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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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Ice Inspired
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460
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309
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174
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120
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39
Orgue
35
Piano Trio: piano, violon, violoncelle
15
Instruments en Do
9
2 Pianos, 4 mains
8
1 Piano, 4 mains
6
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4
Clavecin
3
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
+ 10 instrumentations
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Guitare
13
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11
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
4
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3
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1
Piano, Guitare (duo)
1
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170
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58
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42
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41
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39
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36
Chorale TTBB
35
Voix Baryton, Piano
32
Voix Tenor, Piano
29
Voix duo, Piano
23
Voix duo
17
Chorale Unison
12
Voix haute
5
Voix seule
4
Voix moyenne, Piano
2
Chorale SSAATTBB
2
Voix Mezzo-Soprano, Piano
2
Voix basse, Piano
2
Voix Soprano
1
Chorale
1
Chorale SSATTB
1
Chorale SATBB
1
Chorale SSAB, Piano
1
+ 18 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
2 Saxophones (duo)
26
Flûte traversière et Piano
21
Hautbois, Piano (duo)
20
Quintette de Saxophone: 5 saxophones
18
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16
Flûte, Hautbois, Clarinette, Basson
16
Flûte traversière
15
Clarinette et Piano
14
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14
2 Flûtes traversières (duo)
13
Saxophone Tenor et Piano
12
Saxophone Alto et Piano
12
Saxophone (partie séparée)
12
Clarinette
12
2 Clarinettes (duo)
11
Hautbois (partie séparée)
10
Saxophone Alto
7
Saxophone, Clarinette (duo)
6
Saxophone Baryton, Piano
6
Ensemble de Clarinettes
6
2 Hautbois (duo)
6
Saxophone Tenor
5
Clarinette, Violon (duo)
4
Clarinette, Trompette (duo)
4
Saxophone Soprano et Piano
4
2 Flûte à bec (duo)
4
Flûte, Clarinette (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Ensemble de Flûtes
3
Quintette de Flûte : 5 flûtes
2
Flûte, Trompette (duo)
2
Flute (partie séparée)
2
Clarinette et Alto
2
Hautbois, Flûte
2
Clarinette, Guitare (duo)
2
Flûte, Violon
2
Trio de Flûtes: 3 flûtes
2
Flûte, Saxophone (duo)
2
Hautbois, Clarinette (duo)
2
3 Clarinettes (trio)
2
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Basson (duo)
2
Saxophone et Guitare
1
Cor anglais, Piano
1
Clarinette, Basson (duo)
1
Flûte et Guitare
1
Hautbois
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Alto (duo)
1
+ 46 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette, Piano
9
Trompette
8
Trombone et Piano
7
2 Trompettes (duo)
7
Trombone
6
Cor et Piano
6
Cor
6
Tuba
6
2 Trombones (duo)
6
Tuba et Piano
5
2 Cors (duo)
4
Trompette, Saxophone (duo)
4
Ensemble de Trompettes
3
Trompette (partie séparée)
3
Ensemble de Trombones
3
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
2
Quatuor de Cuivres
2
Tuba et Orgue
2
Quatuor de cuivres: 4 trombones
2
Trompette, Trombone (duo)
2
Cor anglais, Piano
1
3 Trompettes (trio)
1
Trombone (partie séparée)
1
4 Tubas
1
+ 23 instrumentations
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Cordes
Violon et Piano
62
Quatuor à cordes: 2 violons, alto, violoncelle
42
Violon
15
Violoncelle, Piano
14
Violoncelle
13
2 Violons (duo)
11
Harpe
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Alto (partie séparée)
8
Contre Basse
8
Harpe, Voix
7
Violon, Violoncelle (duo)
7
2 Violoncelles (duo)
7
2 Altos (duo)
6
Alto, Piano
6
Contrebasse, Piano (duo)
6
Alto seul
6
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: violon, alto, violoncelle
3
2 Violons, Piano
3
Violon (partie séparée)
3
Violon, Alto (duo)
3
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
2
Ensemble de Violons
2
4 Violoncelles
1
Harpe, Flûte (duo)
1
Alto, Guitare (duo)
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
117
Orchestre
32
Orchestre à Cordes
22
Ensemble Jazz
19
Ensemble de cuivres
10
Cloches
9
Orchestre de chambre
9
Jazz combo
8
2 Xylophones
4
Fanfare
4
Ensemble de Percussions
2
Quintette de Cuivres: autres combinaisons
1
Voix Mezzo-Soprano, Orchestre
1
Xylophone, Piano
1
Batterie
1
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--INSTRUMENTS--
ACCORDEON
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
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CORNET
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FORMATION MUSI…
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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1
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
Salut d'Amour, Op.12 - Edward Elgar (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Classique
#
Edward Elgar
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Salut d'Amour, Op.12 - Edward
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802549 Composed by Edward Elgar. Arranged by Shirley Denwood & Peet du Toit. Contemporary....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802549 Composed by Edward Elgar. Arranged by Shirley Denwood & Peet du Toit. Contemporary. Score and parts. 11 pages. Peet du Toit #5776959. Published by Peet du Toit (A0.802549). Composed in 1888, this Love's Greetings was inspired with Elgar's emotional involvement with Caroline Alice Roberts before they married. It was originally written for violin and piano.
