Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Is Not America
Non classifié
433
Piano & claviers
Piano seul
263
Piano, Voix
174
Piano Facile
106
Piano, Voix et Guitare
48
Instruments en Do
25
Orgue
13
Accompagnement Piano
13
Piano grosses notes
12
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
4
Orgue, Piano (duo)
2
2 Pianos, 8 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
86
Guitare
36
Ukulele
10
Dulcimer
9
Basse electrique
6
Ukulele Baryton
5
4 Guitares (Quatuor)
5
Ligne De Mélodie, (Paroles) et Accords
5
Mandoline
3
Banjo
3
Paroles et Accords
2
Piano, Guitare (duo)
2
Ensemble de guitares
2
2 Guitares (duo)
1
Guitare Pedal Steel
1
Guitare, Violon, Violoncelle (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
133
Chorale 3 parties
27
Chorale 2 parties
18
Chorale TTBB
16
Chorale SSAA
12
Chorale Unison
4
Voix duo, Piano
3
Voix Soprano, Piano
3
Voix haute
2
Chorale SSATB
2
Voix Baryton, Piano
1
Voix basse
1
Voix Alto, Piano
1
Voix Tenor
1
Voix moyenne, Piano
1
Voix seule
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
57
Flûte traversière
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Clarinette et Piano
30
Quintette de Saxophone: 5 saxophones
25
Hautbois, Piano (duo)
22
Quatuor de Saxophones: 4 saxophones
20
Saxophone Alto et Piano
20
2 Saxophones (duo)
18
Saxophone Tenor et Piano
14
Quatuor de Clarinettes: 4 clarinettes
14
2 Flûtes traversières (duo)
13
Saxophone Soprano et Piano
13
2 Clarinettes (duo)
12
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Baryton, Piano
11
Ensemble de saxophones
11
Cor anglais, Piano
10
Clarinette
10
Flûte, Clarinette (duo)
9
Saxophone, Clarinette (duo)
8
Clarinette Basse, Piano
8
Ensemble de Clarinettes
7
Clarinette, Violon (duo)
7
Flûte irlandaise
6
Harmonica
6
Saxophone Alto
6
Ocarina
6
Quintette de Flûte : 5 flûtes
5
Flûte, Violon
5
Hautbois (partie séparée)
5
Ensemble de Flûtes
5
Clarinette, Trompette (duo)
4
3 Saxophones (trio)
4
Flûte à bec Alto
4
Flûte et Guitare
4
Clarinette (partie séparée)
3
Hautbois, Basson (duo)
3
Clarinette et Alto
3
Flûte, Alto (duo)
3
Saxophone Tenor
3
Flûte, Saxophone (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Hautbois, Clarinette (duo)
3
2 Hautbois (duo)
3
Clarinette, Harpe (duo)
3
Flûte à bec Soprano
3
3 Flûtes à bec (trio)
2
5 Flûtes à bec
2
2 Flûte à bec (duo)
2
Cor Anglais
2
Hautbois
2
2 Flûtes traversières, Piano
2
Flute (partie séparée)
2
Hautbois, Flûte
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Clarinettes, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
3 Clarinettes (trio)
2
Saxophone et Orgue
1
Clarinette, Trombone (duo)
1
Flûte à bec Alto, Piano
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
Clarinette Basse
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Trombone et Piano
21
Cor et Piano
14
Trompette
13
Euphonium, Piano (duo)
12
Cor anglais, Piano
10
Trompette, Piano
10
Cor
9
Trompette (partie séparée)
9
Trombone
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Ensemble de Trombones
7
Trombone (partie séparée)
7
Ensemble de Trompettes
6
Trompette, Saxophone (duo)
5
Quatuor de Cuivres
5
2 Trombones (duo)
4
Tuba et Piano
4
2 Trompettes (duo)
4
Trompette, Trombone (duo)
3
Ensemble de Cors
3
Trompette, violon (duo)
3
Quatuor de cuivres: 4 trombones
3
Tuba
2
Cor Anglais
2
4 Tubas
2
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon et Piano
32
Violoncelle, Piano
24
Alto, Piano
22
Violoncelle
22
Violon
19
Violon, Violoncelle (duo)
14
Alto seul
14
Harpe
13
Trio à Cordes: 2 violons, violoncelle
9
2 Violons (duo)
9
Trio à Cordes: violon, alto, violoncelle
9
2 Violoncelles (duo)
8
Contrebasse, Piano (duo)
6
Violon, Alto (duo)
6
Contre Basse
5
Alto (partie séparée)
4
2 Altos (duo)
4
Violon (partie séparée)
3
Ensemble de Violons
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Violoncelle (duo)
2
Contrebasse (partie séparée)
1
2 Violoncelles, Piano
1
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
Ensemble d'Altos
1
2 Harpes (duo)
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes : 4 altos
