English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
300
Partitions
Numériques
3
Librairie
Musicale
0
Matériel
de Musique
311
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
78
PIANO & CLAVIERS
Piano seul
29
Piano, Voix
10
Piano, Voix et Guitare
9
Piano Facile
8
Instruments en Do
6
Orgue
5
1 Piano, 4 mains
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
1
2 Guitares (duo)
1
Guitare notes et tablatures
1
Guitare
1
VOIX
Chorale SATB
21
Voix Soprano, Piano
7
Voix duo, Piano
5
Chorale Unison
3
Chorale SSAATTBB
2
Chorale TTBB
2
Chorale 2 parties
1
Voix haute
1
Voix duo
1
Instrumentations suivantes
Retracter
VENTS
Saxophone Alto et Piano
4
Flûte traversière et Piano
4
Flûte, Hautbois, Clarinette, Basson
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette et Piano
3
Hautbois, Piano (duo)
3
Flûte et Trio à cordes
1
2 Flûtes traversières (duo)
1
2 Saxophones (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
2 Cors Anglais Et Pianoforte
1
Saxophone Tenor et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de Flûtes
1
Flûte, Clarinette et Basson
1
Quintette de Flûte : 5 flûtes
1
Saxophone Soprano et Piano
1
Quintette de Saxophone: 5 saxophones
1
Saxophone (partie séparée)
1
Flûte traversière
1
Ensemble de Clarinettes
1
Saxophone Alto
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette, Piano
2
Trombone et Piano
2
Cor
1
2 Cors Anglais Et Pianoforte
1
Cor et Piano
1
Quatuor de Cuivres
1
Ensemble de Trompettes
1
Trompette, Basson (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon et Piano
8
Violoncelle, Piano
6
Violon
3
Alto, Piano
2
Violon, Violoncelle (duo)
2
Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Violoncelle, Clarinette
1
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
Violoncelle
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
17
Orchestre
10
Orchestre à Cordes
8
Orchestre de chambre
2
Ensemble Jazz
2
Cloches
2
Ensemble de cuivres
1
Vibraphone
1
Ensemble de Percussions
1
Fanfare
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Tim Labor
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
3 partitions trouvées
<
1
A Billings Triptych - for 8-Part Brass Choir
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
32.25 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
William Billings
#
Mike Allsen
#
A Billings Triptych - for 8-Part Brass Choir
#
Aaron Hettinga
#
SheetMusicPlus
Voices of Spring Waltz op. 410 by J. Strauss II
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.931268
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.931268 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,Film/TV,Holiday,Romantic Period. Score and parts. 38 pages. Music Macri Editions #5871333. Published by Music Macri Editions (A0.931268). Voices of Spring (Voci di Primavera) op. 410, è un valzer di Johann Strauss (figlio).Nell'inverno del 1882-83 il compositore fu invitato a comporre un valzer vocale per il celebre soprano austriaco Bianca Bianchi (il cui vero nome era Bertha Schwarz), al tempo un acclamato membro del Wiener Hopfoperntheater (Teatro dell'opera reale di Vienna).Il valzer fu eseguito per la prima volta al Theater an der Wien il 1º marzo 1883 ad un concerto di beneficenza per la fondazione degli indigenti dell'Impero austro-ungarico fondata dall'imperatore Francesco Giuseppe e dall'imperatrice Elisabetta.Strauss, dopo il successo che aveva ottenuto con i suoi valzer corali, fu felice di scrivere un brano per sola voce e il librettista Richard Genée, che aveva già collaborato con il compositore nell'operetta Eine Nacht in Venedig (Una notte a Venezia) del 1883, scrisse anche il testo per il nuovo valzer.L'autunno del 1882 vide Strauss impegnato a Budapest per curare la prima rappresentazione dell'operetta Der lustige Krieg (L'allegra Guerra; 1881). Durante lo svolgimento di una delle serate in onore della visita del musicista viennese, fu Strauss stesso ad esibirsi al pianoforte con un altro degli illustri ospiti della serata: Franz Liszt. I due compositori si conoscevano già molto bene da almeno 30 anni (Strauss aveva dedicato il suo valzer Abschieds-Rufe op. 179 a Liszt nel gennaio del 1856) e si incontrarono in numerose altre occasioni. Fu questa visita che fornì l'ispirazione per la scrittura del valzer Frühlingsstimmen.Successivamente il valzer venne arrangiato da Johann in versione solamente orchestrale e fu eseguito in questa forma, oggi celeberrima, da Eduard Strauss durante uno dei suoi concerti al Musikverein nel 1883.Nel 1934 il valzer fu riutilizzato per l'operetta postuma (con musiche di Strauss jr.) Die Tänzerin Fanny Elßler.Durante il Concerto di Capodanno del 1987, Herbert von Karajan, inserì nel programma il valzer Frühlingsstimmen eseguendolo nella versione vocale originale con il soprano Kathleen Battle.
$15.00
13.83 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Johann Strauss Jr
#
Alessandro Macrì
#
1881)
#
Voices of Spring Waltz op. 410 by J. Strauss II
#
Music Macri Editions
#
SheetMusicPlus
Chorus in D Major from Christmas Oratorio by J. S. Bach
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.931264
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.931264 Composed by Johann Sebastian Bach. Arranged by Alessandro Macrì. Baroque,Christmas,Instructional,Sacred. Score and parts. 43 pages. Music Macri Editions #5805697. Published by Music Macri Editions (A0.931264). The Christmas Oratorio (German: Weihnachts-Oratorium), BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The Christmas Oratorio is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander).The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the Ascension Oratorio (BWV 11) and the Easter Oratorio (BWV 249). All three of these oratorios to some degree parody earlier compositions. The Christmas Oratorio is by far the longest and most complex work of the three.The Christmas Oratorio is in six parts, each part being intended for performance on one of the major feast days of the Christmas period. The piece is often presented as a whole or split into two equal parts. The total running time for the entire work is nearly three hours.The first part (for Christmas Day) describes the Birth of Jesus, the second (for December 26) the annunciation to the shepherds, the third (for December 27) the adoration of the shepherds, the fourth (for New Year's Day) the circumcision and naming of Jesus, the fifth (for the first Sunday after New Year) the journey of the Magi, and the sixth (for Epiphany) the adoration of the Magi.
$21.00
19.36 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Johann Sebastian Bach
#
Alessandro Macrì
#
Chorus in D Major from Christmas Oratorio by J. S. Bach
#
Music Macri Editions
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale