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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I See the You in You
Non classifié
595
Piano & claviers
Piano, Voix et Guitare
802
Instruments en Do
449
Piano seul
386
Piano, Voix
312
Piano Facile
116
Orgue
20
1 Piano, 4 mains
10
Piano grosses notes
6
Accordéon
3
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 8 mains
1
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
92
Guitare
47
Guitare notes et tablatures
36
Ukulele
8
Basse electrique
7
4 Guitares (Quatuor)
7
2 Guitares (duo)
6
Paroles et Accords
5
3 Guitares (trio)
5
Banjo
2
Mandoline
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
187
Chorale 3 parties
58
Chorale 2 parties
24
Voix duo, Piano
18
Chorale TTBB
17
Chorale SSAA
14
Voix duo
11
Voix haute
9
Voix Soprano, Piano
7
Chorale Unison
7
Voix Alto, Piano
7
Voix seule
2
Voix moyenne, Piano
2
Voix basse, Piano
1
Voix basse
1
Chorale
1
+ 11 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
31
Flûte traversière et Piano
29
Clarinette et Piano
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Flûte, Hautbois, Clarinette, Basson
22
Hautbois (partie séparée)
21
Clarinette
20
Quatuor de Saxophones: 4 saxophones
20
Saxophone (partie séparée)
19
Hautbois, Piano (duo)
18
Quintette de Saxophone: 5 saxophones
15
Flûte traversière
15
Saxophone Soprano et Piano
14
Saxophone Alto
14
Saxophone Alto et Piano
14
Flûte et Guitare
13
Saxophone Baryton, Piano
13
Saxophone Tenor et Piano
12
Saxophone Tenor
11
Ensemble de Flûtes
11
Quatuor de Clarinettes: 4 clarinettes
10
2 Saxophones (duo)
10
2 Clarinettes (duo)
8
3 Clarinettes (trio)
8
Ensemble de Clarinettes
7
Flûte à bec Soprano
7
Flûte à bec Tenor
6
Saxophone, Clarinette (duo)
5
Clarinette, Violon (duo)
5
2 Hautbois (duo)
5
Flûte à bec Alto
5
Cor anglais, Piano
5
Quintette de Flûte : 5 flûtes
4
Clarinette, Trompette (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Guitare (duo)
3
Clarinette, Guitare (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Alto (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
5 Flûtes à bec
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette (duo)
2
2 Flûte à bec (duo)
2
Saxophone
2
Trio de Flûtes: 3 flûtes
2
Clarinette Basse, Piano
2
Flûte à bec Soprano, Piano
2
Quatuor de Flûtes à bec
2
2 Clarinettes, Piano
2
Clarinette et Alto
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon, Piano
1
Saxophone et Orgue
1
Harmonica
1
Flûte, Harpe et Violoncelle
1
Flûte, Saxophone (duo)
1
Cor Anglais
1
Flute (partie séparée)
1
2 Hautbois, Piano
1
2 Flûtes traversières, Piano
1
Flûte à Bec
1
Flûte à bec Alto, Piano
1
Flûte et Trio à cordes
1
3 Saxophones (trio)
1
Hautbois, Basson (duo)
1
Ocarina
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Trombone et Piano
24
Trompette, Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trompette
15
Quatuor de cuivres: 4 trombones
15
Cor et Piano
14
Trombone
13
Cor
13
Trio de Cuivres
10
Tuba
10
Quatuor de Cuivres
9
Tuba et Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
2 Trompettes (duo)
6
Cor anglais, Piano
5
2 Trombones (duo)
5
Ensemble de Trombones
4
Trompette (partie séparée)
4
Trompette, Trombone (duo)
3
Euphonium, Piano (duo)
3
Ensemble de Trompettes
3
2 Tubas (duo)
2
2 Cors (duo)
2
Trombone basse et Piano
1
2 Cors, Piano
1
Cor Anglais
1
Trompette, Saxophone (duo)
1
Quatuor de cuivres: 4 cors
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
103
Violon et Piano
32
Violon
28
Violoncelle
22
Violoncelle, Piano
21
Trio à Cordes: violon, alto, violoncelle
20
Violon, Violoncelle (duo)
19
Harpe
18
2 Violons (duo)
16
Alto, Piano
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Trio à Cordes: 2 violons, violoncelle
11
Contre Basse
10
Alto (partie séparée)
8
2 Violoncelles (duo)
8
Contrebasse, Piano (duo)
8
Alto seul
7
2 Altos (duo)
7
Violon, Alto (duo)
5
2 Harpes (duo)
3
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
3
Harpe, Voix
3
Ensemble de Violons
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Altos, Piano
2
Violoncelle , Guitare (duo)
2
Ensemble d'Altos
1
Violon, Tuba (duo)
1
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
45
Orchestre
41
Ensemble Jazz
33
Orchestre à Cordes
27
Ensemble de cuivres
24
Orchestre de chambre
21
Ensemble de Percussions
9
Jazz combo
6
Fanfare
5
Cloches
4
Batterie
3
Marimba
3
Big band
2
Vibraphone
2
Percussion
1
Xylophone, Piano
1
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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I See the You in You
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
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1
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
I've Gotta Get A Message To You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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English Folk Song by way of Am
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Lesl...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Monteverdi - The Seventh Book of Madrigals (1619) - 22. Tu dormi à8