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
72
Orchestre
54
Cloches
32
Orchestre à Cordes
28
Ensemble Jazz
24
Ensemble de cuivres
20
Percussion
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Orchestre de chambre
4
Fanfare
3
Ensemble de Percussions
3
Batterie
3
Jazz combo
2
Piano et Orchestre
1
Marimba
1
Conga
1
Bongos
1
Orchestre, Violon
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
56
Partitions Numériques
28
Librairie Musicale
0
Matériel de Musique
3
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
This Is Not America
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
28 partitions trouvées
<
1
26
Love Is Here To Stay from GOLDWYN FOLLIES from AN AMERICAN IN PARIS
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Contemporain
#
George Gershwin and Ira Gershw
#
Jari A
#
Love Is Here To Stay from GOLD
#
JV MUSIC
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.722787 Composed by George Gershwin and Ira Gershwin. Arranged by Jari A. Villanueva. 20th ...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.722787 Composed by George Gershwin and Ira Gershwin. Arranged by Jari A. Villanueva. 20th Century. Score and parts. 13 pages. JV MUSIC #4785693. Published by JV MUSIC (A0.722787). Love Is Here to Stay for Brass Quintet Music by George Gershwin Arranged by Jari VillanuevaFull Score, 2 Trumpets in Bb, Horn in F, Trombone, TubaLove Is Here to Stay was the last musical composition George Gershwin completed before his death on July 11, 1937. Ira Gershwin wrote the lyrics after George's death as a tribute to his brother. Although George had not written a verse for the song, he did have an idea for it that both Ira and pianist Oscar Levant had heard before his death. When a verse was needed, Ira and Levant recalled what George had in mind. Composer Vernon Duke reconstructed the music for the verse at the beginning of the song.This is a nice setting of the seldom heard verse and chorus of this beautiful tune.
$16.00
There Is A Fountain Filled With Blood (Brass Quintet)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Musique Sacrée
#
American Folk Melody
#
Joseph Pugh
#
There Is A Fountain Filled Wit
#
Joseph Pugh
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855176 Composed by American Folk Melody. Arranged by Joseph Pugh. Christian,Sacred,Standar...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855176 Composed by American Folk Melody. Arranged by Joseph Pugh. Christian,Sacred,Standards. Score and parts. 10 pages. Joseph Pugh #6410323. Published by Joseph Pugh (A0.855176). This hymn was probably written in 1771, as it is in Conyers's Collection of Psalms and Hymns, 1772, in 7 stanzas of 4 lines. It was republished in the Olney Hymns, 1779, Bk. i., No. 79, with the heading Praise for the Fountain opened. It is based on Zech. xiii. 1, In that day there shall be a Fountain opened to the house of David and to the inhabitants of Jerusalem for sin and for uncleanness. This hymn in full or abbreviated is in extensive use in all English-speaking countries.A well known form of this hymn is From Calvary's Cross a Fountain flows. This appeared in Cotterill's Selection, 8th ed., 1819, No. 43, in 5 stanzas of 4 lines, and consists of stanzas i.-v. very much altered. In Bickersteth's Christian Psalmody, 1833, No. 49, that same opening stanza is given, with a return, in most of the remaining six stanzas, to the original text. The question as to by whom these alterations were made, first in Cotterill's Selection off 1819, and then in Bickersteth's Christian Psalmody, 1833, is answered by R. W. Dibdin, in the Christian Annotator, vol. iii., No. 76, for July 5, 1856, p. 278
$9.99
American Woman
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
FACILE
#
Contemporain
#
The Guess Who
#
Jeff Tincher
#
American Woman
#
Jeff Tincher
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.585237 By The Guess Who. By Burton Cummings, Garry Peterson, Jim Kale, and Randy Bachman. Arran...
