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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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AFRICAIN
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ASIE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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148
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87
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34
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25
1 Piano, 4 mains
25
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22
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10
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2
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Ligne De Mélodie, (Paroles) et Accords
14
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9
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3
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27
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1
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1
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Flûte traversière et Piano
22
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12
Clarinette et Piano
12
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11
Saxophone Tenor et Piano
10
Saxophone (partie séparée)
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
2 Clarinettes (duo)
9
2 Flûtes traversières (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Soprano et Piano
5
2 Saxophones (duo)
5
Quatuor de Saxophones: 4 saxophones
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
3 Saxophones (trio)
2
Clarinette
2
Clarinette, Harpe (duo)
2
Hautbois, Basson (duo)
2
Quintette de Saxophone: 5 saxophones
2
Cor anglais, Piano
2
Ensemble de Flûtes
2
Clarinette Basse, Piano
1
Flûte, Violon
1
Flûte, Violoncelle
1
Clarinette et Alto
1
Trio de Flûtes: 3 flûtes
1
3 Flûtes à bec (trio)
1
Hautbois, Harpe
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Saxophone (duo)
1
Flûte et Guitare
1
Flûte, Clarinette et Basson
1
Clarinette, Trombone (duo)
1
3 Clarinettes (trio)
1
Hautbois, Basson et Piano
1
Hautbois, Clarinette (duo)
1
Quatuor de Flûtes : 4 flûtes
1
2 Flûte à bec (duo)
1
Flûte, Violoncelle, Piano (trio)
1
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CUIVRES
Trombone et Piano
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trompette, Piano
11
Trombone (partie séparée)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette (partie séparée)
7
Cor et Piano
5
Euphonium, Piano (duo)
4
2 Trompettes (duo)
4
Trompette
3
Cor
3
3 Trombones (trio)
2
Cor anglais, Piano
2
2 Trombones (duo)
2
2 Cors (duo)
2
3 Trompettes (trio)
1
2 Tubas (duo)
1
2 Cors, Piano
1
Quatuor de Cuivres
1
Trombone
1
Quatuor de cuivres: 4 cors
1
Tuba
1
Tuba et Piano
1
Trompette, Trombone (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon et Piano
25
Alto, Piano
19
Violoncelle, Piano
17
Harpe
14
Trio à Cordes: violon, alto, violoncelle
10
Violon
7
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
4
2 Altos (duo)
3
Violoncelle
3
Harpe, Violon (duo)
3
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
Contrebasse (partie séparée)
2
Violon, Alto (duo)
2
4 Violoncelles
2
2 Violons (duo)
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 3 violoncelles
1
2 Altos, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 violins
1
2 Violons, Piano
1
Alto seul
1
Piano Trio: Violon, Alto, Piano
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Trio à Cordes: 2 violons, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
40
Ensemble Jazz
35
Orchestre
21
Cloches
18
Ensemble de cuivres
18
Batterie
16
Orchestre à Cordes
16
Ensemble de Percussions
8
Orchestre de chambre
7
Fanfare
5
Jazz combo
3
Batterie (partie séparée)
2
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AUTRES
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The Second Line: Score
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Brass Quintet - Three Pastoral Sketches
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.25 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
Dance of the Little Swans for Brass Quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527715
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527715 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 20 pages. Diego Marani #3125277. Published by Diego Marani (A0.527715). Danse des petits cygnes is a famous dance from Tchaikovsky's Swan Lake, from the ballet’s second act, the fourth movement of No. 13. Translated from French, it means Dance of the Little Swans, also known as Dance of the cygnets. It is very challenging because all dancers must look the same.Ivanov's choreography—created for the famous revival of Swan Lake in 1895—was meant to imitate the way cygnets huddle and move together for protection. Four dancers enter the stage in a line and move across with their arms crossed in front of one another, grasping the next dancer's hand. They move sideways, doing sixteen pas de chat. Ideally the dancers move in exact or near-exact unison. At the very end, they break their chain and try to fly, only to drop to the ground.This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.There are two different keys (D Minor & C Minor) in the arrangement to meet all the quintet's execution capabilities.
