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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing It Again!
Non classifié
208
Piano & claviers
Piano seul
131
Piano, Voix
50
Piano, Voix et Guitare
43
Instruments en Do
19
Piano Facile
17
Orgue
9
1 Piano, 4 mains
6
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accompagnement Piano
1
+ 7 instrumentations
Retracter
Guitares
Guitare
7
Guitare notes et tablatures
6
Ligne De Mélodie, (Paroles) et Accords
3
Basse electrique
3
Ukulele
3
Guitare, Orchestre
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
102
Chorale 3 parties
21
Chorale 2 parties
18
Chorale TTBB
16
Chorale SSAA
6
Chorale Unison
5
Voix seule
2
Voix duo, Piano
1
Voix haute
1
Voix Soprano, Piano
1
Chorale SSAATTBB
1
Voix Tenor
1
Voix Tenor, Piano
1
Voix duo
1
+ 9 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
21
Flûte traversière et Piano
14
Flûte, Hautbois, Clarinette, Basson
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Clarinette et Piano
7
Clarinette
7
Quatuor de Clarinettes: 4 clarinettes
7
Flûte traversière
7
Saxophone Alto
6
Saxophone Alto et Piano
6
Saxophone Tenor
6
Hautbois, Piano (duo)
6
Saxophone Tenor et Piano
5
2 Clarinettes (duo)
4
Ensemble de Flûtes
4
Hautbois
3
Ensemble de Clarinettes
3
Saxophone Soprano
3
Saxophone Soprano et Piano
3
Saxophone (partie séparée)
3
Clarinette Basse, Piano
3
Cor anglais, Piano
3
3 Saxophones (trio)
2
2 Flûtes traversières (duo)
2
Saxophone
2
Quatuor de Flûtes : 4 flûtes
2
2 Saxophones (duo)
2
Ensemble de saxophones
2
Quintette de Clarinettes: 5 clarinettes
2
Quintette de Saxophone: 5 saxophones
2
Saxophone Baryton, Piano
2
Flûte, Violon
1
Clarinette, Harpe (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Trompette (duo)
1
3 Hautbois
1
Hautbois, Harpe
1
3 Clarinettes (trio)
1
Flûte à bec Alto
1
Flûte à Bec
1
Hautbois (partie séparée)
1
Cor Anglais
1
Hautbois, Basson (duo)
1
+ 38 instrumentations
Retracter
Cuivres
Trombone et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor
7
Trompette
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trombone
6
Tuba
5
Euphonium, Piano (duo)
5
Cor et Piano
5
Ensemble de Trombones
4
Tuba et Piano
4
Trompette, Piano
4
Cor anglais, Piano
3
2 Cors (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Cors
1
3 Euphoniums
1
Cor Anglais
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Violon et Piano
12
Violon
12
Harpe
9
Violoncelle
9
Violoncelle, Piano
6
Trio à Cordes: 2 violons, violoncelle
5
Alto seul
4
Contre Basse
4
Alto, Piano
4
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violon, Violoncelle (duo)
2
Harpe, Violon (duo)
1
2 Altos (duo)
1
Trio à cordes: 3 altos
1
2 Violoncelles (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
52
Orchestre
27
Orchestre à Cordes
19
Ensemble de cuivres
15
Orchestre de chambre
9
Ensemble Jazz
9
Cloches
6
Ensemble de Percussions
3
Jazz combo
3
Fanfare
2
Batterie
1
Vibraphone
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Sing It Again!
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
9 partitions trouvées
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Do It Again
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Musique Sacrée
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Steven Curtis Chapman
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Jeff Tincher
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Do It Again
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Jeff Tincher
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SheetMusicPlus
Brass Quartet Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1469098 By Steven Curtis Chapman. By Caleb Chapman, Steven Curtis Chapman, Will Chapman, and Wil...