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.585237 By The Guess Who. By Burton Cummings, Garry Peterson, Jim Kale, and Randy Bachman. Arranged by Jeff Tincher. Contemporary. Score and parts. 34 pages. Jeff Tincher #6208743. Published by Jeff Tincher (A0.585237). Here is one of the biggest hits from one of the great bands from Canada. In the original key from The Guess Who's American Woman LP, this arrangement does not include the blues beginning. This arrangement includes the live ending from their 2000 Running Back Thru Canada tour. Duration = 4:13 Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Wade in the Water (for Brass Quintet)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
AVANCÉ
#
Gospel Spirituel
#
African American Spiritual
#
Kenneth Abeling
#
Wade in the Water
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.514902 Composed by African American Spiritual. Arranged by Kenneth Abeling. Jazz,Spiritual...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.514902 Composed by African American Spiritual. Arranged by Kenneth Abeling. Jazz,Spiritual. Score and parts. 19 pages. LINCOLN MUSIC PUBLICATIONS #3886421. Published by LINCOLN MUSIC PUBLICATIONS (A0.514902). “Wade in the Water†arranged for Brass Quintet by Kenneth Abeling. This is another in a series of timeless African American Spirituals. It is an Intermediate level arrangement and is appropriate for all religious services and Black History events. Playing time: 3:30. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 3:30
$11.99
A Billings Triptych - for 8-Part Brass Choir
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
William Billings
#
Mike Allsen
#
A Billings Triptych - for 8-Pa
#
Aaron Hettinga
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
Tell Me the Story of Jesus
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Words by Francis J
#
Laird Halling
#
Tell Me the Story of Jesus
#
Laird Halling
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1363183 Composed by Words by Francis J. Crosby, Music by John R. Sweney. Arranged by Laird...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1363183 Composed by Words by Francis J. Crosby, Music by John R. Sweney. Arranged by Laird Halling. Chamber,Christian,Easter,Latin,Spiritual. 36 pages. Laird Halling #947615. Published by Laird Halling (A0.1363183). Here is a fresh approach to a classic Fanny Crosby hymn. This arrangement gives it a fun Latin American or Calypso feel, with optional latin percussion parts included. The hymn lyrics tell the story of Jesus from birth to  resurrection. This works great for the Easter season or anytime you want a fun prelude, offertory or concert piece. Though not sung, the music reflects the lyrical content. This is arranged for 4-6 brass players, 2 trumpets & 2 trombones plus optional horn and tuba. This arrangement is also available for saxophone ensemble.
$20.00
Nobody Knows the Trouble I’ve Seen (for Brass Quintet)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Gospel Spirituel
#
African American Spiritual
#
Kenneth Abeling
#
Nobody Knows the Trouble I&rsq
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.514875 Composed by African American Spiritual. Arranged by Kenneth Abeling. Folk,Spiritual...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.514875 Composed by African American Spiritual. Arranged by Kenneth Abeling. Folk,Spiritual. Score and parts. 10 pages. LINCOLN MUSIC PUBLICATIONS #3859489. Published by LINCOLN MUSIC PUBLICATIONS (A0.514875). “Nobody Knows the Trouble I’ve Seen†arranged for Brass Quintet by Kenneth Abeling. This is a more contemporary arrangement of yet another ageless African American Spiritual. It is an Intermediate level arrangement and is appropriate for all religious services and Black History events. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 2:50  Preview this score on YouTube: https://www.youtube.com/watch?v=3okYQ07Ne88Â
$10.99
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
English Folk Song by way of Am
#
F
#
I Gave My Love a Cherry
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Lesl...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
The Decrepit House
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
AVANCÉ
#
Contemporain
#
Alan McFall
#
Alan Toshio McFall
#
The Decrepit House
#
Alan McFall
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.920862 Composed by Alan McFall. Arranged by Alan Toshio McFall. 20th Century,Contemporary....
