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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Dragonborn (skyrim Theme)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.851139 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.851139 Composed by Jeremy Soule. Arranged by Sophia Transistor. Contemporary. Score and parts. 11 pages. Sophia Transistor #6618927. Published by Sophia Transistor (A0.851139). Arrangement of epic famous game music Dragonborn - Skyrim Theme arranged for brass quartet (trumpet 1 & 2, trombone and basstrombone) with chords & lyrics in dragon and english.A symphonic suite arranged for brass players.This piece by Jeremy Soule and arranged by Sophia Transistor is part of The Elder Scrolls Game Music Series.Therefore it is like an epic medley of many familiar symphonic Elder Scrolls tunes as we all love them.It has been adapted specifically for brassers. Special spherical effects are notated as well.Total play time is approximately 3 minutes and 38 seconds.Total: 16 pagesSuited for trumpets and t-bones.https://www.sheetmusicplus.com/title/...Score is available in trumpet 1, trumpet 2, trombone 1 and bass trombone notation (2 times treble clef in Bb and two times bass clef).There are 4 parts available. Chord symbols are placed on top of the notation system in the score and each part. Lyrics are written down in dragon language and in english.Major high notes that are the climax of a tension bow sometimes end on a high: ringing B'' = B²But of course everything can be transposed one octave higher or lower.Thanks!YouTube Playalong: https://youtu.be/qcjIPrOHyDIGerman Description:Dragonborn Skyrim Theme für Blechblasquartett.Arrangement mit Akkorden & Text in Drachensprache und EnglischNoten / Partitur / Noten: https://www.sheetmusicplus.com/title/...Arrangement der epischen und berühmten Spielemusik Dragonborn - Skyrim Theme arrangiert für Gesang 4-stimmiges Blechquartett mit Akkorden und Liedtext in Drachensprache und Englisch.Eine symphonische Suite arrangiert für Blechblasinstrumente.Dieses Stück von Jeremy Soule und arrangiert von Sophia Transistor ist Teil der The Elder Scrolls Game Music Reihe.Daher ist es wie ein episches Medley aus vielen bekannten symphonischen Elder Scrolls-Melodien, wie wir sie alle lieben.Es wurde speziell für Bläser angepasst. Spezielle sphärische Effekte wurden ebenfalls notiert.Die Gesamtspielzeit beträgt ungefähr 3 Minuten und 38 Sekunden.Insgesamt 16 Seiten.https://www.sheetmusicplus.com/title/...Die Partitur ist in Trompete 1 & 2, Posaune 1 und Bassposaune 2 (zweimal Violinschlüssel in Bb und zweimal Bassschlüssel).Es sind 4 Teile vorhanden. Akkordsymbole wurden in der Partitur und in jeder Stimme über dem Notationssystem platziert. Die Texte sind in Drachensprache und in Englisch niedergeschrieben.Große hohe Töne, die den Höhepunkt eines Spannungsbogens darstellen, enden manchmal auf einem hohen klingenden H'' = H²Aber natürlich kann alles eine Oktave höher oder tiefer transponiert werden.Vielen Dank!#smppressmusic#skyrim#DragonbornArtists: Jeremy Soule © 2011 Zenimax Music Publishing All Rights Administered by PEN Music Group, Inc. All Rights Reserved Used by PermissionArranger: Sophia Johanna TransistorDanke fürs anschauen!Sheet Music / Score / Noten: https://www.sheetmusicplus.com/title/...
$14.99
13.65 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Jeremy Soule
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Sophia Transistor
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Dragonborn
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Sophia Transistor
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.5 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
As With Gladness Men Of Old (Brass Quintet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855267
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855267 Composed by Conrad Kochier (1786-1872). Arranged by Joseph Pugh. Christian,Christmas,Classical,Concert,Standards. Score and parts. 2 pages. Joseph Pugh #6518121. Published by Joseph Pugh (A0.855267). Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Striftsckirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for Treuer Heiland, wir sind hir, found in Kocher's Stimmen aus den Reiche Gottes (1838).-Hymnary.com Bert PolmanChristmas season wouldn't be complete without the Christmas Hymns. Joseph's arrangement of this classic Christmas Hymn will bring the Spirit of Christmas to your audience as well as, comfort and joy.Download it today and start getting ready for your Christmas gigs.
$19.99
18.2 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Conrad Kochier
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Joseph Pugh
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As With Gladness Men Of Old
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Joseph Pugh
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SheetMusicPlus
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