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PIANO & CLAVIERS
Piano seul
1082
Piano, Voix
149
Piano Facile
90
Orgue
76
Accordéon
75
Instruments en Do
15
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
6
Instrument seul et Orgue
6
Piano (partie séparée)
5
Accompagnement Piano
4
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
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2
2 Accordéons
1
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Basse electrique
42
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Ligne De Mélodie, (Paroles) et Accords
9
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53
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47
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43
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32
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31
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30
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25
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22
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21
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21
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91
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43
Cor
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24
Tuba
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Euphonium
21
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19
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18
Cor et Piano
18
Quatuor de cuivres: 4 trombones
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15
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14
Tuba et Piano
10
Euphonium, Piano (duo)
8
2 Trombones (duo)
8
Cor anglais, Piano
7
2 Cors (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Tuba (partie séparée)
6
2 Trompettes (duo)
6
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4
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4
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3
4 Tubas
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2 Tubas (duo)
2
2 Euphoniums (duo)
2
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2
Ensemble de Trombones
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Quatuor de Cuivres
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3 Cors (trio)
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2 Euphoniums et 2 Tubas
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3 Trombones (trio)
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3 Tubas (trio)
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150
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101
Violon et Piano
97
Alto seul
71
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69
Harpe
67
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41
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39
Contre Basse
21
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20
2 Violons (duo)
14
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12
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Violon, Alto (duo)
8
Trio à Cordes: violon, alto, violoncelle
7
2 Violoncelles (duo)
7
2 Altos (duo)
6
Contrebasse, Piano (duo)
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Contrebasse (partie séparée)
5
2 Harpes (duo)
5
Alto (partie séparée)
5
Trio à cordes: 3 violins
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4
Violon, Violoncelle (duo)
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Violoncelle, Contrebasse (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Violon (duo)
2
Ensemble de Violons
2
Quatuor à cordes : 4 altos
2
Harpe, Voix
2
Quatuor à cordes: 4 violons
1
4 Violoncelles
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Harpe, Violoncelle (duo)
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Violon, Violoncelle, Clarinette
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Trio à Cordes: 3 violoncelles
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2 Violoncelles, Piano
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Violon, Basse continue
1
Piano Trio: Violon, Alto, Piano
1
Alto, Violoncelle (duo)
1
4 Contrebasses
1
Trio à Cordes: 2 violons, alto
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PERCUSSIONS & ORCHESTRES
Orchestre
211
Orchestre d'harmonie
137
Batterie
110
Orchestre à Cordes
50
Percussion
31
Ensemble de cuivres
23
Cloches
20
Orchestre de chambre
20
Percussion (partie séparée)
11
Caisse Claire
10
Ensemble Jazz
6
Ensemble de Percussions
4
Batterie (partie séparée)
3
Jazz combo
2
Fanfare
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Timbales
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Timbales (partie séparée)
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AUTRES
Vous avez sélectionné:
No Air - Guitar
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
15 partitions trouvées
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1
Air on G String - Brass Quartet (Full Score) - Score Only
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet - Level 3 - Digital Download SKU: A0.1225575 Composed by Johann Sebas…
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Brass Quartet - Level 3 - Digital Download SKU: A0.1225575 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Chamber,Early Music,Film/TV,Multicultural,World. 3 pages. Sheet Music To Play Editions #821647. Published by Sheet Music To Play Editions (A0.1225575). Air on the G String from Orchestral Suite No.3 (BWV1068). Arrangement for Brass Quartet - Bb Trumpet 1, 2, French Horn and Trombone. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$7.99
7.34 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Johann Sebastian Bach
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César Madeira
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Air on G String - Brass Quartet
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Sheet Music To Play Editions
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SheetMusicPlus
Air on the G String (Brass Quintet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.694420
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.694420 Composed by Johann Sebastian Bach. Arranged by B. C. Dockery. Baroque,Classical,Concert,Graduation,Wedding. Score and parts. 10 pages. Ben Dockery #6401691. Published by Ben Dockery (A0.694420). From the second movement of Bach's Orchestral Suite No. 3, this is Air on the G String: arranged for brass quintet. Great for weddings, recitals, parties, and ceremonies of all kinds.
