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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rain Again
Non classifié
56
Piano & claviers
Piano seul
76
Piano, Voix et Guitare
43
Piano, Voix
25
Orgue
7
Piano Facile
4
Instruments en Do
3
1 Piano, 4 mains
2
Piano grosses notes
1
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7
Paroles et Accords
2
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare (partie séparée)
1
Guitare
1
Dulcimer
1
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
33
Chorale 3 parties
10
Chorale 2 parties
5
Chorale TTBB
2
Voix haute
2
Voix duo
1
Voix moyenne, Piano
1
Chorale Unison
1
Chorale SSAA
1
Voix basse, Piano
1
+ 5 instrumentations
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Vents
Saxophone
12
Saxophone Alto et Piano
7
Clarinette
7
Flûte traversière et Piano
7
Flûte traversière
5
Clarinette et Piano
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Saxophone Tenor et Piano
4
Saxophone (partie séparée)
4
2 Flûtes traversières (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Baryton, Piano
2
Hautbois, Piano (duo)
2
Flûte et Guitare
1
Saxophone Tenor
1
Clarinette Basse, Piano
1
Cor anglais, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Alto
1
+ 14 instrumentations
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Cuivres
Trombone (partie séparée)
5
Trombone
5
Trompette
4
Trombone et Piano
4
Trompette, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette (partie séparée)
3
Euphonium, Piano (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor et Piano
2
Cor anglais, Piano
1
Tuba et Piano
1
Tuba (partie séparée)
1
+ 8 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon et Piano
4
Alto, Piano
3
Violon
3
Violoncelle
2
Violoncelle, Piano
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Harpe
1
Contrebasse, Piano (duo)
1
Contrebasse (partie séparée)
1
+ 7 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
30
Orchestre
6
Ensemble Jazz
5
Ensemble de cuivres
3
Orchestre à Cordes
2
Batterie
2
Orchestre de chambre
2
Jazz combo
1
Xylophone, Piano
1
Batterie (partie séparée)
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Rain Again
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
2 partitions trouvées
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A Billings Triptych - for 8-Part Brass Choir
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Pa
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
Arirang Two Times (아리랑)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional
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Christian Morris
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Arirang Two Times
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Hoopla Sheet Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1123335 Composed by Traditional. Arranged by Christian Morris. Folk. Score and parts. 12 p...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1123335 Composed by Traditional. Arranged by Christian Morris. Folk. Score and parts. 12 pages. Hoopla Sheet Music #724150. Published by Hoopla Sheet Music (A0.1123335). Arirang (아리랑) is a popular folk song in both North and South Korea. It is estimated to be more athan 600 years old. This beautiful arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$8.99
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Rain Again
