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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
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DEEJAY
DIDGERIDOO
DULCIMER
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LIVRES
LUTH
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OCARINA
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TROMBONE
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TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Victor E
Sheetmusicplus
Non classifié
57
Piano & claviers
Piano (partie séparée)
62
Piano seul
29
Piano, Voix
25
Piano, Voix et Guitare
9
Piano Facile
8
Orgue
8
1 Piano, 4 mains
2
Instruments en Do
2
Piano grosses notes
2
Accordéon
1
+ 5 instrumentations
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Guitares
Guitare (partie séparée)
177
Basse electrique
13
Guitare
2
Piano, Guitare (duo)
1
Guitare notes et tablatures
1
Voix
Chorale SATB
30
Chorale 3 parties
13
Chorale TTBB
4
Chorale 2 parties
3
Chorale SSAA
2
Chorale SSATB
1
+ 1 instrumentations
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Vents
Saxophone (partie séparée)
703
Clarinette (partie séparée)
375
Flute (partie séparée)
218
Hautbois (partie séparée)
97
Ensemble de Clarinettes
8
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette et Piano
5
Flûte traversière
3
Saxophone Alto
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone Tenor
2
Ensemble de saxophones
2
Clarinette
1
Flûte, Violon, Piano
1
Saxophone Alto et Piano
1
Saxophone
1
Flûte à bec Alto, Piano
1
2 Saxophones (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
3 Saxophones (trio)
1
Hautbois, Piano (duo)
1
Saxophone Soprano et Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
+ 18 instrumentations
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Cuivres
Trombone (partie séparée)
661
Trompette (partie séparée)
409
Cor (partie séparée)
239
Tuba (partie séparée)
221
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7
Tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone
3
Trompette, Piano
2
Trompette
2
Trombone et Piano
2
Euphonium (partie séparée)
1
Cor
1
3 Trompettes (trio)
1
Ensemble de Tubas
1
+ 10 instrumentations
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Cordes
Contrebasse (partie séparée)
160
Violon (partie séparée)
158
Violoncelle (partie séparée)
40
Alto (partie séparée)
31
Quatuor à cordes: 2 violons, alto, violoncelle
7
Violon
5
Violon, Violoncelle (duo)
4
Alto, Piano
3
Violoncelle
3
2 Violons (duo)
2
Violon et Piano
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
2 Violoncelles (duo)
2
Alto, Guitare (duo)
1
Alto seul
1
+ 11 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
341
Percussion (partie séparée)
236
Batterie (partie séparée)
102
Timbales (partie séparée)
75
Fanfare
29
Ensemble Jazz
25
Orchestre à Cordes
6
Orchestre de chambre
2
Cloches
2
Batterie
1
Ensemble de cuivres
1
Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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Crtitères actifs :
Victor E
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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1
Faith Is The Victory
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Folklorique/Traditionel
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John H
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Faith Is The Victory
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quartet - Grade 2.75 - SKU: DX.145440 Composed by John H. Yates. Traditional. Sacred instrumental music. Score and parts. 16 pages. David E. Smith...
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Brass Quartet - Grade 2.75 - SKU: DX.145440 Composed by John H. Yates. Traditional. Sacred instrumental music. Score and parts. 16 pages. David E. Smith - Digital Sheet Music #145440. Published by David E. Smith - Digital Sheet Music (DX.145440). A march styled piece for 2 trumpets and 2 trombones with optional horn and baritone parts. The melody is presented in several fashions giving it continual interest.Key of Eb.
$9.95
There's A Tavern In The Town
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Contemporain
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Lawrence Welk and Traditional
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Peet du Toit
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There's A Tavern In The Town
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802629 Composed by Lawrence Welk and Traditional. Arranged by Peet du Toit. Contemporary. ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802629 Composed by Lawrence Welk and Traditional. Arranged by Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #6050765. Published by Peet du Toit (A0.802629). There Is a Tavern in the Town is a traditional folk song, which first appeared in the 1883 edition of William H. Hill's Student Songs. The song was the college anthem of Trinity University College.It was famously performed by Rudy Vallée as The Drunkard Song, slightly changing the chorus. While recording the last verses of the song, Vallée started to laugh uncontrollably given the corny lyrics. He and his band recorded the song again without laughing, but Victor released both takes in 1934. He also performed the song in the film Sweet Music.Here's my interpretation for a brass quintet. Enjoy!
$13.00
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
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Victor E
