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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Song Op. 2, No. 2
Non classifié
114
Piano & claviers
Piano, Voix
467
Piano seul
132
Piano Facile
49
1 Piano, 4 mains
8
Orgue
6
Piano, Voix et Guitare
6
Accompagnement Piano
5
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
1
Instruments en Do
1
+ 5 instrumentations
Retracter
Guitares
Guitare
5
Guitare notes et tablatures
4
Voix
Voix seule
9
Voix haute
5
Chorale SATB
5
Voix duo, Piano
4
Chorale TTBB
3
Chorale 2 parties
2
Chorale 3 parties
1
Voix duo
1
Chorale SSAA
1
Voix moyenne, Piano
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
35
Clarinette et Piano
26
Saxophone Alto et Piano
19
Hautbois, Piano (duo)
17
Saxophone Soprano et Piano
10
Saxophone Tenor et Piano
9
Saxophone Baryton, Piano
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Flûte, Hautbois, Clarinette, Basson
7
Clarinette
7
Cor anglais, Piano
7
Clarinette Basse, Piano
5
2 Clarinettes (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
2 Flûtes traversières (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Quatuor de Saxophones: 4 saxophones
4
Flûte traversière
3
Hautbois, Basson (duo)
2
Quintette de Saxophone: 5 saxophones
2
2 Saxophones (duo)
1
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Flûte et Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon, Piano
1
Hautbois
1
Ensemble de Clarinettes
1
3 Clarinettes (trio)
1
Flûte, Clarinette (duo)
1
Hautbois, Violoncelle
1
+ 26 instrumentations
Retracter
Cuivres
Cor et Piano
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trombone et Piano
10
Euphonium, Piano (duo)
10
Trompette, Piano
7
Cor anglais, Piano
7
Trompette
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
Trombone basse et Piano
1
Quatuor de Cuivres
1
Ensemble de Trombones
1
2 Trompettes (duo)
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
45
Violon et Piano
37
Violoncelle, Piano
28
Alto, Piano
25
4 Violoncelles
7
Violoncelle
5
2 Violoncelles (duo)
5
2 Violons (duo)
4
Violon, Violoncelle (duo)
4
Alto seul
4
Violon
3
Trio à cordes
3
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Violoncelle (duo)
2
Violon, Alto (duo)
2
2 Altos (duo)
2
Quatuor à cordes: 4 violons
1
Alto et Basson
1
Contre Basse
1
Contrebasse, Piano (duo)
1
Violon, Basson (duo)
1
Harpe
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
7
Orchestre d'harmonie
4
Orchestre de chambre
1
Ensemble de cuivres
1
Vibraphone
1
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DOBRO - GUI…
DULCIMER
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FANFARE - B…
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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LUTH, THEOR…
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
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OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
Song Op. 2, No. 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
11 partitions trouvées
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1
Prelude in c#, Op.3, no.2 - S Rachmaninoff (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Sergei Rachmaninoff
#
Peet du Toit
#
Prelude in c#, Op.3, no.2 - S
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Peet du Toit
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802564 Composed by Sergei Rachmaninoff. Arranged by Peet du Toit. Contemporary. Score and ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802564 Composed by Sergei Rachmaninoff. Arranged by Peet du Toit. Contemporary. Score and parts. 17 pages. Peet du Toit #5793495. Published by Peet du Toit (A0.802564). Sergei Rachmaninoff's Prelude in C-sharp minor, Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces entitled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes.Its first performance was by the composer on 26 September 1892, at a festival called the Moscow Electrical Exhibition. After this première, a review of the concert singled out the Prelude, noting that it had aroused enthusiasm. From this point on, its popularity grew.This work was one of the first the 19‑year‑old Rachmaninoff composed as a Free Artist, after he graduated from the Moscow Conservatory on 29 May 1892. He performed this new work for the first time at one of the concerts of the Moscow Electrical Exhibition on 26 September 1892. It was printed the following year as the second of five Morceaux de fantaisie (Op. 3), all dedicated to Anton Arensky, his harmony teacher at the Conservatory. Because at the time Russia was not party to the 1886 Berne Convention, Russian publishers did not pay royalties, so the only financial return he ever received for this piece was a 40 ruble (about two months' wage of a factory worker) publishing fee.The prelude has been arranged for orchestra in several versions. It has been used in many films, and many songs have sampled it. I thought it would sound great on brass instruments if played well. Well, here it is for you to play well. Enjoy!
$15.50
Solveig's Song from "Peer Gynt" for Brass Quartet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
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Diego Marani
#
Solveig's Song from "Peer
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Diego Marani
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528639 Composed by Edvard Grieg. Arranged by Diego Marani. Classical,Concert,Instructional...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528639 Composed by Edvard Grieg. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 10 pages. Diego Marani #6305013. Published by Diego Marani (A0.528639). Peer Gynt, Op. 23, is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. Grieg later created two suites from his Peer Gynt music. Solveig's Song is the last movement of suite No. 2, a marvelous melody full of nostalgic feelings.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.
$9.99
Solveig's Song from "Peer Gynt" for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
Diego Marani
#
Solveig's Song from "Peer
#
Diego Marani
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528640 Composed by Edvard Grieg. Arranged by Diego Marani. Classical,Concert,Instructional...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528640 Composed by Edvard Grieg. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 12 pages. Diego Marani #6305061. Published by Diego Marani (A0.528640). Peer Gynt, Op. 23, is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. Grieg later created two suites from his Peer Gynt music. Solveig's Song is the last movement of suite No. 2, a marvelous melody full of nostalgic feelings.This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.
$12.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Rachmaninov: Vocalise for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Rachmaninov, Sergei
#
Arkstar Brassmusic
#
Rachmaninov: Vocalise for Bras
#
ASANO Takashi
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.892056 Composed by Rachmaninov, Sergei. Arranged by Arkstar Brassmusic. 20th Century,Romantic Period...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.892056 Composed by Rachmaninov, Sergei. Arranged by Arkstar Brassmusic. 20th Century,Romantic Period. Score and parts. 17 pages. ASANO Takashi #4641841. Published by ASANO Takashi (A0.892056). Composed by Sergei Rachmaninov, as the last of his 14 Songs or 14 Romances, Op. 34, written for soprano or tenor with piano accompaniment, the most popular song. It contains no words, but is sung using any one vowel of the singer's choosing.The arrangement is for Brass Quartet.Duration: 6 minutes
$14.00
Andante Cantabile (Tchaikovsky)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Josef STASTNY
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Andante Cantabile
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Josef STASTNY
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.743660 Composed by Peter Ilyich Tchaikovsky. Arranged by Josef STASTNY. Contemporary,Roman...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.743660 Composed by Peter Ilyich Tchaikovsky. Arranged by Josef STASTNY. Contemporary,Romantic Period,Standards,Wedding. Score and parts. 19 pages. Josef STASTNY #4886063. Published by Josef STASTNY (A0.743660). Andante cantabile (the 2nd movement from String Quartet No. 1 in D major Op. 11)The melancholic second movement, which has become famous in its own right, was based on a folk song, likely the Song of the Volga Boatmen, the composer heard at his sister's house at Kamenka whistled by a house painter. When the quartet was performed at a tribute concert for Leo Tolstoy, the author was said to have been brought to tears by this movement: Substitute parts:
$12.99
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Song Op. 2, No. 2