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.920862 Composed by Alan McFall. Arranged by Alan Toshio McFall. 20th Century,Contemporary. Score and parts. 12 pages. Alan McFall #6113417. Published by Alan McFall (A0.920862). It’s been over 160 years since Lincoln gave the speech on a house divided. And it is still relevant today. The United States of America are ironically still very divided on a lot of things. Almost nothing has changed. It’s a miracle this decrepit house is still standing. Maybe it will fall over and kill everyone inside of it. Maybe it will get some long-needed repairs. Maybe it will get a paint job and we’ll all pretend that it’s not falling apart. Blah blah blah Dissonance = America divided blah blah 18th century musical analysis go play music.
$20.00
(ghost) Riders In The Sky (a Cowboy Legend)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Contemporain
#
Johnny Cash
#
Arthur Jesse & Peet du Toit
#
(ghost) Riders In The Sky
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du Toit. Contemporar...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du Toit. Contemporary. Score and parts. 9 pages. Peet du Toit #6023995. Published by Peet du Toit (A0.802616). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. The story has been linked with old European myths of the Wild Hunt, in which a supernatural group of hunters passes the narrator in wild pursuit.Stan Jones stated that he had been told the story when he was 12 years old by an old Native American who resided north-east of the Douglas, Arizona border town, a few miles behind D Hill, north of Agua Prieta, Sonora. The Native Americans, possibly Apache, who lived within Cochise County, believed that when souls vacate their physical bodies, they reside as spirits in the sky, resembling ghost riders. He related this story to Wayne Hester, a boyhood friend (later owner of the Douglas Cable Company). As both boys were looking at the clouds, Stan shared what the old Native American had told him, looking in amazement as the cloudy shapes were identified as the ghost riders that years later, would be transposed into lyrics. The melody is based on the song When Johnny Comes Marching Home.
$15.00
Turkish March by Beethoven for Brass Quartet
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for
#
Woods Only, Arrangements
#
SheetMusicPlus
Brass Quartet - Level 2 - SKU: A0.1261695 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,Folk,March,Romantic Period. 10 pag...
(+)
Brass Quartet - Level 2 - SKU: A0.1261695 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,Folk,March,Romantic Period. 10 pages. Woods Only, Arrangements #854774. Published by Woods Only, Arrangements (A0.1261695). This arrangement adapted for brass quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
Škoda lásky (Rosamunde, Beer Barrel Polka)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Jaromir Vejvoda
#
F
#
Škoda lásky
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1033890 Composed by Jaromir Vejvoda. Arranged by F. Leslie Smith. Holiday,Pop,Wedding. Sco...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1033890 Composed by Jaromir Vejvoda. Arranged by F. Leslie Smith. Holiday,Pop,Wedding. Score and parts. 41 pages. Sweetwater Brass Press #639202. Published by Sweetwater Brass Press (A0.1033890). Jaromir Vejvoda, born in 1902 in the Czech city of Zbraslav, was a fiddler and flugelhorn player. As a young man, he began writing music while working as a bartender. In 1927 he composed a particularly rollicking, toe-tapping tune. He persuaded the Czech-American composer Eduard Ingriš to write an arrangement for the piece, and the result was titled "ModÅ™anská polka" (ModÅ™any being the Prague suburb in which it was first performed). In 1934 Václav Zeman added lyrics, and the title changed to "Škoda lásky," Czech for “Wasted Love.” It also became known as “Rosamunde.” The public loved it. It was so successful that Vejvoda was able to quit tending bar and turn full time to music. The polka soon spread to other countries. Lew Brown and Wladimir Timm added English lyrics, and when the Andrews Sisters recorded it in 1939 as “Beer Barrel Polka,” it became one of their biggest hits. During World War II it was the favorite song of the Western Allies and has since been played and recorded by literally dozens of artists. Suggested tempo for this brass quintet “Škoda lásky” is 120 BPM. It opens in C major, changes to F major, then back to C. All five instruments get a chance to shine. There are no really tricky rhythmic patterns, and the notes are, for the most part, within the normal playing range of each instrument. Some possible exceptions: Trombone’s highest notes are F above the staff; it’s lowest, G at the bottom; Tuba’s highest notes are F in the staff; Trumpet 2’s highest are its G at the top of its staff. Completed in 2022, performance time runs about 3 minutes. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Coronation March (Db) (Brass Octet - 4 Trp, 3 Trb, 1 Tuba)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1084139 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Fes...
