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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
the give and the take
Non classifié
254
Piano & claviers
Piano seul
134
Piano, Voix
44
Piano, Voix et Guitare
22
Piano Facile
15
1 Piano, 4 mains
7
Instruments en Do
4
Orgue
4
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
24
Guitare notes et tablatures
8
Ukulele
6
Paroles et Accords
3
3 Guitares (trio)
3
Ligne De Mélodie, (Paroles) et Accords
3
4 Guitares (Quatuor)
2
Banjo
1
2 Guitares (duo)
1
Basse electrique
1
Guitare (partie séparée)
1
+ 6 instrumentations
Retracter
Voix
Chorale Unison
352
Chorale SATB
117
Chorale 2 parties
23
Chorale 3 parties
19
Chorale TTBB
13
Chorale SSAA
7
Voix duo, Piano
5
Voix Alto, Piano
4
Voix Soprano, Piano
4
Soli, choeur mixte et accompagnement
3
Voix Tenor, Piano
2
Chorale SSATTB
1
Voix haute
1
Chorale SAATB A Cappella
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
+ 11 instrumentations
Retracter
Vents
Ensemble de saxophones
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Quatuor de Saxophones: 4 saxophones
9
Quintette de Saxophone: 5 saxophones
8
Flûte traversière et Piano
8
Clarinette et Piano
7
Saxophone Alto et Piano
7
Flûte, Hautbois, Clarinette, Basson
6
Ensemble de Clarinettes
5
Hautbois, Piano (duo)
5
Saxophone Tenor et Piano
5
2 Flûtes traversières (duo)
5
2 Clarinettes (duo)
4
Ensemble de Flûtes
4
2 Saxophones (duo)
3
Saxophone (partie séparée)
3
Saxophone Soprano et Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte, Alto et Piano
2
Saxophone Baryton, Piano
2
Flûte et Guitare
2
Flûte traversière
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Clarinette, Violon (trio)
1
Hautbois, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
3 Clarinettes (trio)
1
Saxophone Alto
1
2 Clarinettes, Basson
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Alto
1
Clarinette
1
Clarinette Basse, Piano
1
3 Saxophones (trio)
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette (duo)
1
2 Saxophones, Piano
1
+ 32 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Quatuor de Cuivres
15
Trombone (partie séparée)
5
Ensemble de Trombones
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Ensemble de Trompettes
4
Cor et Piano
4
Cor (partie séparée)
3
Trompette (partie séparée)
3
Trompette, Piano
3
Ensemble de Cors
3
Trompette
3
Tuba et Piano
3
Euphonium, Piano (duo)
3
Trombone et Piano
3
2 Trombones (duo)
2
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Euphonium (duo)
1
4 Tubas
1
2 Cors (duo)
1
Trombone, Orgue
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba (partie séparée)
1
Trombone et orchestre
1
Cor
1
Quatuor de cuivres: 4 cors
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Trio à Cordes: violon, alto, violoncelle
32
Violon et Piano
10
Violon
9
Violoncelle, Piano
8
Violon, Violoncelle (duo)
7
Harpe
6
Violoncelle
6
Alto, Piano
6
2 Violons (duo)
6
Violon (partie séparée)
3
Contrebasse (partie séparée)
2
Alto seul
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Voix
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violons
1
Violoncelle, Contrebasse (duo)
1
Contrebasse, Piano (duo)
1
4 Contrebasses
1
Ensemble d'Altos
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
136
Orchestre à Cordes
39
Cloches
24
Orchestre
23
Ensemble de cuivres
18
Ensemble Jazz
14
Orchestre de chambre
6
Fanfare
5
Jazz combo
2
Batterie
2
Ensemble de Percussions
2
Xylophone, Piano
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Crtitères actifs :
the give and the take
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Partitions à imprimer
5 partitions trouvées
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Breeze And I
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Al Stillman and Ernesto Lecuon
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F
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Breeze And I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1164066 Composed by Al Stillman and Ernesto Lecuona. Arranged by F. Leslie Smith. Multicul...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1164066 Composed by Al Stillman and Ernesto Lecuona. Arranged by F. Leslie Smith. Multicultural,Pop,Standards,World. Score and parts. 37 pages. Sweetwater Brass Press #764401. Published by Sweetwater Brass Press (A0.1164066). Ernesto Lecuona was born 1895 in Cuba.  He began piano lessons at 5 years of age and developed into a virtuoso pianist and internationally celebrated composer.  In 1928 he composed Suite AndalucÃa, a six-movement piano piece portraying the people and places of the Andalusia region of southern Spain.  Two of those pieces eventually achieved tremendous popularity as standalone songs:  #2, “Andalucia†and #6, “Malagueña.† Lecuona had composed both in ¾ time.  Salvador Tutti Camarata reframed “Andalucia†in 4/4, Al Stillman provided English lyrics and the song was given a new title, “The Breeze and I.† Jimmy Dorsey’s big band recorded it in 1940 with the vocal by Bob Eberly.  