$9.99
9.17 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Johann Sebastian Bach
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B
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Air on the G String
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Ben Dockery
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SheetMusicPlus
Respighi: Ancient Airs and Dances (Antiche Arie e Danze) Suites No.1,Balletto "Il Conte Orlando", 1s
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.892049
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.892049 Composed by Ottorino Respighi, Simone Molinaro. Arranged by Arkstar Brassmusic. 20th Century,Contemporary,Renaissance,Standards. Score and parts. 19 pages. ASANO Takashi #4338407. Published by ASANO Takashi (A0.892049). Ochestral suites by Ottorino Respighi, Ancient Airs and Dances (Italian: Antiche arie e danze) , transcribed from original pieces for Renaissance lute of 16th century. 1st Movoment, Balletto Il Conte Orlando was originally composed by Simone Molinaro Arranged for Brass Quintet Duration: 3 minutesLevel: intermediateYou can confirm the score and performance by the following YouTube site https://youtu.be/xS2ReTyl0fE
$14.00
12.86 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Ottorino Respighi, Simone Molinaro
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Arkstar Brassmusic
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Respighi: Ancient Airs and Dances
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ASANO Takashi
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
16.53 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
13.77 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
13.77 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Quintet No. 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.980280
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.980280 Composed by Andrew Gavin. Contemporary,Latin. Score and parts. 27 pages. Andrew J Gavin #6255555. Published by Andrew J Gavin (A0.980280). This is an upbeat brass quintet that is a perfect opening piece for any program.It has the feel of an opening to a ceremony or festival with a little bit of a Latin flair. I'm not sure who will enjoy it more, the audience or the performers! .
$14.99
13.76 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Andrew Gavin
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Brass Quintet No. 2
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Andrew J Gavin
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SheetMusicPlus
Noël Français (for Brass Quartet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet Horn,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1274445 Compos…
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Brass Quartet Horn,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1274445 Composed by Gustave Doret. Arranged by Andrew Lamb. 20th Century,Christmas,Praise & Worship,Sacred. 21 pages. Andrew Lamb #866588. Published by Andrew Lamb (A0.1274445). Experience the magic of Christmas with our enchanting Brass Quartet arrangement, Noël Français, composed by the talented Frenchman, Gustave Doret. This delightful piece beautifully combines the joy of a Christmas carol with the spiritual essence of religious music, making it a perfect addition to your holiday repertoire.Crafted for 2 Bb Trumpets, Horn in F, and Tuba, this arrangement offers a seamless blend of brass voices, creating a warm and harmonious sound that will captivate both performers and audiences alike. The level of difficulty is rated as Easy, making it accessible for brass quartets of varying skill levels, from enthusiastic beginners to seasoned professionals.Noël Français sets the perfect tone for the holiday season, spreading cheer and goodwill wherever it is performed. Its evocative melodies and heartfelt harmonies evoke the spirit of Christmas, bringing joy and inspiration to listeners of all ages.Whether you're planning a heartwarming Christmas concert, a festive church service, or simply want to share the magic of the season with family and friends, this arrangement is the ideal choice. Embrace the joyous atmosphere of Christmas and enhance your performance with the timeless charm of Noël Français. Let the brass quartet's resounding voices fill the air with the spirit of the season, creating cherished memories that will last a lifetime.
$4.00
3.67 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Gustave Doret
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Andrew Lamb
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Noël Français
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Andrew Lamb
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SheetMusicPlus
Tea For Two for Brass Quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.826729 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.826729 Composed by Irving Caesar and Vincent Youmans. Arranged by Bud Caputo. Broadway,Instructional,Latin,Pop. Score and parts. 25 pages. Bud Caputo #6345117. Published by Bud Caputo (A0.826729). This brass quintet arrangement will be a hit with all our audiences, young and old. Youmans had written the basic melody idea of Tea for Two while he was in the navy during World War I, The song later appeared in the Broadway musical, No No Nannette. It’s light an airy melody lends itself to a soft shoe dance that could be incorporated with a dance class from your school. This American Standard is now public domain giving teachers a wide birth of using it for a variety of presentations.
$18.50
16.99 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Irving Caesar and Vincent Youmans
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Bud Caputo
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Tea For Two for Brass Quintet
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Bud Caputo
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SheetMusicPlus
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.3 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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English Folk Song by way of American Appalachians
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
A Billings Triptych - for 8-Part Brass Choir
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
32.13 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Part Brass Choir
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Aaron Hettinga
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SheetMusicPlus
Some Folks
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802619
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802619 Composed by Stephen Foster. Arranged by P.R. and Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6027489. Published by Peet du Toit (A0.802619). Stephen Collins Foster (July 4, 1826 – January 13, 1864), known as the father of American music, was an American songwriter known primarily for his parlor and minstrel music. He wrote more than 200 songs, including Oh! Susanna, Hard Times Come Again No More, Camptown Races, Old Folks at Home (Swanee River), My Old Kentucky Home, Jeanie with the Light Brown Hair, Old Black Joe, and Beautiful Dreamer, and many of his compositions remain popular today. He has been identified as the most famous songwriter of the nineteenth century and may be the most recognizable American composer in other countries. Most of his handwritten music manuscripts are lost, but editions issued by publishers of his day feature in various collections.
$13.00
11.94 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Stephen Foster
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P
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Some Folks
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Peet du Toit
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SheetMusicPlus
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