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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Church's One Foundation - Flute
Non classifié
79
Piano & claviers
Piano seul
65
Orgue
19
Piano, Voix et Guitare
5
Piano Facile
4
Piano grosses notes
4
Piano, Voix
3
Orgue, Trompette (duo)
2
Instruments en Do
1
Accompagnement Piano
1
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
+ 6 instrumentations
Retracter
Guitares
Ukulele
3
Ligne De Mélodie, (Paroles) et Accords
2
Guitare
1
Voix
Chorale SATB
19
Pack Instrumental pour Chorale
8
Chorale 3 parties
8
Chorale 2 parties
2
Chorale
2
Chorale Unison
2
Chorale TTBB
2
+ 2 instrumentations
Retracter
Vents
2 Saxophones (duo)
8
Quintette de Saxophone: 5 saxophones
6
Saxophone, Clarinette (duo)
5
Quatuor de Saxophones: 4 saxophones
4
Clarinette, Violon (duo)
4
Saxophone Soprano et Piano
3
Ensemble de Clarinettes
3
Hautbois, Basson (duo)
3
2 Hautbois (duo)
2
Clarinette et Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Cor anglais, Piano
2
Hautbois, Piano (duo)
2
Clarinette et Alto
2
Hautbois (partie séparée)
2
Saxophone Alto
2
Saxophone Baryton, Piano
2
Clarinette
2
Saxophone Tenor et Piano
1
Hautbois
1
Quatuor de Flûtes à bec
1
Saxophone (partie séparée)
1
Saxophone Tenor
1
Hautbois, Clarinette (duo)
1
Saxophone Alto et Piano
1
Clarinette Basse, Piano
1
+ 21 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trompette, Saxophone (duo)
4
Trompette (partie séparée)
3
Trompette
3
Trompette, Piano
3
Ensemble de Trombones
2
Trombone (partie séparée)
2
Ensemble de Trompettes
2
Cor anglais, Piano
2
Cor (partie séparée)
2
Trombone et Piano
2
Cor et Piano
1
Euphonium, Piano (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
2 Trompettes (duo)
1
Trombone
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 cors
1
Trombone, Orgue
1
Quatuor de Cuivres
1
+ 15 instrumentations
Retracter
Cordes
Violon, Alto (duo)
6
Violon et Piano
5
Violon, Violoncelle (duo)
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon
3
Ensemble de Violons
2
2 Violoncelles (duo)
2
Alto, Violoncelle (duo)
2
Alto, Piano
2
Violoncelle
2
2 Altos (duo)
2
Harpe, Voix
1
Alto seul
1
Harpe
1
Quatuor à cordes: 4 violons
1
Violon (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle, Piano
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Cloches
14
Orchestre
6
Orchestre à Cordes
3
Orchestre d'harmonie
1
Percussion
1
Timbales
1
+ 1 instrumentations
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DULCIMER
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
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LIVRES
LUTH
MANDOLINE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
The Church's One Foundation - Flute
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
#
Antonin Dvorak
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Regis Bookshar
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Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
The Church's One Foundation /Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Samuel Sebastian Wesley
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Joseph Pugh
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The Church's One Foundation /B
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.854923 Composed by Samuel Sebastian Wesley. Arranged by Joseph Pugh. Christian,Gospel,Sacr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.854923 Composed by Samuel Sebastian Wesley. Arranged by Joseph Pugh. Christian,Gospel,Sacred,Spiritual. Score and parts. 8 pages. Joseph Pugh #5454313. Published by Joseph Pugh (A0.854923). Iconic Hymn for brass quintet.