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1084139 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #688341. Published by Regis Bookshar (A0.1084139). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Brass Octet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Brass Octet, consisting of 4 Bb Trumpets, 3 Trombones and 1 Tuba. In addition to this arrangement of Tchaikovsky's Coronation March for a Brass Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Coronation March (Db) (Brass Octet - 4 Trp, 1 Hrn, 2 Trb, 1 Tuba)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1084116 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contes...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1084116 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #688316. Published by Regis Bookshar (A0.1084116). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Brass Octet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Brass Octet, consisting of 4 Bb Trumpets, 1 French Horn, 2 Trombones and 1 Tuba. In addition to this arrangement of Tchaikovsky's Coronation March for a Brass Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Coronation March (Db) (Brass Octet - 4 Trp, 2 Hrn, 1 Trb, 1 Tuba)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1084128 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contes...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1084128 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #688330. Published by Regis Bookshar (A0.1084128). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Brass Octet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Brass Octet, consisting of 4 Bb Trumpets, 2 French Horns, 1 Trombone and 1 Tuba. In addition to this arrangement of Tchaikovsky's Coronation March for a Brass Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Coronation March (Db) (Brass Octet - 3 Trp, 1 Hrn, 3 Trb, 1 Tuba)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Classique
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.1084068 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.1084068 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #688294. Published by Regis Bookshar (A0.1084068). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Brass Octet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Brass Octet, consisting of 3 Bb Trumpets, 1 French Horn, 3 Trombones and a Tuba. In addition to this arrangement of Tchaikovsky's Coronation March for a Brass Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Coronation March (Db) (Brass Octet - 3 Trp, 2 Hrn, 2 Trb, 1 Tuba)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1084076 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contes...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1084076 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #688303. Published by Regis Bookshar (A0.1084076). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Brass Octet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Brass Octet, consisting of 3 Bb Trumpets, 2 French Horns, 2 Trombones and a Tuba. In addition to this arrangement of Tchaikovsky's Coronation March for a Brass Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Coronation March (Db) (Brass Choir - 3 Trp, 2 Hrn, 2 Trb, 1 Tuba)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1084056 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contes...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1084056 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #688282. Published by Regis Bookshar (A0.1084056). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Brass Choir - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Brass Choir, consisting of 3 Bb Trumpets, 2 French Horns, 2 Trombones and a Tuba. In addition to this arrangement of Tchaikovsky's Coronation March for a Brass Choir, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Coronation March (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1083698 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contes...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1083698 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 15 pages. Regis Bookshar #687907. Published by Regis Bookshar (A0.1083698). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Brass Quintet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (15 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn, 1 Trombone and 1 Tuba. In addition to this arrangement of Tchaikovsky's Coronation March for a Brass Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
<
1
26
This Is Not America