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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
What's Up
Non classifié
264
Piano & claviers
Piano seul
170
Piano, Voix et Guitare
78
Piano, Voix
55
Piano grosses notes
43
Piano Facile
33
Orgue
33
Instruments en Do
15
Accompagnement Piano
4
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano (partie séparée)
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Ligne De Mélodie, Piano
1
2 Pianos, 8 mains
1
Clavier
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
35
Basse electrique
30
Guitare
14
Ligne De Mélodie, (Paroles) et Accords
8
Ukulele
7
Guitare (partie séparée)
4
Paroles et Accords
4
4 Guitares (Quatuor)
3
Banjo
2
2 Guitares (duo)
2
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
Basse électrique (partie séparée)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
60
Chorale 2 parties
20
Chorale 3 parties
19
Chorale Unison
16
Voix Alto, Piano
13
Chorale TTBB
12
Voix duo
5
Chorale SSAA
5
Voix seule
4
Voix Soprano
3
Voix Soprano, Piano
2
Chorale SSATTB
1
Chorale SSAATTBB
1
Voix haute
1
Voix Tenor, Piano
1
+ 10 instrumentations
Retracter
Vents
Saxophone (partie séparée)
17
2 Saxophones (duo)
13
Hautbois (partie séparée)
10
2 Flûtes traversières (duo)
9
Clarinette
9
Flûte traversière et Piano
8
Flûte traversière
8
Flute (partie séparée)
7
Clarinette et Piano
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Hautbois, Piano (duo)
6
Saxophone Alto
6
2 Clarinettes (duo)
6
Saxophone Tenor
6
Clarinette (partie séparée)
5
Flûte, Clarinette (duo)
5
2 Hautbois (duo)
4
Saxophone Alto et Piano
4
Flûte à Bec
4
Saxophone Soprano
4
Hautbois, Basson (duo)
4
Ensemble de Flûtes
4
Saxophone Soprano et Piano
4
Flûte à bec Soprano
3
Clarinette, Violon (duo)
3
Saxophone, Clarinette (duo)
3
Saxophone Tenor et Piano
3
Cor anglais, Piano
3
Quatuor de Saxophones: 4 saxophones
3
Clarinette, Trompette (duo)
3
Saxophone Baryton, Piano
2
Clarinette et Alto
2
Flûte, Trompette (duo)
2
Flûte, Violon
2
Flûte, Alto (duo)
2
Clarinette, Basson (duo)
2
Flûte, Violon, Piano
2
Hautbois, Clarinette (duo)
2
Ensemble de Clarinettes
2
Flûte, Hautbois, Clarinette, Basson
2
2 Flûtes traversières, Piano
2
2 Clarinettes, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Guitare (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Flûte
1
Flûte à bec Soprano, Piano
1
Instruments en Mib
1
Trio de Flûtes: 3 flûtes
1
3 Saxophones (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Clarinettes: 4 clarinettes
1
2 Hautbois, Piano
1
Quintette de Flûte : 5 flûtes
1
Saxophone et Orgue
1
Flûte à bec Alto, Piano
1
Flûte, Saxophone (duo)
1
+ 52 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
21
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trompette (partie séparée)
14
Quatuor de cuivres: 4 trombones
12
Trompette
9
Trombone
9
Cor
6
Cor (partie séparée)
5
Trompette, Piano
5
2 Trombones (duo)
5
Trombone et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
2 Cors (duo)
4
Tuba
4
2 Trompettes (duo)
4
Trompette, Saxophone (duo)
4
Trompette, Trombone (duo)
3
Cor anglais, Piano
3
Tuba et Piano
2
Tuba (partie séparée)
2
Cor et Piano
2
Quatuor de Cuivres
2
2 Cors, Piano
1
4 Tubas
1
Euphonium, Piano (duo)
1
Instruments en Sib
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone basse et Piano
1
Trompette, Cor (duo)
1
Bass Clef Instruments
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29
Harpe
14
Violon et Piano
13
Violon
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon, Violoncelle (duo)
7
2 Violons (duo)
6
Violon, Alto (duo)
6
Violon (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
5
Alto, Piano
5
Contrebasse (partie séparée)
5
Violoncelle
5
Violoncelle, Piano
5
2 Violoncelles (duo)
4
Harpe, Voix
4
Trio à Cordes: violon, alto, violoncelle
4
Alto (partie séparée)
3
Alto seul
3
2 Altos, Piano
2
2 Altos (duo)
2
Contre Basse
2
Violoncelle (partie séparée)
2
Contrebasse, Piano (duo)
2
4 Contrebasses
1
Violoncelle, Orgue
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
84
Orchestre
30
Batterie
19
Orchestre à Cordes
17
Ensemble Jazz
14
Ensemble de cuivres
13
Cloches
8
Orchestre de chambre
6
Percussion (partie séparée)
6
Batterie (partie séparée)
6
Jazz combo
5
Ensemble de Percussions
3
Fanfare
2
Timbales (partie séparée)
2
Xylophone (partie séparée)
1
Xylophone, Piano
1
Vibraphone
1
Piano et Orchestre
1
+ 13 instrumentations
Retracter
Autres
Instruments
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ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Vous avez sélectionné:
What's Up
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
5 partitions trouvées
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I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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English Folk Song by way of Am
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Lesl...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Song Of The Jet (samba Do Avião)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Antonio Carlos Jobim
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Peet du Toit
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Song Of The Jet