$9.99
Built on the Rock the Church Doth Stand - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Ludvig M
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Todd Marchand
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Built on the Rock the Church D
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score and parts. 17 pages. Con Spirito Music #4967607. Published by Con Spirito Music (A0.726093). Built on the Rock is a proclamation, through scripturally anchored words and sturdily architected music, of the nature and eternity of the Church whose foundation is Jesus Christ. Long a favorite of Scandinavian Christians and Lutherans, the hymn was written by Danish theologian, cleric, and poet Nicolai F.S. Grundtvig (1783-1872), whose criticism of the rationalist philosophy then predominant in the Danish Lutheran church, and his argument for Christianity as a revealed, inspired, and sacramental religion, led to the revitalization of that church. The text was translated to English by Carl Doving (1867-1937).The tune accompanying the text, known as KIRKEN DEN DER ET, was the first hymn tune written by Danish organist, composer, and folk music collector Ludvig Mathias Lindeman (1812-1887). It is an austere, arching, and folk-like melody in the Dorian mode. This arrangement begins with individual voices of the brass quintet, like individual members of the Church, joining together in various combinations and as a whole to introduce the tune. Verses 2 and 3 (measure numbers 33 and 65) present the tune in additional combinations. Verse 4 (measure 101) introduces alternate harmonizations and features a soaring descant in Trumpet 1, powerful unison statements by the entire ensemble, and majestic final chords.©2019 Todd Marchand / Con Spirito Music. This video is a demo of the sheet music available from Con Spirito Music. Visit www.conspiritomusic.com
$15.00
16 Favourite Hymns Vol.1 for Brass Quartet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Musique Sacrée
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Various
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David McKeown
#
#
16 Favourite Hymns Vol.1 for B
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David McKeown
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.590394 Composed by Various. Arranged by David McKeown. Praise & Worship,Sacred. Score and ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.590394 Composed by Various. Arranged by David McKeown. Praise & Worship,Sacred. Score and parts. 83 pages. David McKeown #6210115. Published by David McKeown (A0.590394). 16 Favourite Hymns for Brass Quartet (Vol 1.) is a collection of commonly performed traditional hymns. They are arranged primarily for two Trumpets, one Trombone and one Tuba, but the file also contains alternative/additional parts for Horn in F, Tenor Horn in Eb and Bass Trombone. The single file contains the score plus the separate parts.The hymns are arranged in accessible keys and range for the instruments and are suitable for players at an early intermediate stage, after a year or two’s playing.The hymns are in alphabetical order and are as follows· Abide with Me, (Eventide)· All People that on Earth do Dwell, (Old 100th)· All Things Bright and Beautiful, (Bright and Beautiful)· Amazing Grace, (Old Britain)· Be Thou My Vision, (Slane)· Christ the Lord is Risen Today, (Crosby)· The Church’s One Foundation, (Aurelia)· City of God, (Richmond)· Crown Him with Many Crowns, (Diademata)· The Day Thou Gavest, (St Clement)· Dear Lord and Father of Mankind, (Repton)· Eternal Father Strong to Save, (Melita)· The God of Love My Shepherd Is, (University)· O God, Our Help in Ages Past, (St Anne)· Guide Me O Thou Great Jehovah, (Cwm Rhondda)· Praise My Soul the King of Heaven, (Laude Anima)Volume 2 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
How Firm A Foundation (Brass Quintet)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Early American Melody- by Jose
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Joseph Pugh
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How Firm A Foundation
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Joseph Pugh
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.854985 Composed by Early American Melody- by Joseph Funk,lyrics by Robert Keene. Arranged ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.854985 Composed by Early American Melody- by Joseph Funk,lyrics by Robert Keene. Arranged by Joseph Pugh. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 8 pages. Joseph Pugh #5851071. Published by Joseph Pugh (A0.854985). This brass quintet arrangement by Joseph Pugh of How Firm a Foundation is a Christian hymn, published in 1787 by John Rippon in A Selection of Hymns from the Best Authors, Intended to be an Appendix to Dr. Watts's Psalms and Hymns, known as Rippon's Selection. It is attributed only to K, which probably refers to Robert Keen(e), precentor at Rippon's church,[1] though other names suggested include Richard or John Keene, Kirkham,John Keith or Words by G. Keith and Music by J. Reading as cited in the 1884 publication of Asa Hull's Jewels of Praise. [2] It is most often sung to the tune Foundation (or Protection) which first appeared in A Compilation of Genuine Church Music (1832) edited by Joseph Funk, though the original tune may be Keen(e)'s Geard(Wikipedia).
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The Church's One Foundation - Flute
