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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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Harpe
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Trio à Cordes: 3 violoncelles
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2 Harpes (duo)
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4 Violoncelles
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Alto (partie séparée)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Trio à cordes: 3 violins
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Trio à Cordes: 2 violons, alto
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Harpe et Piano
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
30
Ensemble de cuivres
21
Orchestre
21
Orchestre à Cordes
19
Orchestre de chambre
14
Ensemble Jazz
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Jazz combo
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Cloches
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Batterie
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Formation musicale - Solfège
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The More I See
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Monteverdi - The Seventh Book of Madrigals (1619) - 25. Ohimè, dov'è il mio ben
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767364
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767364 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 42 pages. Lyons Music Services #3545477. Published by Lyons Music Services (A0.767364). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Here is a group of four very short songs for soprano duet with continuo. I have arranged them as a duet for trumpet/cornet with a four part accompaniment.The four songs are related under the commone title Ohimè, dov'è il mio ben but each also has a title of its own:1. Romanesca a 2 (This is the subtitle. A romanesca was a musical formula characterised by a falling sequence of 5 notes and with a fixed harmonic progression.) The text translates as Alas, where is my beloved?2. Dunque ha potuto sol desio d'onore - Can it be that love of honour...3. Dunque ha potuto in me, più che il mio amore - Can it be that ambition and vainglory...4. Ahi, sciocco mondo - Alas, foolish blind worldEach song is a setting of a pair of couplets which together form the whole poem, which is why I have collected them together here. Besides, on their own, each is too short.Here also is evidence of Monteverdi's progress in telling a story through music.These four songs work beautifully on brass, with gorgeous suspensions and resolutions and well directed rhythmic drive from the accompaniment.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$8.99
8.19 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.5 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.24 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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English Folk Song by way of American Appalachians
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Nobody Knows the Trouble I’ve Seen (for Brass Quintet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.514875
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.514875 Composed by African American Spiritual. Arranged by Kenneth Abeling. Folk,Spiritual. Score and parts. 10 pages. LINCOLN MUSIC PUBLICATIONS #3859489. Published by LINCOLN MUSIC PUBLICATIONS (A0.514875). “Nobody Knows the Trouble I’ve Seen†arranged for Brass Quintet by Kenneth Abeling. This is a more contemporary arrangement of yet another ageless African American Spiritual. It is an Intermediate level arrangement and is appropriate for all religious services and Black History events. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 2:50  Preview this score on YouTube: https://www.youtube.com/watch?v=3okYQ07Ne88Â
$10.99
10.01 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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African American Spiritual
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Kenneth Abeling
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Nobody Knows the Trouble I’ve Seen
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Brass Choir - Monteverdi - The Seventh Book of Madrigals (1619) - 29. Amor che deggio far
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767367
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767367 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 58 pages. Lyons Music Services #3548869. Published by Lyons Music Services (A0.767367). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.In Amor che deggio far, the poet is pleading with his love for constancy. he feels she doesn't love him enough to be his lover forever.This is one of the longer poems set in the seventh book and has a variety of musical forms within it. It begins with an opening statment of the 3 ritornelli that will reappear after each solo, duet, trio or quartet from the soloists. In this way, the composer prepares the listener for what will come and it will therefore be familiar and recognisable in the context of the song.This ia also one of the most demanding songs in the book. It requires a set of four solo singers (Trumpet/Horn/Trombone/Tuba) a pair of obbligato violins (Eb trumpet and Bb trumpet) and a string+ keyboard continuo part (Trumpet/Horn/Euphonium/Tuba) making 10 instruments in all. I had to use an Eb trumpet as the range of the obbligato is quite adventurous for the period and covers some of the clarino range that was to become popular in the High Baroque.At 5 minutes in length, this is a great finisher for either hafl of a concert, especially as Monteverdi has reserved use of all the instruments/voices until the very end, creating a rousing finish.The seventh book continues to be a challenge. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, this song is exquisitely crafted and travels well onto brass.
