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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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PIANO & CLAVIERS
Instruments en Do
218
Piano, Voix
124
Piano seul
97
Piano Facile
23
Piano, Voix et Guitare
22
Accompagnement Piano
20
Piano Trio: piano, violon, violoncelle
10
Orgue
9
Piano (partie séparée)
9
1 Piano, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Trompette (duo)
1
2 Pianos, 4 mains
1
Piano grosses notes
1
Tous Les Instruments
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GUITARES
Guitare (partie séparée)
18
Guitare
13
Dulcimer
10
Ligne De Mélodie, (Paroles) et Accords
5
2 Guitares (duo)
5
Ukulele
4
Banjo
3
Mandoline
3
Guitare notes et tablatures
3
2 Mandolines (duo)
2
Basse electrique
2
Orchestre à Plectres
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
57
Chorale Unison
25
Chorale 3 parties
23
Chorale 2 parties
14
Chorale TTBB
6
Chorale SSAA
4
Voix duo, Piano
1
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VENTS
2 Saxophones (duo)
254
Saxophone, Clarinette (duo)
185
Clarinette, Violon (duo)
145
2 Clarinettes (duo)
141
Clarinette, Trompette (duo)
126
2 Flûtes traversières (duo)
102
Flûte, Clarinette (duo)
91
Hautbois, Clarinette (duo)
78
Hautbois, Basson (duo)
75
Clarinette et Alto
74
Flûte, Violon
70
Flûte, Saxophone (duo)
68
Flûte, Alto (duo)
62
Hautbois, Flûte
55
Flûte, Trompette (duo)
55
2 Flûte à bec (duo)
47
Saxophone (partie séparée)
45
Flûte traversière et Piano
34
Quatuor de Saxophones: 4 saxophones
34
2 Hautbois (duo)
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Clarinette
27
Hautbois, Piano (duo)
26
Hautbois (partie séparée)
25
Flûte, Hautbois, Clarinette, Basson
24
Flûte, Hautbois (duo)
24
Saxophone Alto
21
Clarinette et Piano
19
3 Saxophones (trio)
19
Flûte traversière
17
Hautbois, violon (duo)
16
Saxophone Alto et Piano
16
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Tenor et Piano
13
Saxophone Tenor
12
Clarinette, Trombone (duo)
11
Flute (partie séparée)
10
Quintette de Saxophone: 5 saxophones
9
Clarinette, Basson (duo)
9
Saxophone Soprano et Piano
8
Quintette de Clarinettes: 5 clarinettes
7
Saxophone Baryton, Piano
7
Quatuor de Flûtes : 4 flûtes
6
3 Clarinettes (trio)
6
Clarinette, Violoncelle (duo)
6
Cor anglais, Piano
6
Clarinette (partie séparée)
6
Clarinette Basse, Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Trio de Flûtes: 3 flûtes
4
Flûte, Violoncelle
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte et Guitare
4
Ensemble de Clarinettes
4
Hautbois
3
Quintette de Flûte : 5 flûtes
3
Flûte à bec Soprano
3
Flûte, Violon, Piano
3
2 Flûtes traversières, Piano
3
Hautbois, Violoncelle
3
Flûte, Basson et Piano
2
Flûte, Violon et Violoncelle
2
Clarinette, Harpe (duo)
2
Flute, harpe et violon
2
Hautbois, Violon, Piano
2
Instruments en Mib
2
3 Flûtes à bec (trio)
2
Hautbois et alto (duo)
2
Piccolo, Piano
2
Flûte, Harpe et Violoncelle
2
Flûte, Hautbois, Basson
2
Ensemble de Flûtes
2
Flûte irlandaise
1
Flûte, Alto et Piano
1
Clarinette Basse
1
Hautbois, Harpe
1
Flûte, Trombone (duo)
1
Hautbois, trombone (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Soprano, Piano
1
Quatuor de Flûtes à bec
1
Clarinette, Tuba
1
Clarinette, Contrebasse (duo)
1
Piccolo
1
Flûte à bec Alto, Piano
1
Flûte traversière, Orgue (duo)
1
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CUIVRES
Trompette, Saxophone (duo)
135
Trompette, Trombone (duo)
73
2 Trombones (duo)
41
2 Trompettes (duo)
40
Trombone (partie séparée)
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trompette (partie séparée)
23
Trompette
21
Trombone et Piano
18
Trombone
15
Trompette, Piano
14
Cor et Piano
14
Cor
11
2 Euphoniums (duo)
11
Euphonium, Piano (duo)
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor (partie séparée)
9
Tuba (partie séparée)
8
2 Tubas (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
2 Cors (duo)
7
Tuba et Piano
7
Cor anglais, Piano
6
Tuba
4
Instruments en Sib
4
Quatuor de cuivres: 4 trombones
4
Trombone, Cor (duo)
3
Ensemble de Trompettes
3
Euphonium, Tuba (duo)
3
Quatuor de cuivres: 4 trompettes
2
Cor, Tuba (duo)
2
Bass Clef Instruments
2
Quatuor de Cuivres
2
Trompette, Cor (duo)
2
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Trompette, Tuba (duo)
1
Trompette, Harpe
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Cors
1
Instruments en Fa
1
Trombone, Orgue
1
Cor et Harpe
1
2 Euphoniums et 2 Tubas
1
Trio de Cuivres
1
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CORDES
Violon, Violoncelle (duo)
149
Violon et Piano
113
Violon, Alto (duo)
92
Quatuor à cordes: 2 violons, alto, violoncelle
64
2 Violons (duo)
44
2 Violoncelles (duo)
41
Trio à Cordes: 2 violons, violoncelle
41
Violon
39
2 Altos (duo)
36
Alto, Piano
24
Violoncelle
23
Trio à Cordes: violon, alto, violoncelle
20
Alto, Violoncelle (duo)
15
Violoncelle, Piano
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Alto seul
13
Contrebasse (partie séparée)
11
Harpe
10
2 Harpes (duo)
10
Alto (partie séparée)
7
2 Contrebasses (duo)
6
Contre Basse
4
Piano Trio: Violon, Alto, Piano
4
Violon, Basson (duo)
4
Contrebasse, Piano (duo)
3
Violon (partie séparée)
2
Harpe, Violon (duo)
2
4 Violoncelles
