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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rev It Up
Sheetmusicplus
Non classifié
138
Piano & claviers
Piano seul
123
Piano Facile
22
Piano, Voix et Guitare
16
Piano, Voix
13
Orgue
11
Instruments en Do
5
1 Piano, 4 mains
4
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
28
Guitare notes et tablatures
17
Ukulele
4
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
2
2 Guitares (duo)
1
Basse electrique
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
30
Chorale 3 parties
14
Chorale 2 parties
13
Chorale TTBB
6
Chorale SSAA
5
Voix duo, Piano
3
Chorale Unison
2
Voix seule
1
Chorale SSATTB
1
Voix duo
1
Voix Tenor, Piano
1
Chorale SSAATTBB
1
+ 7 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
18
Saxophone Soprano et Piano
11
Quatuor de Saxophones: 4 saxophones
9
Flûte traversière et Piano
9
Clarinette et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Flûte traversière
6
Flûte à bec Soprano
6
Saxophone Alto
5
Cor anglais, Piano
4
Saxophone Tenor et Piano
4
Saxophone Alto et Piano
4
Ensemble de Flûtes
3
2 Clarinettes (duo)
3
Saxophone Baryton, Piano
3
Flûte et Guitare
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette
3
Quintette de Saxophone: 5 saxophones
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Tenor
2
Clarinette Basse, Piano
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois (partie séparée)
1
Ensemble de saxophones
1
3 Clarinettes (trio)
1
Clarinette, Guitare (duo)
1
2 Flûtes traversières (duo)
1
2 Clarinettes, Piano
1
Flûte à bec Alto, Piano
1
Saxophone et Orgue
1
Flûte, Violon, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette et Basson
1
Cor anglais, Guitare (duo)
1
Saxophone (partie séparée)
1
Ensemble de Clarinettes
1
Clarinette, Basson (duo)
1
2 Saxophones (duo)
1
+ 37 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor et Piano
7
Trompette, Piano
7
Trombone et Piano
6
Trompette
5
Cor anglais, Piano
4
Tuba
4
Trombone
2
Ensemble de Cors
2
Tuba et Piano
2
Euphonium, Piano (duo)
2
4 Tubas
1
Quatuor de Cuivres
1
Cor
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon et Piano
13
Violoncelle, Piano
9
Violoncelle
6
2 Harpes (duo)
6
Alto, Piano
5
Violon
5
Harpe
5
Violon, Violoncelle (duo)
4
Alto seul
3
Trio à Cordes: violon, alto, violoncelle
3
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
2
Contrebasse, Piano (duo)
2
Alto, Guitare (duo)
1
4 Contrebasses
1
Autoharp
1
2 Violoncelles (duo)
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre
25
Orchestre d'harmonie
24
Ensemble Jazz
10
Ensemble de cuivres
8
Orchestre à Cordes
8
Orchestre de chambre
6
Cloches
4
Jazz combo
4
Ensemble de Percussions
2
Batterie
1
Xylophone, Piano
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
Rev It Up
SheetMusicPlus
Partitions à imprimer
9 partitions trouvées
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1
Lift Me Up
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Yes
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Jeff Tincher
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Lift Me Up
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Jeff Tincher
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SheetMusicPlus
Brass Quartet Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1453684 By Yes. By Chris Squire and Trevor Rabin. Arranged by Jeff Tincher. Contemporary,Pop,Roc...
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Brass Quartet Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1453684 By Yes. By Chris Squire and Trevor Rabin. Arranged by Jeff Tincher. Contemporary,Pop,Rock. 27 pages. Jeff Tincher #1032899. Published by Jeff Tincher (A0.1453684). This is one of my favorite rockers from a true supergroup. In the original key from the Yes album Union, it is a combination of two sets of Yes groups, the 70s Yes with Jon Anderson, Steve Howe, Bill Bruford (a member of the original Yes lineup), Chris Squire amd Rick Wakeman combined with the 80s Yes with Trevor Rabin, Tony Kaye (a member of the original Yes lineup), and Alan White. This one will take you on a ride and it rocks. Duration = 6:01. Visit my websites: https://jtp.spread.name/, efftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
Leave It
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Yes
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Tim Olt
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Leave It
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Olt Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.759100 By Yes. By Chris Squire, Trevor Horn, and Trevor Rabin. Arranged by Tim Olt. Rock. ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.759100 By Yes. By Chris Squire, Trevor Horn, and Trevor Rabin. Arranged by Tim Olt. Rock. Score and parts. 20 pages. Olt Music #4285353. Published by Olt Music (A0.759100). One of the greatest progressive rock bands of all time, Yes continues to put out albums and tour. After popularity in the 70s the group jumped up on the charts with two works in the 80s. Released both with and without instrumental lines, Leave It was a fan favorite. 1st trumpet plays piccolo.
