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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Strike
Non classifié
51
Piano & claviers
Piano seul
22
Piano Facile
4
Orgue
2
Piano Trio: piano, violon, violoncelle
1
Piano, Voix
1
Piano, Voix et Guitare
1
+ 1 instrumentations
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Guitares
Guitare
5
Guitare notes et tablatures
2
Paroles et Accords
1
Guitare (partie séparée)
1
Voix
Chorale SATB
15
Chorale 3 parties
5
Chorale TTBB
5
Chorale SSAA
4
Voix Baryton, Piano
2
Voix Tenor, Piano
1
Voix Soprano, Piano
1
Chorale 2 parties
1
+ 3 instrumentations
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Vents
Saxophone (partie séparée)
38
Saxophone Alto
14
2 Saxophones (duo)
8
Saxophone Tenor
8
Saxophone Alto et Piano
8
Quatuor de Clarinettes: 4 clarinettes
4
3 Saxophones (trio)
4
Clarinette
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Saxophones: 4 saxophones
2
Hautbois (partie séparée)
2
Saxophone
2
Flute (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte traversière
2
Saxophone Tenor et Piano
2
3 Clarinettes (trio)
2
Clarinette et Piano
1
Saxophone Baryton, Piano
1
Ocarina
1
Flûte irlandaise
1
Flûte traversière et Piano
1
Saxophone Soprano et Piano
1
Hautbois, Piano (duo)
1
+ 20 instrumentations
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Cuivres
Trombone (partie séparée)
44
Trombone
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trombone et Piano
10
Trompette
4
2 Trombones (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Piano
1
Trombone basse
1
Trombone, Violon (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums (duo)
1
Trompette, Trombone (duo)
1
Cor
1
+ 11 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto seul
2
Harpe
2
Violoncelle
2
Violon et Piano
2
Trio à Cordes: violon, alto, violoncelle
2
Violon
2
Violoncelle, Piano
1
Alto, Piano
1
Contre Basse
1
Violon, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
+ 9 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
71
Orchestre
8
Ensemble Jazz
3
Orchestre de chambre
3
Piano et Orchestre
1
Batterie (partie séparée)
1
Cloches
1
Ensemble de Percussions
1
+ 3 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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CHANT - CHO…
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COR
COR ANGLAIS
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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PUNK
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Crtitères actifs :
One Strike
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
2 partitions trouvées
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Strike Up the Band
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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George Gershwin
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Bob Affonso
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Strike Up the Band
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Celebratory Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1350612 By George Gershwin. By George Gershwin. Arranged by Bob Affonso. Broadway,Film/TV,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1350612 By George Gershwin. By George Gershwin. Arranged by Bob Affonso. Broadway,Film/TV,Holiday,March,Musical/Show,Patriotic. 26 pages. Celebratory Music #935433. Published by Celebratory Music (A0.1350612). From the Broadway musical and film of the same name. This selection of the popular song by George Gershwin has been arranged and scored for an 8-piece brass ensemble. It also includes optional percussion parts. The original spirit and liveliness of the piece is retained in this well-arranged version. It playfully toys with famous marches throughout the arrangement. It sounds great with or without the percussion! A real crowd pleaser!
$29.99
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
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One Strike