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767362 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767362 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons Music Services #3543497. Published by Lyons Music Services (A0.767362). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Tu dormi? means Are you sleeping The next phrase Oh cruel heart gives the clue that we are listening to our young man's unrequited feelings again! It appears he has had his wicked way once already but now she is sleeping. This is the first song for a quartet of Soprano, Alto, Tenor and Bass. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Monteverdi - The Seventh Book of Madrigals (1619) - 21. Parlo miser o taccio à7
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767360 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767360 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 48 pages. Lyons Music Services #3543491. Published by Lyons Music Services (A0.767360). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Parlo miser o taccio is a trio for two sopranos and bass. I have set this for trumpets/cornets and euphonium/trombone, leaving the accompaniment in the hands of the horns and tubas, but with an extra high Bb part. The title translates as Should I, poor wretch, speak out or hold my tongue? Yet again our young man is in a romantic (lustful) state, and the words of the lyrics carry many double entendres in rspect of what he and his lady are getting up to! The strong dissonances followed by long drawn out resolutions and suspensions were a common device in this type of song to indicate how matters were progressing. At 6 and a half minutes, this is quite a long song, compared to the 2 or 3 minutes of most of the book. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
I Want To See The Bright Lights Tonight
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Contemporain
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Richard Thompson
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Jeff Tincher
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I Want To See The Bright Light
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584435 Composed by Richard Thompson. Arranged by Jeff Tincher. Contemporary. Score and parts. 1...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584435 Composed by Richard Thompson. Arranged by Jeff Tincher. Contemporary. Score and parts. 11 pages. Jeff Tincher #5753463. Published by Jeff Tincher (A0.584435). Here is a great song released today (5/15/2020) by Mark Ronson. In the original key from the single, this is an electronic rendition of a country rock song released in 1974 by Richard Thompson. When I first heard it I said I had to do this arrangement. Hope you like it. Duration = 2:32. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Nobody Knows the Trouble I’ve Seen (for Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Gospel Spirituel
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African American Spiritual
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Kenneth Abeling
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Nobody Knows the Trouble I&rsq
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.514875 Composed by African American Spiritual. Arranged by Kenneth Abeling. Folk,Spiritual...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.514875 Composed by African American Spiritual. Arranged by Kenneth Abeling. Folk,Spiritual. Score and parts. 10 pages. LINCOLN MUSIC PUBLICATIONS #3859489. Published by LINCOLN MUSIC PUBLICATIONS (A0.514875). “Nobody Knows the Trouble I’ve Seen†arranged for Brass Quintet by Kenneth Abeling. This is a more contemporary arrangement of yet another ageless African American Spiritual. It is an Intermediate level arrangement and is appropriate for all religious services and Black History events. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 2:50  Preview this score on YouTube: https://www.youtube.com/watch?v=3okYQ07Ne88Â
$10.99
In The Garden (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Charles Austin Miles
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Joseph Pugh
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In The Garden
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855253 Composed by Charles Austin Miles (1868-1946). Arranged by Joseph Pugh. Christian,Sa...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855253 Composed by Charles Austin Miles (1868-1946). Arranged by Joseph Pugh. Christian,Sacred. Score and parts. 9 pages. Joseph Pugh #6506087. Published by Joseph Pugh (A0.855253). In the Garden (sometimes rendered by its first line I Come to the Garden Alone is a gospel song written by American songwriter C. Austin Miles (1868–1946), a former pharmacist who served as editor and manager at Hall-Mack publishers for 37 years.The song was first published in 1912 and popularized during the Billy Sunday evangelistic campaigns of the early twentieth century by two members of his staff, Homer Rodeheaver and Virginia Asher .Roy Rogers and Dale Evans recorded the song with vocal quartet and orchestra on March 3, 1950.[2] Tennessee Ernie Ford performed the song on his 1956 platinum album Hymns. A June 18, 1958 recording by Perry Como was part of his album When You Come to the End of the Day.- wikipedia This BQ arrangement by, Joseph Pugh attempts to breathe new life in to this old tune.
