God Bless America for Brass Quintet with Optional Drums
By Irving Berlin Arranged by Jari Villanueva
Brass Quintet arrangement of this iconic American tune that's perfect for a ceremony or sing-a-long. Drums are optional and Eb Horn and TC sub part for Trombone are provided.
Great for any patriotic event, July 4th or Independence Day celebration, or as a great way to end a concert.
This will also sound great with parts doubled to make a brass ensemble.
https://youtu.be/XTdGno-66tA
Full Score
2 Trumpets in Bb
Horn in F
Trombone
Tuba
Drums (optional)
Optional sub parts for Eb Horn and TC Trombone provided

The worldwide famous jazz standard in a stunning arrangement!

Score and Parts. Perfect - Ed Sheeran for Brass Quintet. Intermediate level.

One of the best-loved gospel songs worldwide, ?How Great Thou Art? began as a nine-stanza hymn of praise, ?O Store Gud? (?O Great God?), written in 1885 by Swedish poet and lay minister Carl Gustav Boberg (1859?1940). In 1891 Boberg published the poem, accompanied by a Swedish folk melody, in Sanningsvittnet (Witness for the Truth), a weekly Christian journal of which he was editor. Today, the tune is commonly named ?Sanningsvittnet? in hymnals. From its Swedish origins, the text was translated to German in 1907, then to Russian in 1912. The Russian text became the basis for a translation to English by Stuart W. K. Hine (1899?1989), a British Methodist missionary who discovered it in 1931 while on mission in the Ukraine. Hine's work commonly contains four verses: the first two being a relatively close translation of stanzas by Boberg, and the latter two being original verses by Hine. Published in 1949, ?How Great Thou Art? gained great popularity in North America after George Beverly Shea began singing it in the Billy Graham evangelistic crusades in 1955. It has been named the #1 favorite hymn by respondents to various polls in both the United States and United Kingdom. ©Copyright 2013 Todd Marchand / ConSpiritoMusic.com

Beauty and the Beast, from "Beauty and the Beast", arranged for brass quintet. 1 of 3 arrangements from "Beauty and the Beast" being sold, including "Belle" and "Be Our Guest". This timeless classic is great for any brass quintet and will be sure to please a crowd.

?Were You There? is a nineteenth-century African-American spiritual that likely predates the American Civil War, and may have roots in a folk hymn known in Tennessee as ?Have You Heard How They Crucified MyLord?? It was first published in William Eleazar Barton's 1899 Old Plantation Hymns; and in 1940, it was included in the hymnal of the Episcopal Church with harmonization by C. Winfred Douglas, making it the first spiritual to be included in any major American hymnal. This arrangement evokes the call-and-response tradition of the spiritual, and features solo trumpet answered by low brass in the introduction and first stanza, solo trombone/low brass trio in the second stanza, and full ensemble in the final stanza. Although appropriate for use throughout the year, it is particularly fitting for performance on Good Friday, Holy Saturday (Easter Vigil) and Easter sunrise services. This intermediate-level arrangement is suitable for ensembles from high school to community and professional musicians. ©Copyright 2015 Todd Marchand / ConSpiritoMusic.com

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Valerie was written by The Zutons and featured on their second album, but made famous by Amy Winehouse, who sang the song on Mark Ronson's track, again for his second album. This arrangement should be a first for your repertoire if you need music for a lively and energetic occasion. Duration: 3.15 www.maxstannardmusic.com @MStannardMusic.

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I have composed this Brass Quintet No.2 so that each movement can be performed as a piece by itself, so it is not necessary to perform the whole quintet. The Brass Quintet has three movements and this is movement 2.

?Silent Night? is surely one of the most beautiful Christmas carols, and this arrangement frames it in a graceful and fitting setting. After a quiet introduction, the first verse features the melody in hymn-like fashion with a countermelody in the horn. In the second verse, the trumpets play gentle embellishments. And in the third verse, melody and counterpoint shift from instrument to instrument until the final phrase, where all join for the last few chords, and the trumpet plays a soft arpeggio figure. This arrangement was completed in 2012, and performance time runs about 2 minute, 21 seconds. This version is also available for brass quintet with a second trombone (instead of Horn in F). For information, contact the arranger, Les Smith, at lessmith@ufl.edu. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.