never knew (I could love anybody, honey, like I'm loving you) - Pitts, Egan, Marsh & Whiteman (Bra
Quatuor de Cuivres : 2 trompettes, trombone, tuba

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802657(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802657 Composed by Ray Egan, Roy K Marsh & Paul Whiteman, and Tom Pitts. Arranged by Dudley E Bayford & Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #6216933. Published by Peet du Toit (A0.802657). This Quick-Step piece was recorded by Judy Garland in 1943 by Decca Records on her Second Souvenir album.The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Quickstep was developed in the 1920s in New York City and was first danced by Caribbean and African dancers. Its origins are in combination of slow foxtrot combined with the Charleston, a dance which was one of the precursors to what today is called swing dancing.This dance gradually evolved into a very dynamic one with much movement on the dance floor, with many advanced patterns including hops, runs, quick steps with much momentum, and rotation. The tempo of quickstep dance is rather brisk, as it was developed to ragtime era jazz music, which is fast-paced when compared to other dance music.The quickstep is elegant like the foxtrot and should be smooth and glamorous. The dancers should appear to be very light on their feet. It is very energetic and form-intensive. The quickstep is danced to 4/4 music of 48-52 measures per minute.
$14.00 12.81 € #Quatuor de Cuivres : 2 trompettes, trombone, tuba #Ray Egan, Roy K Marsh & Paul Whiteman, and Tom Pitts #I never knew #Peet du Toit #SheetMusicPlus

I Can Dream About You

#I Can Dream About You

Moonlight Serenade
Quatuor de Cuivres : 2 trompettes, trombone, tuba

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.931263(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.931263 Composed by Glenn Miller. Arranged by Alessandro MacrÃ¬. Contemporary. Score and parts. 19 pages. Music Macri Editions #5802891. Published by Music Macri Editions (A0.931263). Moonlight Serenade Ã¨ una canzone popolare americana composta da Glenn Miller alla quale si aggiunsero poco dopo le parole di Mitchell Parish. Riscuote subito un fenomenale successo quando Ã¨ pubblicata nel maggio 1939 come arrangiamento strumentale ed Ã¨ perciÃ² adottata come sigla musicale di Miller. Nel 1991 l'originaria versione strumentale Ã¨ premiata col Grammy Hall of Fame Award.La canzone, registrata il 4 aprile 1939 negli studi discografici della Bluebirds Records (una sottoâ€“etichetta della RCA), Ã¨ subito un successo piazzatosi tra le prime dieci posizioni della classifica americana pop del 1939; in particolare, raggiunge la posizione numero tre nella Billboard Pop 100 mantenendola per 15 settimane. Alla fine dello stesso anno Ã¨ collocata da Billboard nella quinta posizione della classifica dei successi musicali del 1939, dove Glenn Miller compare con cinque registrazioni tra i primi venti piazzamenti.Nel Regno Unito Moonlight Serenade Ã¨ incisa sul lato A di un 78 giri dalla casa discografica His Master's Voice; sul lato B si puÃ² ascoltare American Patrol. La registrazione raggiunge la posizione numero dodici della classifica britannica nel marzo 1954 rimanendoci per una settimana; in Italia nello stesso anno si posiziona alla 74Âª. Col medley che comprende anche le canzoni Little Brown Jug e In the Mood raggiunge la tredicesima posizione della classifica del Regno Unito nel gennaio 1976 con una scalata durata otto settimane.La registrazione Ã¨ anche pubblicata come V-Disc (numero 39A) nel novembre 1943.
$14.00 12.81 € #Quatuor de Cuivres : 2 trompettes, trombone, tuba #Glenn Miller #Alessandro MacrÃ¬ #Moonlight Serenade #Music Macri Editions #SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of â€˜pastoralâ€™ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, weâ€™re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans â€“ or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas â€“ particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than Â¾ so that it can be more languid. All the melodies are â€˜studiedâ€™ and â€˜formalâ€™ with long, languid notes and rhythms which donâ€™t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, thereâ€™s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they werenâ€™t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little â€“ but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.

He Stopped Loving Her Today
Quatuor de Cuivres : 2 trompettes, trombone, tuba

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855381(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855381 By George Jones. By Bobby Braddock and Curly Putman. Arranged by Joseph Pugh. Contemporary. Score and parts. 8 pages. Joseph Pugh #6675347. Published by Joseph Pugh (A0.855381). He Stopped Loving Her Today is a song recorded by American country music artist George Jones. It has been named in several surveys as the greatest country song of all time. It was released in April 1980 as the lead single from the album I Am What I Am. The song was Jones's first solo No. 1 single in six years. It was written by Bobby Braddock and Curly Putman.This brass quintet arrangement by Joseph Pugh features trumpet, trombone, and French horn solos. Download it today at a reduced price.
$12.99 11.88 € #Quatuor de Cuivres : 2 trompettes, trombone, tuba #George Jones #Joseph Pugh #He Stopped Loving Her Today #Joseph Pugh #SheetMusicPlus