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134
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7
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5
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4
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1
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1
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Guitare
31
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12
Ligne De Mélodie, (Paroles) et Accords
4
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2
Dulcimer
1
2 Guitares (duo)
1
+ 1 instrumentations
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12
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9
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8
Chorale SSAA
6
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6
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5
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2
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1
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1
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9
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7
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6
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6
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5
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3
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3
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3
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2
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2
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2
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2
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1
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1
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1
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1
Quatuor de Flûtes : 4 flûtes
1
2 Clarinettes (duo)
1
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1
Ensemble de Flûtes
1
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1
Saxophone et Guitare
1
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16
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6
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6
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4
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4
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2
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Euphonium, Piano (duo)
1
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1
Ensemble de Cors
1
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1
Trompette, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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23
Harpe
16
Violoncelle, Piano
10
Alto seul
8
Violon et Piano
8
Violoncelle
7
Alto, Piano
7
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon, Guitare (duo)
3
Violon, Violoncelle (duo)
2
Violon, Alto (duo)
2
Alto (partie séparée)
2
2 Violons (duo)
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
2 Violoncelles (duo)
1
Contrebasse, Piano (duo)
1
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40
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8
Ensemble de cuivres
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5
Ensemble d'École
4
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3
Batterie
3
Cloches
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2
Orchestre de chambre
2
Jazz combo
2
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1
Ensemble Jazz
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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CLARINETTE
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CORNET
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Vous avez sélectionné:
Raining Men
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
4 partitions trouvées
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A Billings Triptych - for 8-Part Brass Choir
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Pa
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
Gonna Fly Now
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Ayn Robbins, Bill Conti, and C
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Diego Marani
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Gonna Fly Now
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528021 Composed by Ayn Robbins, Bill Conti, and Carol Connors. Arranged by Diego Marani. C...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528021 Composed by Ayn Robbins, Bill Conti, and Carol Connors. Arranged by Diego Marani. Contemporary,Film/TV,Instructional,Rock,Standards. Score and parts. 18 pages. Diego Marani #4362841. Published by Diego Marani (A0.528021). Gonna Fly Now, also known as Theme from Rocky, is the theme song from the movie Rocky, composed by Bill Conti with lyrics by Carol Connors and Ayn Robbins. Released in February 1977 with the film Rocky, the song became part of American popular culture after main character Rocky Balboa as part of his daily training regimen runs up the 72 stone steps leading to the entrance of the Philadelphia Museum of Art in Philadelphia and raises his arms in a victory pose, while the song plays. The song is often played at sporting events.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba. It is suitable for classroom, repertoire and recital.
$19.99
Salvator Mundi (1) by Thomas Tallis for Brass Quintet (2tmp, hn, tbn, and tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Thomas Tallis
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Michael O
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9 pages
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Salvator Mundi
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Michael O. Shaw
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.877059 Composed by Thomas Tallis (c.1505 - 1585). Arranged by Michael O. Shaw. Instruction...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.877059 Composed by Thomas Tallis (c.1505 - 1585). Arranged by Michael O. Shaw. Instructional,Renaissance. Score and parts. 3 pages. Michael O. Shaw #5031187. Published by Michael O. Shaw (A0.877059). Salvator Mundi (1) by Thomas Tallis for Brass Quintet (2tmps, hn, tbn, and tuba)Ahauntingly beautiful Renaissance work written about c1575. Adapts well for brass quintet. A great piece for ear training and genre familiarity for intermediate to advanced brass ensembles. Scored for 1st trumpet, 2nd trumpet, horn, trombone, and tuba. Duration is 2:30. Score plus parts; 9 pages.Comments: https://facebook.com/michael.shaw.3150 $14.00.
$14.00
A Whiter Shade Of Pale
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Rock
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Procol Harum
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Tommy Johansson, Hjo
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A Whiter Shade Of Pale
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Tommy Johansson, Hjo
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.949928 By Procol Harum. By Gary Brooker, Keith Reid, and Matthew Fisher. Arranged by Tommy Joha...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.949928 By Procol Harum. By Gary Brooker, Keith Reid, and Matthew Fisher. Arranged by Tommy Johansson, Hjo. Rock. Score and parts. 14 pages. Tommy Johansson, Hjo #6114033. Published by Tommy Johansson, Hjo (A0.949928). A Whiter Shade of Pale is the debut single by the British rock band Procol Harum, released 12 May 1967. With its Bach-derived instrumental melody (Air on the G-string) Arranged for Brass Quartet by Tommy Johansson, Hjo (Sweden) Instrumentation: 2 trumpets, trombone and tuba Duration: 3,20, Key: Eb, G Transposed score: 6 pages + parts: 8 pages About the arranger: Tommy Johansson, Hjo (Sweden) Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor. Many more arrangements by this arranger are to be found at sheetmusicplus.com
$15.99
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