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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We Were Here
Non classifié
226
Piano & claviers
Piano seul
132
Piano, Voix et Guitare
63
Piano, Voix
59
Piano Facile
13
Orgue
10
Piano grosses notes
4
Instruments en Do
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Accompagnement Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
8
Guitare notes et tablatures
5
Basse electrique
3
2 Mandolines (duo)
2
4 Guitares (Quatuor)
1
Banjo
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
53
Chorale 3 parties
18
Chorale 2 parties
12
Voix Alto, Piano
10
Chorale Unison
7
Chorale TTBB
5
Chorale SSAA
3
Chorale SSATTB
2
Voix haute
2
Voix Tenor
2
Voix seule
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
Voix Soprano, Piano
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
38
2 Flûtes traversières (duo)
22
Saxophone, Clarinette (duo)
20
2 Clarinettes (duo)
19
Clarinette, Trompette (duo)
15
Clarinette, Violon (duo)
15
Hautbois, Piano (duo)
15
Flûte traversière et Piano
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Clarinette et Piano
10
Hautbois, Basson (duo)
8
2 Hautbois (duo)
8
Saxophone Alto et Piano
8
Quatuor de Saxophones: 4 saxophones
8
Clarinette et Alto
8
Flûte traversière
7
Flûte, Saxophone (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Clarinette (duo)
7
Flûte, Violon
7
Flûte, Alto (duo)
7
2 Flûte à bec (duo)
6
Hautbois, Flûte
6
Flûte, Trompette (duo)
6
Saxophone Soprano et Piano
6
Saxophone Baryton, Piano
6
Hautbois, Clarinette (duo)
5
Saxophone Tenor et Piano
5
Hautbois (partie séparée)
5
Flûte, Hautbois, Clarinette, Basson
5
Quatuor de Flûtes : 4 flûtes
4
Ensemble de Clarinettes
4
Cor anglais, Piano
4
Quintette de Clarinettes: 5 clarinettes
3
Clarinette
3
Ensemble de Flûtes
3
Saxophone Alto
2
Clarinette, Basson (duo)
2
Quintette de Flûte : 5 flûtes
1
Flûte à bec Soprano, Piano
1
3 Saxophones (trio)
1
Clarinette Basse, Piano
1
Flûte à bec Alto, Piano
1
Clarinette Basse
1
Flûte et Trio à cordes
1
Cor Anglais
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Guitare (duo)
1
Saxophone (partie séparée)
1
+ 44 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trombone et Piano
9
2 Trombones (duo)
9
Trompette, Trombone (duo)
9
2 Trompettes (duo)
8
Trompette, Piano
8
Cor et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quatuor de cuivres: 4 trombones
5
Euphonium, Piano (duo)
4
Trombone
4
Tuba
4
Cor anglais, Piano
4
Tuba et Piano
3
2 Cors (duo)
3
2 Tubas (duo)
2
Trompette
2
Quatuor de cuivres: 4 cors
2
3 Trompettes (trio)
2
Cor
2
Tuba et Orgue
1
4 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Cors
1
Cor Anglais
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violon et Piano
19
Violoncelle, Piano
14
Alto, Piano
14
Violon, Violoncelle (duo)
13
2 Violons (duo)
12
Violon, Alto (duo)
12
Harpe
10
Alto seul
9
Violon
7
2 Violoncelles (duo)
7
4 Violoncelles
5
2 Altos (duo)
5
Violoncelle
5
Trio à Cordes: violon, alto, violoncelle
4
Quatuor à cordes : 4 altos
3
Quatuor à cordes: 4 violons
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Violoncelle (duo)
1
4 Contrebasses
1
Harpe, Voix
1
Violon, Guitare (duo)
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
19
Ensemble de cuivres
17
Orchestre à Cordes
13
Orchestre
12
Orchestre de chambre
8
Ensemble Jazz
5
Jazz combo
4
Ensemble de Percussions
3
Piano et Orchestre
1
Cloches
1
2 Marimbas
1
Vibraphone
1
+ 7 instrumentations
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
VIOLONCELLE
XYLOPHONE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
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Vous avez sélectionné:
We Were Here
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
6 partitions trouvées
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1
Now We Are Free
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782319
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782319 Composed by Hans Zimmer, Klaus Badelt, and Lisa Gerrard. Arranged by Adelina, James Haynor. Contemporary. Score and parts. 17 pages. James Haynor #5025033. Published by James Haynor (A0.782319). Music From the Motion Picture is the original soundtrack of the 2000 film of the same name. The original score and songs were composed by Hans Zimmer and Lisa Gerrard and were released in 2000, titled Gladiator: Music From the Motion Picture. Now We Are Free, scored here for brass quartet, is one of the tracks from this album. Although flugelhorns are scored here, trumpets may of course be substituted. ( Duration 3:15 )
$12.99
11.98 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Hans Zimmer, Klaus Badelt, and Lisa Gerrard
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Adelina, James Haynor
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Now We Are Free
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James Haynor
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SheetMusicPlus
Angels We Have Heard On High (Brass Quintet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.854976
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.854976 Composed by Traditional French Carol/Lyrics by James Chadwick(1813-1882). Arranged by Joseph Pugh. Christian,Christmas,Pop,Sacred. Score and parts. 14 pages. Joseph Pugh #5789617. Published by Joseph Pugh (A0.854976). This wonderful modern brass quintet arrangement of Joseph Pugh's features 1st trumpet and horn in F with melody.The lyrics of Angels We Have Heard on High were written to fit with the music French traditional song 'Les Anges Dans Nos Campagnes' (literally translates to 'The Angels in our Countryside') that was composed by an unknown author in France. Chadwick's lyrics are clearly inspired but are not a direct translation of the song, though there are similarities. It is considered a derivative work. Chadwick's version is the much more popular and commonplace.[6] (Wikipedia).
$18.99
17.51 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Traditional French Carol/Lyrics by James Chadwick(1813-1882)
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Joseph Pugh
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Angels We Have Heard On High
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Joseph Pugh
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.81 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
Kyrie (Durante) (Brass Quartet - 1 Trp, 1 Hrn, 1 Trb, 1 Tuba)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1092443
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1092443 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696535. Published by Regis Bookshar (A0.1092443). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 1 Bb Trumpet, 1 French Horn, 1 Trombone and 1 Tuba. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.22 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
I've Gotta Get A Message To You
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
15.67 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To You
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Peet du Toit
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SheetMusicPlus
Let The Lower Lights Be Burning (BQ)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855268
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855268 Composed by Philip P. Bliss(1838-1876). Arranged by Joseph Pugh. Christian,Contemporary,Sacred,Standards. Score and parts. 7 pages. Joseph Pugh #6519003. Published by Joseph Pugh (A0.855268). This is an arrangement of the Hymn my Mother told about as our Church Choir rehearsed, years ago.  At the mouth of Cleveland harbor, there were two lights, one at each side of the bay, called the upper and lower lights; and to enter the harbor safely by night, vessels must sight both of the lights. A ship can try to make for the harbor, but they may crash against the rocks if they don't see the lights upon the shore. Very few escape. The great majority find a watery grave. Why? Simply because the lower lights going out. Now, with us the upper lights are all right. Christ Himself is the upper light, and we are the lower lights, and the cry to us is, keep the lower lights burning; that is what we have to do. He will lead us safe to the sunlit shore of Canaan, where there is no more night._ D.L. Moody.
$9.99
9.21 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Philip P
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Joseph Pugh
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Let The Lower Lights Be Burning
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Joseph Pugh
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SheetMusicPlus
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We Were Here