2
Harpe, Violon, Violoncelle
2
Violon, Guitare (duo)
2
Ensemble de Violons
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes : 4 altos
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
1
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
4 Harpes
1
Flûte, Contrebasse (duo)
1
Alto et Basson
1
Harpe, Violoncelle (duo)
1
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
203
Orchestre
119
Ensemble Jazz
85
Orchestre à Cordes
76
Ensemble de cuivres
26
Ensemble de Percussions
24
Cloches
18
Jazz combo
16
Orchestre de chambre
13
Batterie (partie séparée)
9
Fanfare
6
Ensemble d'École
5
2 Xylophones
5
Percussion (partie séparée)
4
Batterie
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba
1
Piano et Orchestre
1
Percussion
1
Vibraphone et Marimba
1
Instrumentation Flexible
1
Marimba, Piano (duo)
1
Xylophone
1
3 Marimbas
1
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AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
RHYTHM For All Instruments
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
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1
Minuet by Boccherini for Brass Quartet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet - Level 3 - Digital Download SKU: A0.1264323 Composed by Luigi Bocche…
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Brass Quartet - Level 3 - Digital Download SKU: A0.1264323 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Traditional,Wedding. 6 pages. Woods Only, Arrangements #857186. Published by Woods Only, Arrangements (A0.1264323). Adaptation for brass quartet of Luigi Boccherini’s String Quintet in E major, Op. 11, No. 5, G 275. Ideal for beginner students in classical music with the help of a teacher. The original essence of the work was maintained, with adaptations in tonality and tessitura of the instruments. Can be used in professional and academic recitals, didactic material and repertoire for ensemble practice. Boccherini was born in Lucca, Italy, and became a cello virtuoso. He moved to Spain, where he worked with the Spanish royal family. The third movement of the quintet, minuet and trio, is famous and often played as an independent piece. The work is beautiful and has good partial writing for all instruments, with melodies and rhythms typical of Boccherini. Suitable for concerts and home performances.
$7.99
7.16 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Brass Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.09 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de…
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Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
44.75 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Guillaume de Machaut, 1300-1377
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James M
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2 Trombones 1
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Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Love Divine, All Loves Excelling (Brass Quartet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.884371 Ar…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.884371 Arranged by Jeremy Koay. Christian,Sacred,Wedding,World. Score and parts. 14 pages. Jeremy Koay #6093795. Published by Jeremy Koay (A0.884371). Love Divine, All Loves Excelling (Blaewern) is a Wesleyan hymn celebrating divine love. This brass quartet arrangement presents a fresh perspective of this familiar hymn. The arrangement is characterised by colourful harmonic and interesting rhythmic features. This arrangement is an excellent choice for weddings and church services. It can be played before the service begins and during the offertory.Instruments:1st Trumpet in B flat2nd Trumpet in B flatTromboneTubaFull score and parts.
$6.99
6.26 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Jeremy Koay
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Love Divine, All Loves Excelling
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Jeremy Koay
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SheetMusicPlus
When We All Get To Heaven
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass quartet - Grade 3 - Digital Download SKU: DX.145427 Composed by Eliza E. Hewi…
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Brass quartet - Grade 3 - Digital Download SKU: DX.145427 Composed by Eliza E. Hewitt. Arranged by Dana F. Everson. Sacred instrumental music. Key of Bb, Eb, Ab. Traditional. Score and parts. 12 pages. David E. Smith - Digital Sheet Music #145427. Published by David E. Smith - Digital Sheet Music (DX.145427). Scored for two trumpets and two trombones with opt. Horn for Trom. 1 and Bar. TC for Trom. 2. The opening begins excitedly while giving a sense of moving upward. The first presentation of the theme is very much in a march style and then breaks into more activity with rhythmic alterations. The second section moves to a new key and is essentially a trombone duet and then adds upper voices to place the piece on an elevated plain. Another modulation moves the musical thought even higher while passing the melodic motifs around to the different voices. The Coda gives a sense of elevation and arrival.