$19.99
Prelude in c#, Op.3, no.2 - S Rachmaninoff (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sergei Rachmaninoff
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Peet du Toit
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Prelude in c#, Op.3, no.2 - S
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802564 Composed by Sergei Rachmaninoff. Arranged by Peet du Toit. Contemporary. Score and ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802564 Composed by Sergei Rachmaninoff. Arranged by Peet du Toit. Contemporary. Score and parts. 17 pages. Peet du Toit #5793495. Published by Peet du Toit (A0.802564). Sergei Rachmaninoff's Prelude in C-sharp minor, Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces entitled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes.Its first performance was by the composer on 26 September 1892, at a festival called the Moscow Electrical Exhibition. After this première, a review of the concert singled out the Prelude, noting that it had aroused enthusiasm. From this point on, its popularity grew.This work was one of the first the 19‑year‑old Rachmaninoff composed as a Free Artist, after he graduated from the Moscow Conservatory on 29 May 1892. He performed this new work for the first time at one of the concerts of the Moscow Electrical Exhibition on 26 September 1892. It was printed the following year as the second of five Morceaux de fantaisie (Op. 3), all dedicated to Anton Arensky, his harmony teacher at the Conservatory. Because at the time Russia was not party to the 1886 Berne Convention, Russian publishers did not pay royalties, so the only financial return he ever received for this piece was a 40 ruble (about two months' wage of a factory worker) publishing fee.The prelude has been arranged for orchestra in several versions. It has been used in many films, and many songs have sampled it. I thought it would sound great on brass instruments if played well. Well, here it is for you to play well. Enjoy!
$15.50
O Christmas Tree (G) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Noël
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German Folk Song
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Regis Bookshar
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O Christmas Tree
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813939 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,M...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813939 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 8 pages. Regis Bookshar #6631133. Published by Regis Bookshar (A0.813939). Brass Quintet - Intermediate - . This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.
$5.00
Sad Sweater
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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K
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Joseph Pugh
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Sad Sweater
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.854941 Composed by K. Kobayashi. Arranged by Joseph Pugh. 20th Century,Holiday,Jazz,Love,P...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.854941 Composed by K. Kobayashi. Arranged by Joseph Pugh. 20th Century,Holiday,Jazz,Love,Pop. Score and parts. 9 pages. Joseph Pugh #5740009. Published by Joseph Pugh (A0.854941). This is the second in the series of Brass Quintets by Joseph Pugh that was transcribed and arranged, ( with permission) from a piano score by a Japanese composer,teacher and pianist K. Kobayashi. The other is ,Wish I Could See You. Both are available on sheetmusicplus.com.
$19.99
Danza Hispano
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Leif Jack
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Danza Hispano
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Leif Thomas Marken Jack
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1022835 Composed by Leif Jack. Contemporary,Latin. Score and parts. 18 pages. Leif Thomas ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1022835 Composed by Leif Jack. Contemporary,Latin. Score and parts. 18 pages. Leif Thomas Marken Jack #5713397. Published by Leif Thomas Marken Jack (A0.1022835). Driving rhythms, catchy melodies, and rich harmonies all feature in this exciting 1-2 minute brass fanfare. This work blends characteristic Spanish harmonies with Latin American rhythms and Swing, mixing the traditions of the Old and New World. Ideal for showcasing the ability of intermediate or advanced brass players, either at the beginning, or in the middle of a concert. This brass quintet can also add a bit of flare to a party, or act as a fanfare to get your audience excited for the show. This fanfare was commissioned by the Chan Centre for the Performing Arts at the University of British Columbia, and was played before a concert there by the famous flamenco band, the Paco de Lucia Project. Contact me at leifjack395@gmail.com for any further questions, concerns or business inquiries or check out my Instagram leif.jack.3 to see what I've been working on. Performing rights managed by SOCAN and BMI.
$4.99
Breakaway
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Film/TV
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Kelly Clarkson
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Barbara Fischer
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Breakaway
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Fischarper, LLC
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1085973 By Kelly Clarkson. By Avril Lavigne, Bridget Benenate, and Matthew Gerrard. Arrang...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1085973 By Kelly Clarkson. By Avril Lavigne, Bridget Benenate, and Matthew Gerrard. Arranged by Barbara Fischer. Film/TV,Pop. Score and parts. 10 pages. Fischarper, LLC #690161. Published by Fischarper, LLC (A0.1085973). This brass quintet arrangement for “Breakaway†includes score & parts. If your ensemble plays this, I'd love to see a video &/or hear how it goes! Send me a message at https://www.fischarper.com/contact. Looking for different instrumentation or have another special request? Send me a message at https://www.fischarper.com/contact. “Breakaway†was recorded by Kelly Clarkson and was used in “Princess Diaries 2: Royal Engagement,†which featured Julie Andrews and Anne Hathaway.
$12.99
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I See the You in You