It was hugely popular, lasting nine weeks on the Billboard magazine chart and peaking at #2.  Fifteen years later, Caterina Valente recorded both “The Breeze and I†and “Malagueña†to great success.    This arrangement opens in A-flat major with Trumpets, Horn and Tuba laying down a Latin beat and the Trombone playing an opening lick.  After the introduction, Trombone and Trumpets take turns with the melody, while Horn and Tuba provide variety and accents.  On the second time through, the key changes to E-flat major and begins with a Trumpets-and-lower-brass fanfare.  The melody repeats, but this time with a different take.  Horn and Trombone take turns with melody and counter melody, then Trumpets take over.  After several cascade effects, the tune reaches its end and Trumpets play an extended version of Trombone’s lick from the introduction.  The group then repeats the final 16 bars of the tune and winds up with an extended ending treatment.  Trombone once again contributes its opening lick, and the arrangement fades away . . . all to a Latin beat.  Enjoy!    Time signature is 2/2 and suggested tempo is 72 BPM, which is maintained all the way through.  There are two instances of a one-bar change to 3/2.  The fanfare at Section C contains a measure and a half of 16th notes.  All notes are well within the normal playing range of the five instruments.    Completed in 2023, performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
There's A Tavern In The Town
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Contemporain
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Lawrence Welk and Traditional
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Peet du Toit
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There's A Tavern In The Town
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802629 Composed by Lawrence Welk and Traditional. Arranged by Peet du Toit. Contemporary. ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802629 Composed by Lawrence Welk and Traditional. Arranged by Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #6050765. Published by Peet du Toit (A0.802629). There Is a Tavern in the Town is a traditional folk song, which first appeared in the 1883 edition of William H. Hill's Student Songs. The song was the college anthem of Trinity University College.It was famously performed by Rudy Vallée as The Drunkard Song, slightly changing the chorus. While recording the last verses of the song, Vallée started to laugh uncontrollably given the corny lyrics. He and his band recorded the song again without laughing, but Victor released both takes in 1934. He also performed the song in the film Sweet Music.Here's my interpretation for a brass quintet. Enjoy!
$13.00
The Boy.... (A Londonderry Air) for Brass Ten Piece Ensemble
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Celtique/Irlandais
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Irish Trad
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Graham Boag
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The Boy....
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Graham Boag
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.780009 Composed by Irish Trad. Arranged by Graham Boag. Celtic. Score and parts. 24 pages....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.780009 Composed by Irish Trad. Arranged by Graham Boag. Celtic. Score and parts. 24 pages. Graham Boag #3878543. Published by Graham Boag (A0.780009). This arrangement takes the familiar Irish Traditional tune 'A Londonderry Air' and gives it a bit of a Jazz Ballad treatment with rich and lush chording. It features the French Horn who takes the lead. It has proven to be very much liked by audiences across the world who have heard it. .
$15.99
Ballade (Op.100)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Shaun Humphries
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Shaun Humphries
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Ballade
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Shaun Humphries
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1093745 By Shaun Humphries. By Johann Friedrich Burgmuller. Arranged by Shaun Humphries. B...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1093745 By Shaun Humphries. By Johann Friedrich Burgmuller. Arranged by Shaun Humphries. Baroque,Contest,Festival. Score and parts. 13 pages. Shaun Humphries #697825. Published by Shaun Humphries (A0.1093745). Ballade is a great piece to stretch your tuba player and give them something a little more interesting to play! Ballade for brass quartet is taken from '25 etudes faciles et progressives pour le piano Op. 100' by J. F. F. Burgmuller. This arrangement contains F and Eb horn alternative parts to trombone, the trombone part in both treble and bass clef and tuba (bass clef), with transposed Eb and Bb Bass parts.
$9.99
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the give and the take