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Brass Quartet Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1469098 By Steven Curtis Chapman. By Caleb Chapman, Steven Curtis Chapman, Will Chapman, and William Franklin Chapman. Arranged by Jeff Tincher. Christian,Contemporary,Pop,Praise & Worship,Sacred. 20 pages. Jeff Tincher #1047118. Published by Jeff Tincher (A0.1469098). Here is the latest (7/1/24) single from one of the pioneers of Contemporary Christian Music. What I like about Steven Curtis Chapman is that he seems to always be on the cutting edge of the CCM music scene. Duration = 2:51, Visit my website: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Christmas Time (is Here Again)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Rock
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The Beatles
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Jeff Tincher
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Christmas Time
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.585154 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Ar...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.585154 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Jeff Tincher. Rock. Score and parts. 15 pages. Jeff Tincher #6196189. Published by Jeff Tincher (A0.585154). Here is one of the songs that originally was only released on The Beatles' fan club EPs. It was later released on the B-side of their Free As A Bird EP single. In the original key, this song shows their sense of humor. This arrangement includes their Auld Lang Syne ending. Duration = 3:05. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
A Billings Triptych - for 8-Part Brass Choir
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Pa
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
Brass Choir - Monteverdi - The Seventh Book of Madrigals (1619) - 29. Amor che deggio far
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Brass Choir - Monteverdi - The
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767367 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767367 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 58 pages. Lyons Music Services #3548869. Published by Lyons Music Services (A0.767367). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.In Amor che deggio far, the poet is pleading with his love for constancy. he feels she doesn't love him enough to be his lover forever.This is one of the longer poems set in the seventh book and has a variety of musical forms within it. It begins with an opening statment of the 3 ritornelli that will reappear after each solo, duet, trio or quartet from the soloists. In this way, the composer prepares the listener for what will come and it will therefore be familiar and recognisable in the context of the song.This ia also one of the most demanding songs in the book. It requires a set of four solo singers (Trumpet/Horn/Trombone/Tuba) a pair of obbligato violins (Eb trumpet and Bb trumpet) and a string+ keyboard continuo part (Trumpet/Horn/Euphonium/Tuba) making 10 instruments in all. I had to use an Eb trumpet as the range of the obbligato is quite adventurous for the period and covers some of the clarino range that was to become popular in the High Baroque.At 5 minutes in length, this is a great finisher for either hafl of a concert, especially as Monteverdi has reserved use of all the instruments/voices until the very end, creating a rousing finish.The seventh book continues to be a challenge. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, this song is exquisitely crafted and travels well onto brass.
$9.98
Lady Madonna
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Rock
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The Beatles
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Jeff Tincher
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Lady Madonna
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584053 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584053 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score and parts. 16 pages. Jeff Tincher #5293223. Published by Jeff Tincher (A0.584053). Here is one of the last singles on the Capital label before The Beatles started their own Apple label. In the original key, this lively song also appeared on The Beatles Again (or Hey Jude) and 1 albums. This arrangement includes the sax solo. This is a song that is as much to perform as it is to listen to it. Duration = 2:22. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
Annie's Song
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Rock
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John Denver
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James Haynor
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Annie's Song
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James Haynor
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.782334 By John Denver. By John Denver. Arranged by James Haynor. Rock. Score and parts. 16...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.782334 By John Denver. By John Denver. Arranged by James Haynor. Rock. Score and parts. 16 pages. James Haynor #5349563. Published by James Haynor (A0.782334). Annie's Song (also known as Annie's Song (You Fill Up My Senses) ) is a folk rock and country song recorded and written by singer-songwriter John Denver. The song was released as a single from Denver's album Back Home Again. It was his second number-one song in the United States, occupying that spot for two weeks in July 1974. Scored here for brass quintet, Annie’s Song adds a great change of pace to your concert or recital. ( Trumpets may, of course, be substituted for the written flugelhorn parts. ) ( Duration 2:56 )
$12.99
Stand Up
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Folklorique/Traditionel
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Various
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Stand Up
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quartet - Grade 3 - SKU: DX.145428 Composed by Various. Traditional. Sheet Music. Sacred instrumental music. Score and Parts. 20 pages. David E. S...
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Brass Quartet - Grade 3 - SKU: DX.145428 Composed by Various. Traditional. Sheet Music. Sacred instrumental music. Score and Parts. 20 pages. David E. Smith - Digital Sheet Music #145428. Published by David E. Smith - Digital Sheet Music (DX.145428). A brass quintet with opt. horn and BHTC parts. After a rousing introduction the piece goes into a straight forward rendition of Stand Up For Jesus with the melody in trumpet one with various rhythmic devices in the other parts. After a brief transition a modulation occurs presenting Stand Up, Stand Up For Jesus again the melodic material is passed around amongst the parts. After another transition and modulation the piece reverts back to the first tune where it becomes more rhythmically active up to a fiery conclusion.
$8.00
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Here's a Health unto His Majesty - Jeremiah Savile (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Contemporain
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Jeremiah Savile
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Peet du Toit
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Here's a Health unto His Majes
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802625 Composed by Jeremiah Savile. Arranged by Peet du Toit. Contemporary. Score and part...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802625 Composed by Jeremiah Savile. Arranged by Peet du Toit. Contemporary. Score and parts. 7 pages. Peet du Toit #6048841. Published by Peet du Toit (A0.802625). Here's a Health unto His Majesty is an English patriotic song or glee. It is used as the regimental marchof the Royal Army Medical Corps having been selected by Brigadier Hugh Llewellyn Glyn Hughes in 1948.Note the song is never Here's A Health unto Her Majesty.It dates from the reign of King Charles II, and was composed by Jeremiah Savile, a prominent teacher for the voyce or viol during the English Commonwealth and Restoration in London. The music was first published in John Playford's The Musical Companion of 1667, arranged for three voices; treble, tenor and bass, together with the lyrics for single verse:Here's a health unto His Majesty,With a fa la la la la la la,Confusion to his enemies,With a fa la la la la la la.And he who would not drink his health,We wish him neither wit nor wealth,Nor yet a rope to hang himself.With a fal lal la la la la la la la la,With a fal lal la la la la la.The song became popular again during the near-fatal illness of King George V in 1928, sometimes being sung in theatres before God Save the King.
$13.00
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