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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ten Songs of America
Non classifié
212
Piano & claviers
Piano, Voix
82
Piano seul
63
Piano Facile
45
Piano, Voix et Guitare
25
Instruments en Do
21
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
2
Orgue
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
15
Guitare
10
Ligne De Mélodie, (Paroles) et Accords
8
Ukulele
6
Mandoline
4
Dulcimer
3
Banjo
2
Dobro
1
Ukulele Baryton
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
41
Chorale 2 parties
25
Chorale 3 parties
24
Chorale TTBB
12
Voix duo
11
Voix duo, Piano
8
Voix Baryton, Piano
7
Voix Soprano, Piano
3
Chorale SSAA
3
Voix Tenor
3
Voix Tenor, Piano
3
Voix haute
3
Chorale Unison
2
Voix Mezzo-Soprano, Piano
2
Voix Alto, Piano
2
Voix basse
2
Voix seule
2
Voix Baryton
1
Chorale
1
Chorale SSATB
1
Voix moyenne, Piano
1
+ 16 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
32
Saxophone Tenor et Piano
18
2 Saxophones (duo)
17
Clarinette et Piano
16
Flûte, Hautbois, Clarinette, Basson
16
Saxophone Tenor
14
Quintette de Saxophone: 5 saxophones
14
Flûte traversière et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Saxophone Alto et Piano
11
Quatuor de Clarinettes: 4 clarinettes
11
2 Flûtes traversières (duo)
9
2 Clarinettes (duo)
9
Saxophone Soprano et Piano
9
Saxophone Alto
8
Saxophone Baryton, Piano
7
Hautbois, Piano (duo)
7
Saxophone, Clarinette (duo)
6
Flûte traversière
6
Ensemble de Clarinettes
6
Flûte, Clarinette (duo)
6
Saxophone (partie séparée)
5
Clarinette, Trompette (duo)
5
Clarinette
5
Ocarina
4
Clarinette, Violon (duo)
4
Ensemble de Flûtes
4
Harmonica
4
Flûte, Violon
3
Quintette de Flûte : 5 flûtes
3
Flûte à bec Soprano
3
3 Clarinettes (trio)
3
Clarinette Basse, Piano
3
Hautbois (partie séparée)
2
Hautbois, Flûte
2
Flûte, Trompette (duo)
2
Clarinette et Alto
2
Hautbois, Clarinette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte à bec Alto
2
Flûte, Saxophone (duo)
2
Cor anglais, Piano
2
2 Hautbois (duo)
2
Hautbois, Basson (duo)
2
Flûte à bec Alto, Piano
1
Ensemble de saxophones
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Flûte, Alto (duo)
1
Flûte irlandaise
1
Quintette de Clarinettes: 5 clarinettes
1
5 Flûtes à bec
1
+ 49 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette, Piano
9
Quatuor de Cuivres
9
Euphonium, Piano (duo)
8
Trompette
8
Cor et Piano
7
Trompette, Saxophone (duo)
4
Tuba et Piano
4
Trombone
3
Ensemble de Trompettes
3
Ensemble de Trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trombones
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
Trompette (partie séparée)
2
Cor anglais, Piano
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
Tuba et Orgue
1
Ensemble de Tubas
1
Tuba
1
2 Euphoniums (duo)
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violoncelle, Piano
13
Violon et Piano
12
Alto, Piano
10
Violoncelle
9
Violon
9
Violon, Violoncelle (duo)
8
Harpe
7
Trio à cordes
6
2 Violoncelles (duo)
6
2 Violons (duo)
5
Violon, Alto (duo)
5
2 Altos (duo)
4
Alto (partie séparée)
4
Violon (partie séparée)
3
2 Harpes (duo)
3
Contrebasse, Piano (duo)
2
Ensemble de Violons
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
Alto seul
2
Contre Basse
1
Piano Trio: Violon, Alto, Piano
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
75
Orchestre à Cordes
20
Ensemble de cuivres
11
Orchestre
11
Jazz combo
9
Orchestre de chambre
6
Ensemble Jazz
4
Percussion (partie séparée)
1
Cloches
1
Cajon
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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Crtitères actifs :
Ten Songs of America
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
13 partitions trouvées
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1
America the Beautiful
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Patriotique
#
Samuel Ward
#
Christian Morris
#
America the Beautiful
#
Hoopla Sheet Music
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1123331 Composed by Samuel Ward. Arranged by Christian Morris. Patriotic. Score and parts....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1123331 Composed by Samuel Ward. Arranged by Christian Morris. Patriotic. Score and parts. 20 pages. Hoopla Sheet Music #724146. Published by Hoopla Sheet Music (A0.1123331). A show-stopping fantasy on the patriotic American song written by Samuel A. Ward. The song is one of the most popular of the many U.S. patriotic songs.