$7.00
6.27 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Eliza E
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Dana F
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When We All Get To Heaven
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
German Spring Song Collection - 5 Concert Pieces - Brass Quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.568661
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.568661 Composed by Traditional. Arranged by Thomas Graf. Folk,World. Score and parts. 158 pages. Thomas Graf - the-hit-factory.com #3038929. Published by Thomas Graf - the-hit-factory.com (A0.568661). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der BauerPart II Alle Vöglein sind schon daPart III Der Mai ist gekommenPart IV Komm lieber MaiPart V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Instrumentation: Tpt 1/2 in Bb/C, Horn in F/EB/Bb, Trombone C/Bb, Tuba/Bass in Bb Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N.... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/m-6te62TheE
$22.99
20.6 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Traditional
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Thomas Graf
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German Spring Song Collection - 5 Concert Pieces - Brass Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Škoda lásky (Rosamunde, Beer Barrel Polka)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1033890
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1033890 Composed by Jaromir Vejvoda. Arranged by F. Leslie Smith. Holiday,Pop,Wedding. Score and parts. 41 pages. Sweetwater Brass Press #639202. Published by Sweetwater Brass Press (A0.1033890). Jaromir Vejvoda, born in 1902 in the Czech city of Zbraslav, was a fiddler and flugelhorn player. As a young man, he began writing music while working as a bartender. In 1927 he composed a particularly rollicking, toe-tapping tune. He persuaded the Czech-American composer Eduard Ingriš to write an arrangement for the piece, and the result was titled "ModÅ™anská polka" (ModÅ™any being the Prague suburb in which it was first performed). In 1934 Václav Zeman added lyrics, and the title changed to "Škoda lásky," Czech for “Wasted Love.” It also became known as “Rosamunde.” The public loved it. It was so successful that Vejvoda was able to quit tending bar and turn full time to music. The polka soon spread to other countries. Lew Brown and Wladimir Timm added English lyrics, and when the Andrews Sisters recorded it in 1939 as “Beer Barrel Polka,” it became one of their biggest hits. During World War II it was the favorite song of the Western Allies and has since been played and recorded by literally dozens of artists. Suggested tempo for this brass quintet “Škoda lásky” is 120 BPM. It opens in C major, changes to F major, then back to C. All five instruments get a chance to shine. There are no really tricky rhythmic patterns, and the notes are, for the most part, within the normal playing range of each instrument. Some possible exceptions: Trombone’s highest notes are F above the staff; it’s lowest, G at the bottom; Tuba’s highest notes are F in the staff; Trumpet 2’s highest are its G at the top of its staff. Completed in 2022, performance time runs about 3 minutes. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.12 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Jaromir Vejvoda
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F
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Škoda lásky
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Sweetwater Brass Press
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SheetMusicPlus
Wildcat Blues
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.569250
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.569250 By Various Artists. By Clarence Williams, Thomas Fats Waller, and Thomas Fats Waller. Arranged by Thomas Graf. Jazz,Pop. Score and parts. 36 pages. Thomas Graf - the-hit-factory.com #4268269. Published by Thomas Graf - the-hit-factory.com (A0.569250). Fats Waller's most famous composition, big fun to play and surely a crowd-pleaser while featuring a great solo part. Instrumentation: Tpt 1/2 in Bb/C, Horn in F/Eb/Bb, Trombone in C/Bb, Tuba/Bass in Bb Optional rhythm parts (p/guit/b/drums) are included!Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N.... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/ZDpGeY2OIlY
$18.00
16.13 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Various Artists
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Thomas Graf
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Wildcat Blues
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 25. Ohimè, dov'è il mio ben
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767364
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767364 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 42 pages. Lyons Music Services #3545477. Published by Lyons Music Services (A0.767364). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Here is a group of four very short songs for soprano duet with continuo. I have arranged them as a duet for trumpet/cornet with a four part accompaniment.The four songs are related under the commone title Ohimè, dov'è il mio ben but each also has a title of its own:1. Romanesca a 2 (This is the subtitle. A romanesca was a musical formula characterised by a falling sequence of 5 notes and with a fixed harmonic progression.) The text translates as Alas, where is my beloved?2. Dunque ha potuto sol desio d'onore - Can it be that love of honour...3. Dunque ha potuto in me, più che il mio amore - Can it be that ambition and vainglory...4. Ahi, sciocco mondo - Alas, foolish blind worldEach song is a setting of a pair of couplets which together form the whole poem, which is why I have collected them together here. Besides, on their own, each is too short.Here also is evidence of Monteverdi's progress in telling a story through music.These four songs work beautifully on brass, with gorgeous suspensions and resolutions and well directed rhythmic drive from the accompaniment.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$8.99
8.05 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
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