$14.00
Our Day Will Come
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Clive James Gregson
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Joseph Pugh/Worthingtunes
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Our Day Will Come
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Joseph Pugh
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855469 Composed by Clive James Gregson. Arranged by Joseph Pugh/Worthingtunes. Contemporar...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855469 Composed by Clive James Gregson. Arranged by Joseph Pugh/Worthingtunes. Contemporary. Score and parts. 12 pages. Joseph Pugh #6870129. Published by Joseph Pugh (A0.855469). Inspired by Joseph Pugh's arrangement of the Ruby & The Romantics of this song! With his permission, putting an 80s disco spin on the chart with my Frankie Valli & The Four Seasons. Thanks Joseph for the inspiration and idea! I realize this arrangement is pretty horn heavy but our BQ has an amazing horn player who plays the heck out of an F mellophone on pop charts with a unique sound which really projects. Please let me know what you think and any feedback for improvement on the concept. Bob Joseph responded, I like it, Bob. and here is the arrangement just for you!. Mp3 not available . Download today at a reduced price.
$12.99
Have Thine Own Way Lord (Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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George C
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Joseph Pugh
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Have Thine Own Way Lord
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855036 Composed by George C. Stebbins(1846-1943). Arranged by Joseph Pugh. Christian,Conce...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855036 Composed by George C. Stebbins(1846-1943). Arranged by Joseph Pugh. Christian,Concert,Sacred,Standards. Score and parts. 9 pages. Joseph Pugh #6079133. Published by Joseph Pugh (A0.855036). In 1902, Adelaide A. Pollard was hoping to go to Africa as a missionary but found herself unable to raise the needed funds to make the journey. Greatly discouraged, she attended a prayer service one evening and as she sat there, she overheard an elderly woman say It really doesn't matter what you do with us, Lord, just have your own way with our lives. The elderly woman inspired Pollard and she contemplated the story of the potter from Jeremiah 18:3 and, upon her return home that evening, wrote all four stanzas before retiring for the night. Five years later George Stebbins wrote a tune titled Adelaide to accompany the text. - Wikipedia This Brass Quintet arrangement by Joseph Pugh changes the time signature from 9/4 to 3/4 for easier readability.
$19.99
Built on the Rock the Church Doth Stand - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Ludvig M
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Todd Marchand
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Built on the Rock the Church D
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score and parts. 17 pages. Con Spirito Music #4967607. Published by Con Spirito Music (A0.726093). Built on the Rock is a proclamation, through scripturally anchored words and sturdily architected music, of the nature and eternity of the Church whose foundation is Jesus Christ. Long a favorite of Scandinavian Christians and Lutherans, the hymn was written by Danish theologian, cleric, and poet Nicolai F.S. Grundtvig (1783-1872), whose criticism of the rationalist philosophy then predominant in the Danish Lutheran church, and his argument for Christianity as a revealed, inspired, and sacramental religion, led to the revitalization of that church. The text was translated to English by Carl Doving (1867-1937).The tune accompanying the text, known as KIRKEN DEN DER ET, was the first hymn tune written by Danish organist, composer, and folk music collector Ludvig Mathias Lindeman (1812-1887). It is an austere, arching, and folk-like melody in the Dorian mode. This arrangement begins with individual voices of the brass quintet, like individual members of the Church, joining together in various combinations and as a whole to introduce the tune. Verses 2 and 3 (measure numbers 33 and 65) present the tune in additional combinations. Verse 4 (measure 101) introduces alternate harmonizations and features a soaring descant in Trumpet 1, powerful unison statements by the entire ensemble, and majestic final chords.©2019 Todd Marchand / Con Spirito Music. This video is a demo of the sheet music available from Con Spirito Music. Visit www.conspiritomusic.com
$15.00
Bring Light! for brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Jeffrey Hoover
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Bring Light! for brass quintet
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Musicart Publications
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.971653 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 30 pages. M...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.971653 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 30 pages. Musicart Publications #4852605. Published by Musicart Publications (A0.971653). Bring Light! is a fanfare and dance for brass quintet. The counterpoint and melodic solos of the first section contrast the lively meter changes and homorhythmic texture of the second section. The work as inspired by and derives its title from the 17th-century French carol Un flambeau. An alternative scoring for full orchestral brass (4.3.3.1) is available. Suitable for concert openers, worship services, and festivals.The score and parts in this edition are arranged to be printed double-sided, with correct page turns. Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. Visit his website at https://jeffreyhooverart.wixsite.com/mysite
$19.95
Beauty And The Beast
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Film Walt Disney
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Celine Dion & Peabo Bryson
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Diego Marani
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Beauty And The Beast
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528805 By Celine Dion & Peabo Bryson. By Alan Menken. Arranged by Diego Marani. 20th Centu...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528805 By Celine Dion & Peabo Bryson. By Alan Menken. Arranged by Diego Marani. 20th Century,Contemporary,Film/TV,Instructional,Standards. Score and parts. 10 pages. Diego Marani #6496379. Published by Diego Marani (A0.528805). Beauty and the Beast is a song written by lyricist Howard Ashman and composer Alan Menken for the Disney animated feature film Beauty and the Beast (1991). The film's theme song, the Broadway-inspired ballad was first recorded by British-American actress Angela Lansbury in her role as the voice of the character Mrs. Potts. The song was subsequently recorded as a pop duet by Canadian singer Celine Dion and American singer Peabo Bryson, and released as the only single from the film's soundtrack. Also american singers Ariana Grande and John Legend covered Beauty and the Beast for the 2017 live-action adaption of the same name.Beauty and the Beast has won several awards. The song garnered the Golden Globe Award for Best Original Song at the 49th Golden Globe Awards in January 1992. The following March, Beauty and the Beast won the Academy Award for Best Original Song at the 64th Academy Awards.This arrangement for brass quartet contains the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba. It is suitable for classroom, repertoire and recital.
$19.99
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