$9.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
The Shadow Of Your Smile
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Johnny Mandel
#
Diego Marani
#
The Shadow Of Your Smile
#
Diego Marani
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527613 Composed by Johnny Mandel. Arranged by Diego Marani. Contemporary,Film/TV,Instructi...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527613 Composed by Johnny Mandel. Arranged by Diego Marani. Contemporary,Film/TV,Instructional,Jazz,Pop. Score and parts. 9 pages. Diego Marani #3019143. Published by Diego Marani (A0.527613). The Shadow of Your Smile, also known as Love Theme from The Sandpiper, is a popular song. The music was written by Johnny Mandel with the lyrics written by Paul Francis Webster. The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song. In 2004 the song finished at #77 in AFI's 100 Years...100 Songs poll of the top tunes in American cinema.Well-known versions of the song were recorded by Barbra Streisand (on her 1965 album My Name Is Barbra, Two...), singer Shirley Bassey (on her 1966 album I've Got a Song for You), Andy Williams, Chris Montez, Percy Faith, Rita Reys, Al Martino, Perry Como, Nancy Sinatra, Astrud Gilberto, Peggy Lee, Sammy Davis, Jr., Sarah Vaughan and Frank Sinatra.This arrangement for brass quartet includes the followings parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba. It is suitable for repertoire, classroom and recital.
$19.99
I Can't Make You Love Me
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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George Michael
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Joseph Pugh
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I Can't Make You Love Me
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855391 By George Michael. By Allen Shamblin and Mike Reid. Arranged by Joseph Pugh. Contem...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855391 By George Michael. By Allen Shamblin and Mike Reid. Arranged by Joseph Pugh. Contemporary. Score and parts. 8 pages. Joseph Pugh #6688459. Published by Joseph Pugh (A0.855391). Copyright © 1991 ALMO MUSIC CORP., UNIVERSAL MUSIC - MGB SONGS and BRIO BLUES MUSIC All Rights Reserved Used by PermissionOne of America's favorite Bonnie Rait tunes. I Can't Make You Love Me  is a song written by Mike Reid and Allen Shamblin and recorded by American singer Bonnie Raitt for her eleventh studio album Luck of the Draw (1991). This arrangement for brass quintet features Trombone and French Horn leads. Download today at a reduced price.
$12.99
Some Folks
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Contemporain
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Stephen Foster
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P
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Some Folks
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802619 Composed by Stephen Foster. Arranged by P.R. and Peet du Toit. Contemporary. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802619 Composed by Stephen Foster. Arranged by P.R. and Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6027489. Published by Peet du Toit (A0.802619). Stephen Collins Foster (July 4, 1826 – January 13, 1864), known as the father of American music, was an American songwriter known primarily for his parlor and minstrel music. He wrote more than 200 songs, including Oh! Susanna, Hard Times Come Again No More, Camptown Races, Old Folks at Home (Swanee River), My Old Kentucky Home, Jeanie with the Light Brown Hair, Old Black Joe, and Beautiful Dreamer, and many of his compositions remain popular today. He has been identified as the most famous songwriter of the nineteenth century and may be the most recognizable American composer in other countries. Most of his handwritten music manuscripts are lost, but editions issued by publishers of his day feature in various collections.
$13.00
Galveston
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Glen Campbell
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Joseph Pugh
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Galveston
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.854886 By Glen Campbell. By Jimmy Webb. Arranged by Joseph Pugh. Contemporary. Score and p...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.854886 By Glen Campbell. By Jimmy Webb. Arranged by Joseph Pugh. Contemporary. Score and parts. 6 pages. Joseph Pugh #5298969. Published by Joseph Pugh (A0.854886). Galveston is a song written by Jimmy Webb and popularized by American country music singer Glen Campbell who recorded it with the instrumental backing of members of The Wrecking Crew. In 2003, this song ranked number 8 in CMT's 100 Greatest Songs in Country Music. Campbell's version of the song also went to number 1 on the country music charts. On other charts, Galveston went to number 4 on the Billboard Hot 100 and number one on the Easy Listening charts. It was certified gold by the RIAA in October 1969.
$15.99
Little Brown Jug
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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DÉBUTANT
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Jazz
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Glenn Miller
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Alessandro Macrì
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Little Brown Jug
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.931257 By Glenn Miller. By J. Winner and R. Eastburn. Arranged by Alessandro Macrì. Jaz...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.931257 By Glenn Miller. By J. Winner and R. Eastburn. Arranged by Alessandro Macrì. Jazz. Score and parts. 15 pages. Music Macri Editions #5796765. Published by Music Macri Editions (A0.931257). Little Brown Jug is a song written in 1869 by Joseph Eastburn Winner, originally published in Philadelphia with the author listed as Winner's middle name Eastburn.It was originally a drinking song. It remained well known as a folk song into the early 20th century. Like many songs which make reference to alcohol, it enjoyed new popularity during the Prohibition era. In 1939, bandleader Glenn Miller recorded and broadcast his swing instrumental arrangement of the tune with great success, and the number became one of the best known orchestrations of the American Big Band era.The same melody was used for the song My Ding-a-Ling written by Dave Bartholomew, which became a Number 1 hit in 1972 for Chuck Berry.
$13.00
From A Distance
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Bette Midler
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James Haynor
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From A Distance
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James Haynor
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782282 By Bette Midler. By Julie Gold. Arranged by James Haynor. Contemporary. Score and p...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782282 By Bette Midler. By Julie Gold. Arranged by James Haynor. Contemporary. Score and parts. 17 pages. James Haynor #4410871. Published by James Haynor (A0.782282). From a Distance is a song written in 1985 by American singer-songwriter Julie Gold. Gold was working as a secretary at the time for Home Box Office and writing songs in her free time. Scored here for brass quintet, it is a nice change of pace to your concert, recital or program. Duration: 4:28
$12.99
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Ten Songs of America