$15.00
Stand Up
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Folklorique/Traditionel
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Various
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Stand Up
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quartet - Grade 3 - SKU: DX.145428 Composed by Various. Traditional. Sheet Music. Sacred instrumental music. Score and Parts. 20 pages. David E. S...
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Brass Quartet - Grade 3 - SKU: DX.145428 Composed by Various. Traditional. Sheet Music. Sacred instrumental music. Score and Parts. 20 pages. David E. Smith - Digital Sheet Music #145428. Published by David E. Smith - Digital Sheet Music (DX.145428). A brass quintet with opt. horn and BHTC parts. After a rousing introduction the piece goes into a straight forward rendition of Stand Up For Jesus with the melody in trumpet one with various rhythmic devices in the other parts. After a brief transition a modulation occurs presenting Stand Up, Stand Up For Jesus again the melodic material is passed around amongst the parts. After another transition and modulation the piece reverts back to the first tune where it becomes more rhythmically active up to a fiery conclusion.
$8.00
A Billings Triptych - for 8-Part Brass Choir
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Pa
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
The 12 Days of Christmas - brass ensemble
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Noël
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Traditional
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Austin Ralphson
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The 12 Days of Christmas - bra
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Austin Ralphson
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.562950 Composed by Traditional. Arranged by Austin Ralphson. Christmas. Score and parts. 4...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.562950 Composed by Traditional. Arranged by Austin Ralphson. Christmas. Score and parts. 42 pages. Austin Ralphson #432273. Published by Austin Ralphson (A0.562950). This is a unique arrangement of The 12 Days of Christmas. Each instrument features in the piece - it can be very amusing for anyone playing a solo to stand up whilst they do so - you end up with various players bobbing up and down throughout the performance! It is scored for 4 trumpets, horn, 2 trombones, tuba and keyboard/piano.** Also check out the mega Christmas bundle with great savings on price at https://preview.tinyurl.com/ya3zul8p **
$6.99
For No One
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Jeff Tincher
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For No One
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - SKU: A0.584209 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - SKU: A0.584209 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score and parts. 14 pages. Jeff Tincher #5320169. Published by Jeff Tincher (A0.584209). Here is another classical piece from The Beatles reminiscent of Yesterday. In the original key from ther Revolver project, this song introduced the F (French) Horn to a new generation. The story is about a marriage breaking up from the husband's point of view. I catagorized it as advanced intermediate because of the key it was written in. Duration = 2:03. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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English Folk Song by way of Am
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Lesl...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Sing
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Pentatonix
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James Haynor
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Sing
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James Haynor
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782461 By Pentatonix. By Kevin Olusola, Martin Johnson, Mitchell Grassi, Sam Hollander, an...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782461 By Pentatonix. By Kevin Olusola, Martin Johnson, Mitchell Grassi, Sam Hollander, and Scott Hoying. Arranged by James Haynor. A Cappella. Score and parts. 17 pages. James Haynor #6663173. Published by James Haynor (A0.782461). Pentatonix is the fourth studio album by American a cappella group Pentatonix, which was released on October 16, 2015. The release date was announced on Twitter by a series of pictures featuring the five band members released over a five-day-span, with one band member added to the picture each day, culminating in the date being revealed on August 28. It is the group's seventh release overall in their discography. This is the first release of the band to feature predominantly original material. Pentatonix also marks the first time band members receive individual songwriting credits for the majority of the tracks. Sing is a very up tempo cut from this album and makes for a very high energy arrangement - fun for performers and audiences alike. ( Duration - 3:00 )
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