With ten of the most popular pieces for wedding ceremonies, this intermediate-level collection is perfect for aspiring and professional musicians alike. Arranged for brass quintet.

Air on the G String
Bridal Chorus
Canon in D
Clair de Lune
The Four Seasons (Spring)
Jesu, Joy of Man's Desiring
Ode to Joy
Prelude No. 1 from the Well-Tempered Clavier Bk 1
Trumpet Voluntary
Wedding March

Includes all scores and parts.

Intimate and delicate. With some added development to make the folk-like structure a little more tasty.

Listen here: https://youtu.be/35j6ChJ4P7Y

Stand by Me "Stand by Me" is a song originally performed by American singer-songwriter Ben E. King, written by King, Jerry Leiber and Mike Stoller. According to King, the song title is derived and was inspired by a spiritual composition by Sam Cooke called "Stand by Me Father" (although Mike Stoller has stated differently). This spiritual was sung by The Soul Stirrers with Johnnie Taylor singing lead. There have been over 400 recorded versions of "Stand by Me" performed by many artists. The song has been featured on the soundtrack of the 1986 film Stand by Me. It is arranged for brass quintet: the melody is shared amongst the 4 upper instruments. The tuba plays the well known bass "riff"(which is given to the trombone for 8 bars to give the tubist a breather!) Enjoy!

"It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington, with lyrics by Irving Mills, now accepted as a jazz standard, characterized by jazz historian Gunther Schuller as "now legendary", "a prophetic piece and a prophetic title". The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra for Brunswick Records (Br 6265) on February 2, 1932. This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone and Tuba. It is suitable for repertoire, classroom and recital.

What A Wonderful World by George David Weiss and Bob Thiele, arranged by Craig Garner for Brass Quintet. The hopeful and optimistic words of this song were intended as an antidote for the climate of increasing racial and political divide in the US during the late 1960's. The song was specifically written for Louis Armstrong because of his ability to bring together people from different races. Since that time, the song has become a standard, also appearing in TV and film. This arrangement comes with a full score and set of parts: 2 B-flat trumpets, horn, trombone and tuba. Performance time, 2:20 (4:45 with optional repeat). Published by Dorm 40 Music, www.dorm40music.com .

The marvelous jazz composition of Duke Ellington's mastery transcribed for Brass Quintet (set of parts includes Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba). This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

You have the option to mute the French Horn during the first section but it is open on the soli section. * I arranged this for Brass Quintet because I was tired of performing inappropriate arrangements with almost stereotypical stylings. There is only one other arrangement out there that is a pretty good arrangement that wouldn't offend your "Latino" audience. Written by Jose Feliciano, it is a pop tune (latin Rock) and not a traditional Christmas carol as some people have mistakenly called this work. A very popular selection at Christmas and a chart that would be "inclusive", you really should have an arrangement of this in your Christmas folder. So, if you have the Maracas to play this, have at it .(Maracas/Clave part included).

Adele's soaring melodies and interesting harmonies ensured that this song has the huge popularity it deserves. Presented here for brass quintet, the melody is frequently passed around, with strong use being made of the versatility of the ensemble.