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802574 Composed by Antonio Carlos Jobim. Arranged by Peet du Toit. Contemporary. Score and...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802574 Composed by Antonio Carlos Jobim. Arranged by Peet du Toit. Contemporary. Score and parts. 11 pages. Peet du Toit #5801391. Published by Peet du Toit (A0.802574). Samba do Avião (a.k.a. Song of the Jet, translated literally as Airplane Samba) is a Brazilian song composed in 1962 by Antônio Carlos Jobim, who also wrote the original Portuguese lyrics. The English-language lyrics are by Gene Lees.In the biography Antonio Carlos Jobim: An Illuminated Man, Helena Jobim describes how her brother came up with the idea for the song: Tom's many walks from Ipanema to Santos Dumont Airport yielded that ode of beauty... He would head towards the airport, following the water's edge around Guanabara's Bay. The pretext to go there was to buy foreign magazines and newspapers. From Santos Dumont Airport he could observe his passion, the airplane. Yet he still kept some distance from those machines. He was afraid of flying, but he loved their power, splendor, and aerodynamics-man's conquest over machine.In the song, Jobim writes about landing at Galeão in Rio de Janeiro. The airport was renamed in his honor in 1999 and is now called Rio de Janeiro–Antonio Carlos Jobim International Airport.Jobim wrote Samba do Avião for an Italian film, Copacabana Palace (1962), where it was performed by Jula De Palma and I 4 + 4 di Nora Orlandi. The movie was filmed in Rio and features cameo appearances by Jobim, João Gilberto and Os Cariocas.The first performance of the song was by Jobim and Os Cariocas in August 1962 at the Au Bon Gourmet restaurant in Copacabana, Rio, at what music historian Ruy Castro calls the bossa nova show to end all bossa nova shows, as it featured Jobim, João Gilberto, VinÃcius de Moraes and Os Cariocas on stage together for the only time.The first recording of the song was released in October 1962 by Elza Laranjeira. Os Cariocas had a hit with their rendition in 1963.The first English-language version was by Tony Bennett for his 1965 album If I Ruled the World: Songs for the Jet Set.Here is my brass quintet version of the song for your enjoyment.
$13.00
Fanfare and Allegro for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Zack Richards
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Fanfare and Allegro for Brass
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Zack Richards
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.894386 Composed by Zack Richards. 20th Century,Concert,Contemporary,Easter. Score and part...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.894386 Composed by Zack Richards. 20th Century,Concert,Contemporary,Easter. Score and parts. 34 pages. Zack Richards #5197213. Published by Zack Richards (A0.894386). During my undergraduate career at The University of Akron, like many college students, I went through a year of trying to discover what I really wanted to do. In my sophomore year, I dropped from Music Education, and picked up a double major in Trumpet Performance and Composition with a minor in Jazz Studies. After 2 semesters of taking nearly 30 credit hours and a need to change my embouchure, I decided to focus on trumpet and come back to composition later. After finishing my BM in Trumpet Performance, I decided to go for a MM in Composition. This piece was one that I wrote for entry into the graduate program. To this day, it is still one of my favorite compositions! It's a lot of fun, very difficult and taxing, but also very musically interesting. It melds together several interesting melodic lines and motifs, and each player gets a chance to shine. There are also a lot of great ensemble moments where lines get passed through the entire quintet and turn it into one instrument. It's a piece for advanced players for sure, but a great feature for any group willing to give it a go!Brass QuintetAdvancedApprox. 6:30Visit zackrichards.com for more from this composer!
$17.99
Nimrod for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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James Symington
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Nimrod for Brass Quintet
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James Edward Ernest Symington
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1038764 Composed by Edward Elgar. Arranged by James Symington. 20th Century,Classical,Film...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1038764 Composed by Edward Elgar. Arranged by James Symington. 20th Century,Classical,Film/TV,Patriotic,Romantic Period. Score and parts. 9 pages. James Edward Ernest Symington #643742. Published by James Edward Ernest Symington (A0.1038764). The name of the variation refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as a mighty hunter before the Lord, Jäger being German for hunter. In 1904 Elgar told Dora Penny (Dorabella) that this variation is not really a portrait, but the story of something that happened. Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. And that is what you must do, Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of Nimrod were made to suggest that theme. Can't you hear it at the beginning? Only a hint, not a quotation. This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The “Nimrod†variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks. An adaptation of the piece appears at the ending of the 2017 film Dunkirk in the score by Hans Zimmer. This arrangement for Brass Quintet has been adapted to suit the instrumentalists. The key has changed and this makes it much more playable and more secure.
$12.99
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