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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Wood Spirit
Non classifié
484
Piano & claviers
Piano seul
51
Piano Facile
20
Instruments en Do
11
Piano, Voix
9
Orgue
6
Piano, Voix et Guitare
5
Accompagnement Piano
5
2 Pianos, 4 mains
3
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 5 instrumentations
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Guitares
Guitare
28
Guitare notes et tablatures
22
Ligne De Mélodie, (Paroles) et Accords
6
Ukulele
1
Basse electrique
1
4 Guitares (Quatuor)
1
Mandoline
1
+ 2 instrumentations
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Voix
Chorale SATB
39
Chorale 3 parties
17
Chorale 2 parties
12
Chorale SSAA
6
Chorale Unison
6
Chorale TTBB
5
Voix duo, Piano
4
Voix moyenne, Piano
3
Voix haute
1
+ 4 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
338
Quatuor de Saxophones: 4 saxophones
301
Flûte, Hautbois, Clarinette, Basson
293
Quintette de Saxophone: 5 saxophones
152
Quatuor de Clarinettes: 4 clarinettes
130
3 Saxophones (trio)
102
Quatuor de Flûtes : 4 flûtes
95
3 Clarinettes (trio)
85
Trio de Flûtes: 3 flûtes
46
Ensemble de Clarinettes
43
Flûte, Clarinette et Basson
34
Quintette de Clarinettes: 5 clarinettes
30
2 Flûtes traversières (duo)
29
Ensemble de Flûtes
23
Flûte, Hautbois, Clarinette (trio)
21
Quintette de Flûte : 5 flûtes
19
Flûte, Hautbois, Basson
17
2 Clarinettes (duo)
12
2 Saxophones (duo)
12
Ensemble de saxophones
12
Flûte, Clarinette (duo)
11
3 Hautbois
10
Hautbois, Clarinette, Basson (trio d'anches)
8
Clarinette et Piano
6
Harmonica
5
Hautbois, Piano (duo)
5
Saxophone Alto et Piano
4
Flûte, Hautbois (duo)
3
Flûte traversière et Piano
3
Hautbois, Basson (duo)
3
Saxophone Baryton, Piano
3
Clarinette
3
Flûte traversière
3
2 Hautbois (duo)
3
Flûte à bec Soprano
3
Flûte, Violon
2
Clarinette, Trompette (duo)
2
4 Hautbois
2
Clarinette, Violon (duo)
2
Clarinette Basse, Piano
2
Flûte, Saxophone (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Saxophone Tenor et Piano
2
Flûte à bec Alto
2
Saxophone Soprano et Piano
1
Clarinette, Violoncelle (duo)
1
Saxophone (partie séparée)
1
Hautbois, Flûte
1
Hautbois
1
Ensemble à vent
1
3 Flûtes à bec (trio)
1
Hautbois, violon (duo)
1
Clarinette, Basson (duo)
1
Saxophone, Clarinette (duo)
1
5 Flûtes à bec
1
2 Flûtes traversières, Piano
1
Flûte, Alto (duo)
1
Flûte, Trompette (duo)
1
+ 54 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette, Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Tuba et Piano
2
Trompette, Trombone (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone, Orgue
1
Trombone et Piano
1
Cor et Piano
1
Trompette
1
Quatuor de Cuivres
1
Euphonium, Piano (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
2 Cors (duo)
1
Ensemble de Trompettes
1
Tuba
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
+ 14 instrumentations
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Cordes
Harpe, Flûte (duo)
92
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon et Piano
8
Violon
6
Harpe
5
Violon, Violoncelle (duo)
4
Violoncelle, Piano
3
2 Violoncelles (duo)
2
Alto, Piano
2
Violon, Alto (duo)
2
4 Violoncelles
1
2 Altos (duo)
1
2 Violons (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse, Piano (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle
1
+ 14 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
55
Orchestre
29
Orchestre à Cordes
11
Quintette à Vent
9
Fanfare
9
Ensemble Jazz
6
Cloches
6
Quatuor à Vent : 4 instruments à vents
4
Orchestre de chambre
4
Ensemble de cuivres
2
Jazz combo
1
Xylophone, Piano
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Wood Spirit
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
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Blest Mary Walks Amid the Thorn - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional German folk carol
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Todd Marchand
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Blest Mary Walks Amid the Thor
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726019 Composed by Traditional German folk carol. Arranged by Todd Marchand. Christmas,Sac...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726019 Composed by Traditional German folk carol. Arranged by Todd Marchand. Christmas,Sacred. Score and parts. 10 pages. Con Spirito Music #2957901. Published by Con Spirito Music (A0.726019). Blest Mary Walks Amid the Thorn (Maria durch ein’ Dornwald ging) is a German folk carol that is thought to date to the 16th century. It first appears in print in 1850 as a pilgrimage song, having been spread orally in the traditionally Catholic state of Thuringia, a densely forested area in central Germany. In the 20th century, the song became popular in a version relating the story of Mary, the expectant mother of Jesus, on her journey to visit her cousin, Elizabeth. The text uses the popular Medieval symbol of the rose for the Virgin Mary and speaks of roses blooming on barren thorn-wood as Mary bears her child through the forest. This arrangement presents four verses of the tune and refrain, with melody and countermelodies carried by different instruments in each of the verses.©Copyright 2012 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$15.00
Niño Lindo (Venezuelan folk tune/carol) - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Traditional Venezuelan Carol
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Todd Marchand
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Niño Lindo
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726094 Composed by Traditional Venezuelan Carol. Arranged by Todd Marchand. Christmas,Folk...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726094 Composed by Traditional Venezuelan Carol. Arranged by Todd Marchand. Christmas,Folk,Holiday,Latin,Sacred. Score and parts. 22 pages. Con Spirito Music #5030985. Published by Con Spirito Music (A0.726094). Like the German Stille Nacht (Silent Night), Polish W Żłobie Leży (Infant Holy, Infant Lowly), and American Away in a Manger, Niño Lindo is a Venezuelan carol that evokes the image of the Virgin Mary rocking the Christ-child while singing a lullaby. Its lyrics state, in part:Niño lindo, ante ti me rindo, Niño lindo, eres tú mi Dios. (Beautiful boy, before you I surrender, Beautiful boy, you are my God.)A popular version of the carol, by American missionary and pastor George Lockwood, translates the opening lines as Child so lovely, here I kneel before you, Child so lovely, you are Christ, my God.Featuring simple-but-engaging melodies and Latin rhythms, Niño Lindo is ideal as a change-of-pace selection on a program of Christmas carols.Copyright 2020 Todd Marchand / ConSpiritoMusic.com. Visit www.conspiritomusic.com
$15.00
A Billings Triptych - for 8-Part Brass Choir
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Pa
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
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