$14.99
13.52 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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P
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Diego Marani
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C Minor) 
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Dance of the Little Swans for Brass Quintet
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Diego Marani
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SheetMusicPlus
I've Gotta Get A Message To You
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
15.33 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To You
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Peet du Toit
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SheetMusicPlus
All By Myself
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.569555
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.569555 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by Thomas Graf. Film/TV. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #6405337. Published by Thomas Graf - the-hit-factory.com (A0.569555). This great song by American artist Eric Carmen was released in 1975. The verse is based on the second movement (Adagio sostenuto) of Sergei Rachmaninoff's circa 1900-1901 Piano Concerto No. 2 in C minor, Opus 18, famously used to underscore the 1945 British film Brief Encounter. The chorus was taken from the song Let's Pretend, which Carmen wrote and recorded with the Raspberries in 1972. Many famous artists sang that song, among them Celine Dion. Instrumentation: Tpt 1/2 in Bb, Horn in F/Eb, Trombone in C/Bb, Tuba/Bass in Bb/ Bass in Eb, Drum Set (opt.) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! .
$19.99
18.03 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Celine Dion
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Thomas Graf
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All By Myself
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Fat Bottomed Girls
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.781973
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.781973 By Queen. By Brian May. Arranged by Aaron Hettinga. Contemporary,Film/TV,Pop,Rock. Score and parts. 12 pages. Aaron Hettinga #6016763. Published by Aaron Hettinga (A0.781973). This fun classic rock anthem from Queen is presented here for Brass Quintet. The form of the original recording is closely followed but does not include the extended guitar solo playout, skipping ahead to the last three punctuated ending hits. This arrangement is one whole step lower than the record.Flexibility: This arrangement includes an optional (but encouraged) drum kit part. While the chart is constructed that it will work just fine without it, having a drummer on board will kick this one up a notch.Performance options: As noted, the form of the original is mostly followed with a few 2nd time only cues for variety, this can also be streamlined if so desired. The repeated first/second verse section near the start could jump ahead to the second ending to save time. Also, rather than following the transition back to the D.S., a group alternatively could jump straight to the coda having already covered the bulk of the song.
$19.99
18.03 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Queen
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Aaron Hettinga
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Fat Bottomed Girls
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Aaron Hettinga
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SheetMusicPlus
A Billings Triptych - for 8-Part Brass Choir
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
31.56 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Part Brass Choir
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Aaron Hettinga
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SheetMusicPlus
Ye Banks & Braes (trad. Arr.)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802627
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802627 Composed by Richard John (Gb1) Thompson. Arranged by Peet du Toit. Contemporary. Score and parts. 7 pages. Peet du Toit #6050213. Published by Peet du Toit (A0.802627). The Banks O' Doon (Modern Scots: The Banks o Doon) is a Scots song written by Robert Burns in 1791, sometimes known as Ye Banks and Braes (after the opening line of the third version). Burns set the lyrics to an air called The Caledonian Hunt's Delight. Its melodic schema was also used for Phule Phule Dhole Dhole, a song by Bengali poet Rabindranath Tagore.The song was inspired by the story of Margaret (Peggy) Kennedy (1766-95), who was seduced and then abandoned by Andrew McDouall, the son of a wealthy family and sometime Member of Parliament for Wigtonshire. Kennedy sued for a declarator of marriage, but died prior to adjudication of the case. Although the Consistorial court found the marriage claim valid, the Court of Session decided the marriage claim failed, but found McDouall to be the father of Kennedy's daughter and ordered that he pay £3,000 to Kennedy's estate and provide for the child.(Burns wrote a second poem about Peggy, who he had met when she was 18 - Young Peggy Blooms.)
$13.00
11.73 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Richard John
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Peet du Toit
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Ye Banks & Braes
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Peet du Toit
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SheetMusicPlus
Three Moods for Brass Quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.754923
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.754923 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 55 pages. Sy Brandon #3218447. Published by Sy Brandon (A0.754923). The first movement, Agog, uses fanfare figures and meter changes to create a sense of excitement. The second movement, Pensive uses muted colors and lyrical lines to create a pensive mood. The last movement, Capricious, has a wondering chromatic melody and counterpoint. It uses transformed material from the other two movements to reflect its impulsive and unpredictable nature. This work is recorded by the Hartford Brass Quintet on the Emeritus label.
$14.99
13.52 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Sy Brandon
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Three Moods for Brass Quintet
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Sy Brandon
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SheetMusicPlus
Borghild’s Dream - brass quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.563024
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.563024 Composed by Edvard Grieg. Arranged by Austin Ralphson. Concert,Romantic Period,Standards,Wedding. Score and parts. 19 pages. Austin Ralphson #506593. Published by Austin Ralphson (A0.563024). This dramatic Intermezzo is the second movement from Sigurd Jorsalfar by Edvard Grieg. It works very well for small ensemble and features the haunting chromatic melody which is first heard in the bass line.
$6.99
6.3 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Edvard Grieg
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Austin Ralphson
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Borghild’s Dream - brass quintet
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Austin Ralphson
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SheetMusicPlus
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