$9.98
9.09 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Claudio Monteverdi
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Mike Lyons
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Brass Choir - Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 20. Eccomi pronta ai baci à6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767359
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767359 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3543487. Published by Lyons Music Services (A0.767359). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Eccomi pronta ai baci Here am I ready for kisses! A rather explicit song about kisses and biting! The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
5.45 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 17. Interrotte speranze a6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.767356 Compose…
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.767356 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 23 pages. Lyons Music Services #3543479. Published by Lyons Music Services (A0.767356). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Interrotte speranze is another song about unrequited love for two tenors. Interrupted hopes, eternal faith, Powerful flames and beams in the weak heart His love is unrequited, so he wishes the lady ill! (Spoiled brat!) The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
5.45 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 28. Chiome d'oro
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767365
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767365 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 25 pages. Lyons Music Services #3545853. Published by Lyons Music Services (A0.767365). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Chiome d'oro, bel tesoro tells of golden tresses of hair, strings of pearls and roses that all charm and bind the lover to his love. It's a typical slushy romantic poem of the time and Monteverdi gives it some special treatment indeed. Originally for 'two voices (unspecified) two violins and basso continuo (now a standard part of any accompaniment) I have chosen to arrnage it for Two horns, Two Trumpets/Cornets, two trombones (baritone/euphonium) and tuba.The range of the violin parts is quite small, so it fits rather well on the trumpets. Of course, we are in the era when music was apt to be composed to fit any combination of instruments and so all the ranges would have to be similar to enable this to happen. I decided to give the duet lines to the horns.The seventh book continues to be a challenge. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, this song is exquisitely crafted and travels well onto brass.
$8.99
8.19 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 21. Parlo miser o taccio à7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767360
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767360 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 48 pages. Lyons Music Services #3543491. Published by Lyons Music Services (A0.767360). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Parlo miser o taccio is a trio for two sopranos and bass. I have set this for trumpets/cornets and euphonium/trombone, leaving the accompaniment in the hands of the horns and tubas, but with an extra high Bb part. The title translates as Should I, poor wretch, speak out or hold my tongue? Yet again our young man is in a romantic (lustful) state, and the words of the lyrics carry many double entendres in rspect of what he and his lady are getting up to! The strong dissonances followed by long drawn out resolutions and suspensions were a common device in this type of song to indicate how matters were progressing. At 6 and a half minutes, this is quite a long song, compared to the 2 or 3 minutes of most of the book. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
5.45 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 04. A quest'olmo, a quest'ombre a6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767310
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767310 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 40 pages. Lyons Music Services #3457459. Published by Lyons Music Services (A0.767310). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs - like this one - will be in 6 or more parts.A quest'olmo is described as a sei voci concertato, which basically means it is an operatic chorus, The title translates as In this elm, in these shadows and describes a clandestine meeting between two lovers.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
5.45 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 23. Al lume delle stelle
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767361
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767361 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 28 pages. Lyons Music Services #3544647. Published by Lyons Music Services (A0.767361). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Ai lume delle stelle is a song of loss. By the light of the stars, Tirsi bemoans the loss of his beloved whose eyes were like flickering stars or torches flickering in the night. This setting is for an expanded ensemble of 8 players as follows: Part 1 in Bb - Trumpet/Cornet 1 Part 2 in Bb - Trumpet/Cornet 2 Part 3 in F/C/Bb/Eb - Horn/Euphonium/Trombone/Baritone Part 4 in C/Eb/Bb - Euphonium/Baritone/Trombone/Tuba/Eb Bass Part 5 in Bb - Trumpet/Cornet 3 Part 6 in Bb/F/Eb - Trumpet/Cornet/Horn Part 7 in C/F/Bb - Trombone/Horn/Euphonium Part 8 in C/Eb - Tuba/Eb Bass The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
5.45 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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the light of the stars, Tirsi bemoans the loss of his beloved whose eyes were like flickering stars or torches flickering in the night
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 22. Tu dormi à8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767362
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767362 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons Music Services #3543497. Published by Lyons Music Services (A0.767362). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Tu dormi? means Are you sleeping The next phrase Oh cruel heart gives the clue that we are listening to our young man's unrequited feelings again! It appears he has had his wicked way once already but now she is sleeping. This is the first song for a quartet of Soprano, Alto, Tenor and Bass. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
5.45 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
A Billings Triptych - for 8-Part Brass Choir
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
31.86 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Part Brass Choir
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Aaron Hettinga
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SheetMusicPlus
Faded
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1050082
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1050082 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Jonatas Paz. Film/TV,Multicultural,Pop,Wedding,World. Score and parts. 36 pages. Jonatas Paz #654489. Published by Jonatas Paz (A0.1050082). Faded is a song by British-Norwegian record producer and DJ Alan Walker with vocals provided by Norwegian singer Iselin Solheim. The single was originally set to be released on 25 November 2015, but was postponed to 3 December. The song was highly successful, peaking in the top 10 in most of the countries it charted in, and reached the top spot in more than 10 countries.It was also part of the soundtrack of the film fifty shades darker. Here we have an arrangement for brass quintet, which seeks to sound introspective and full of tenderness. 1 - Conductor 1 - Trumpet in Bb I (Bb Cornet/ Flugel Horn) 1 - Trumpet in Bb II (Bb Cornet/ Flugel Horn) 1 - Horn in F 1 – Trombone (Euphonium) 1 – Tuba.
$14.99
13.65 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Alan Walker
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Jonatas Paz
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Faded
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Jonatas Paz
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SheetMusicPlus
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